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艺术家：克劳斯・麦凯莱，巴黎管弦乐团
标题：柏辽兹：《幻想交响曲》。拉威尔：《圆舞曲》
发行年份：2025 年
厂牌：迪卡（Decca）
流派：古典音乐
音质：FLAC（分轨）/24 位 - 96 千赫兹 FLAC（分轨）
总时长：1 小时 08 分 11 秒
总大小：308 兆字节 / 1.13 吉字节
网站：专辑预览
曲目列表
柏辽兹：《幻想交响曲》，H.48：I. 幻想 —— 激情（14 分 56 秒）
柏辽兹：《幻想交响曲》，H.48：II. 舞会。圆舞曲（6 分 42 秒）
柏辽兹：《幻想交响曲》，H.48：III. 田野景色（17 分 00 秒）
柏辽兹：《幻想交响曲》，H.48：IV. 赴刑进行曲（6 分 49 秒）
柏辽兹：《幻想交响曲》，H.48：V. 安息日夜梦（9 分 57 秒）
拉威尔：《圆舞曲》，M.72（12 分 50 秒）
克劳斯・麦凯莱与巴黎管弦乐团的新专辑将于 2025 年 6 月 6 日星期五由迪卡古典发行。这是麦凯莱与该乐团合作系列的第三张专辑，收录两部著名法国作品：柏辽兹的《幻想交响曲》和拉威尔的《圆舞曲》。
专辑的核心是 2024 年 12 月在巴黎爱乐大厅现场录制的《幻想交响曲》。“柏辽兹的这部杰作对巴黎管弦乐团有着特殊意义，” 克劳斯・麦凯莱表示，“它是首任音乐总监夏尔・芒什 1967 年指挥乐团演奏并录制的作品之一，此后一直是乐团的核心曲目。我很荣幸能与这些出色的音乐家在国内外多次演绎《幻想交响曲》，令人惊叹的是，这部作品在创作近 200 年后的今天依然充满新鲜感。”
去年夏天，麦凯莱与乐团在 BBC 逍遥音乐节上的演出广受赞誉。《卫报》形容这场在皇家阿尔伯特音乐厅的音乐会 “令人振奋”，并补充道：“一切都恰到好处：麦凯莱让我们在瞬间沉浸于每个音符，乐团的演奏如全明星阵容般精彩。”Bachtrack 称这场演出 “五个乐章兼具华丽与细腻”，《艺术 desk》则认为终章 “最终成就了真正非凡的巅峰”。
柏辽兹 1830 年创作这部交响曲时，灵感源自莎士比亚、贝多芬以及他对女演员哈里特・史密斯森的爱慕。他运用一个反复出现的音乐主题 —— 即他所称的 “固定乐思”—— 来象征艺术家的执念。这部作品以其大胆的配器和情感叙事，在当时被视为革命性的突破。
这是麦凯莱与巴黎管弦乐团系列的第三张专辑，延续了与俄罗斯芭蕾舞团相关音乐的主题。继此前收录斯特拉文斯基和德彪西作品的专辑后，这张新作转向拉威尔的《圆舞曲》。尽管该作品最初是为迪亚吉列夫的俄罗斯芭蕾舞团创作，却出人意料地遭到拒绝，如今已成为拉威尔最激动人心的管弦乐作品之一。
Artist: Klaus Mäkelä, Orchestre de Paris
Title: Berlioz: Symphonie fantastique. Ravel: La Valse
Year Of Release: 2025
Label: Decca
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:08:11
Total Size: 308 MB / 1.13 GB
WebSite: Album Preview
Tracklist:
1. Berlioz: Symphonie fantastique, H. 48: I. Rêveries – Passions (14:56)
2. Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse (6:42)
3. Berlioz: Symphonie fantastique, H. 48: III. Scène aux champs (17:00)
4. Berlioz: Symphonie fantastique, H. 48: IV. Marche au supplice (6:49)
5. Berlioz: Symphonie fantastique, H. 48: V. Songe d'une nuit de sabbat (9:57)
6. Ravel: La valse, M. 72 (12:50)
Klaus Mäkelä’s forthcoming album with the Orchestre de Paris will be released on Friday, June 6, 2025 on Decca Classics. This is the third album in Mäkelä’s series with the orchestra and features two famous French works: Berlioz’s Symphonie fantastique and Ravel’s La Valse.
The centerpiece of the album is Symphonie fantastique, recorded live at the Philharmonie de Paris in December 2024. “Berlioz’s masterpiece has a very special meaning for the Orchestre de Paris” says Klaus Mäkelä. “It was one of the works that Charles Munch performed and recorded as the orchestra’s first Music Director in 1967, and it has remained core to their repertoire ever since. I have had the privilege of performing Symphonie Fantastique with these wonderful musicians on numerous occasions, both at home and on tour, and it amazes me how fresh the music still feels today, nearly 200 years after it was composed.”
Mäkelä and the orchestra received widespread acclaim for their performance of the work at the BBC Proms last summer. The Guardian described the Royal Albert Hall concert as “electrifying”, adding “something just clicked: Mäkelä had us all hanging on every note within seconds, and the orchestra played like a team of all-stars.” Bachtrack described the performance as “five movements of flamboyance and subtlety,” and The Arts Desk called the finale “the culmination of something at last truly extraordinary.”
Berlioz was inspired by Shakespeare, Beethoven, and his love for the actress Harriet Smithson when he wrote the symphony in 1830. He used a recurring musical theme—what he called an idée fixe—to represent the artist’s obsession. The piece was considered revolutionary at the time for its bold orchestration and emotional storytelling.
This is the third release in Mäkelä’s series with the Orchestre de Paris, continuing a theme of music linked to the Ballets Russes. Following albums featuring Stravinsky and Debussy, this new release turns to Ravel’s La Valse. Although originally intended for Diaghilev’s Ballets Russes, the piece was famously rejected and is now known as one of Ravel’s most exciting orchestral works.
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