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01-科德文托室内乐团 维瓦尔第:四季 2013 Hi-Res 24bits - 44.1kHz

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Erik Bosgraaf, Ensemble Cordevento - Vivaldi The Four Seasons (2013).jpg Erik Bosgraaf, Ensemble Cordevento - Vivaldi The Four Seasons (2013) back.jpg



艺术家:埃里克·博斯格拉夫、科德文托室内乐团  
标题:科德文托室内乐团   维瓦尔第:四季  
发行年份:2013年  
厂牌:辉煌古典  
流派:古典  
音质:无损FLAC/24位-44.1kHz FLAC  
总时长:00:40:10  
总大小:198兆字节/388兆字节  
网站:专辑预览  

曲目列表  
01. E大调第一协奏曲,RV.269“春”:I. 快板  
02. E大调第一协奏曲,RV.269“春”:II. 广板  
03. E大调第一协奏曲,RV.269“春”:III. 快板,田园舞曲  
04. g小调第二协奏曲,RV.315“夏”:I. 不过分的快板  
05. g小调第二协奏曲,RV.315“夏”:II. 柔板  
06. g小调第二协奏曲,RV.315“夏”:III. 急板,夏日的狂风暴雨  
07. F大调第三协奏曲,RV.293“秋”:I. 快板  
08. F大调第三协奏曲,RV.293“秋”:II. 柔板  
09. F大调第三协奏曲,RV.293“秋”:III. 快板,狩猎  
10. f小调第四协奏曲,RV.297“冬”:I. 不过分的快板  
11. f小调第四协奏曲,RV.297“冬”:II. 广板  
12. f小调第四协奏曲,RV.297“冬”:III. 快板  


埃里克·博斯格拉夫与科德文托室内乐团 - 维瓦尔第:四季(2013年高解析度录音)  

维瓦尔第的《四季》是全球最受欢迎且录音版本最多的作品集之一,自1725年作为作曲家作品第8号的一部分首次出版后,立即风靡全球。毫无疑问,其模仿性的直白风格——以极具暗示性的方式描绘音乐之外的现象(如“吠犬”“醉汉沉睡”等甚至被写入总谱)——在当时引起了轰动,轻松跨越了贵族沙龙与平民酒馆的界限。如今亦然:这些协奏曲既由小提琴大师演绎,也被著名摇滚音乐人改编;它们通过乐谱的重新想象与改编,不断以新面貌呈现。  

这正是埃里克·博斯格拉夫在这张录音中的切入点:他选择将小提琴声部改编为长笛演奏,并解释道:“小提琴部分几乎无需太多改动,就能以惊人的流畅度在长笛上演奏。在某些方面,它甚至比维瓦尔第专为长笛创作的协奏曲更合适!”多年前,博斯格拉夫曾与交响乐团合作演出《四季》,而在本专辑中,他希望通过自己创立的巴洛克小乐团“科德文托”(与乐手彼此知根知底)尽可能接近理想中的演绎。博斯格拉夫的目标是让这四首传奇协奏曲听起来仿佛最初就是为长笛而作——而成果值得称赞:管乐器与伴奏弦乐的对比,揭示了此前未被聆听的层次与细节。正如独奏家本人所言:“用全新的耳朵聆听维瓦尔第,尽情享受吧!”

Artist: Erik Bosgraaf, Ensemble Cordevento
Title: Vivaldi: The Four Seasons
Year Of Release: 2013
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz
Total Time: 00:40:10
Total Size: 198 / 388 mb
WebSite: Album Preview

Tracklist

01. Concerto No. 1 in E Major, RV. 269 "La primavera": I. Allegro
02. Concerto No. 1 in E Major, RV. 269 "La primavera": II. Largo
03. Concerto No. 1 in E Major, RV. 269 "La primavera": III. Allegro. Danza Pastorale
04. Concerto No. 2 in G Minor, RV. 315 "L'estate": I. Allegro non molto
05. Concerto No. 2 in G Minor, RV. 315 "L'estate": II. Adagio
06. Concerto No. 2 in G Minor, RV. 315 "L'estate": III. Presto. Tempo impetuoso d'estate
07. Concerto No. 3 in F Major, RV. 293 "L'autunno": I. Allegro
08. Concerto No. 3 in F Major, RV. 293 "L'autunno": II. Adagio
09. Concerto No. 3 in F Major, RV. 293 "L'autunno": III. Allegro. La caccia
10. Concerto No. 4 in F Minor, RV. 297 "L'inverno": I. Allegro non molto
11. Concerto No. 4 in F Minor, RV. 297 "L'inverno": II. Largo
12. Concerto No. 4 in F Minor, RV. 297 "L'inverno": III. Allegro

Erik Bosgraaf, Ensemble Cordevento - Vivaldi: The Four Seasons (2013) [Hi-Res]

Vivaldi’s Four Seasons is one of the world’s most popular and widely recorded collections of music, a set that instantly became an international hit after it was first published at part of the composer’s Op.8 in 1725. No doubt it was its imitative directness – extra musical occurrences/phenomena evoked in an extremely suggestive manner and even written into the score, such as “the barking dog” or “the drunkards’ sleep” etc. – that caused such as sensation in its time, effortlessly bridging the gap between the salons of the highborn and the alehouses of the lowly. Today nothing has changed: the concertos are performed both by great violin virtuosos and famous hard rockers; they are works that are constantly being presented in new guises through the re‐imagining and reworking of the musical score.

Such is the standpoint adopted on this recording by Erik Bosgraaf, who has chosen here to adapt the violin part for recorder, explaining how “the violin part can be played on the recorder with surprising ease, without many changes. In some ways it works even better than concertos Vivaldi wrote specifically for the recorder!” Years ago Bosgraaf performed The Four Seasons with a symphony orchestra; for the present album, however, he wanted to approach his ideal as closely as possible using Cordevento, a small baroque ensemble he founded himself, knowing all the musicians through and through. Bosgraaf’s aim is to make the four legendary concertos sound as if they had been written for the recorder in the first place – and the results are laudable, with the contrasts between the wind instrument and the accompanying strings revealing previously unheard stratifications and details. As the soloist himself puts it, “Listen to Vivaldi with fresh ears and enjoy!”

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