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艺术家：基里尔·特鲁索夫、魏玛国家管弦乐团、何塞·塞雷布里耶、魏玛国家管弦乐团
标题：魏玛国家管弦乐团 帕蒂塔、波兰舞曲与小提琴协奏曲
发行年份：2008/2012
厂牌：拿索斯
流派：古典
音质：无损FLAC/24位-96.0kHz FLAC（含乐谱）
总时长：01:05:27 / 01:02:55
总大小：276兆字节//314兆字节/1.19吉字节
网站：专辑预览
曲目列表
施瓦茨-席林：管弦乐作品，第一卷
01. 引子：行板
02. 引子与赋格：赋格（有力的快板）
03. C大调交响曲：I. 行板 - 活泼而辉煌的快板
04. C大调交响曲：II. 歌唱性行板
05. C大调交响曲：III. 稍动的行板 - 急板
06. 自然音交响曲：I. 稍动的行板 - 急板
07. 自然音交响曲：II. 广板
08. 自然音交响曲：III. 清晰有力的快板
在许多同时代作曲家拥抱十二音体系之际，著名德国作曲家莱因哈德·施瓦茨-席林从音乐调性基础的巨大潜力中汲取灵感，创作出丰富多样且极具个人风格的作品。1956年为小型管弦乐团创作的《自然音交响曲》在此处首次全球录音，其特点是精致的工艺和轻盈的古典主义，在德国战后交响曲的背景下令人耳目一新。1963年的《C大调交响曲》采用更大的管弦乐编制，包括三重木管和铜管，其结构巧妙、和声与调性更加自由，动态与抒情性之间充满活力又有机的对比尤为突出。
施瓦茨-席林：管弦乐作品，第二卷
01. 波兰舞曲
02. 帕蒂塔：I. 入场 - 快板
03. 帕蒂塔：II. 舞曲
04. 帕蒂塔：III. 坎佐纳：宽广庄严地
05. 帕蒂塔：IV. 稍宽广的
06. 小提琴协奏曲：I. 序曲：稍绵延的 - 活跃的快板
07. 小提琴协奏曲：II. 咏叹调
08. 小提琴协奏曲：III. 终曲：精神饱满的快板
所谓的“失落的一代”德国作曲家包括许多生活被1933年后的事件塑造的人。莱因哈德·施瓦茨-席林就是其中之一，他是一位具有深刻精神内涵的作曲家，1953年的《小提琴协奏曲》植根于他的战时经历。这部作品结构巧妙，巧妙地唤起巴赫的影响，却完全不接受新古典主义。动人的慢乐章之后是终章，将技巧与舞蹈般的魅力结合在一起。《帕蒂塔》因其色彩和活力备受赞赏，而《波兰舞曲》则是一部更轻快的作品，充满了高昂的精神。格莱美奖得主、指挥家兼作曲家何塞·塞雷布里耶是当今录音最多的古典艺术家之一。近年来，他获得了39项格莱美提名。他的《第一交响曲》（8.559648）在塞雷布里耶17岁时由利奥波德·斯托科夫斯基（曾首演他的多部作品）首演，作为当时仍无法演奏的艾夫斯《第四交响曲》的最后一分钟替代曲目。
Artist: Kirill Troussov, Staatskapelle Weimar, José Serebrier, Weimar Staatskapelle
Title: Reinhard Schwarz-Schilling: Partita, Polonaise & Violin Concerto
Year Of Release: 2008/2012
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:05:27 / 01:02:55
Total Size: 276 mb // 314 mb / 1.19 gb
WebSite: Album Preview
Tracklist
Schwarz-Schilling: Orchestral Works, Vol. 1
01. Introduction: Andante
02. Introduction and Fugue: Fugue (Allegro marcato)
03. Symphony in C Major: I. Andante - Allegro assai vivace e con brio
04. Symphony in C Major: II. Andante cantabile
05. Symphony in C Major: III. Andante con moto - Presto
06. Sinfonia diatonica: I. Andante con moto - Presto
07. Sinfonia diatonica: II. Largo
08. Sinfonia diatonica: III. Ben marcato assai mosso
Inspired by the vast potential of the tonal foundation of music, at a time when many of his contemporaries were embracing the twelve tone ideology, the eminent German composer Reinhard Schwarz-Schilling produced a rich, varied and highly personal body of work. The 1956 Sinfonia diatonica for small orchestra, which here receives its world première recording, is characterized by filigree craftsmanship and a lithe classicism that are very refreshing in the context of the German post-war symphony. The 1963 Symphony in C, scored for a much larger orchestra, including triple woodwind and brass, is notable for its inventive structure, increased harmonic and tonal freedom, and a restless yet organic contrast of dynamism and lyricism.
Schwarz-Schilling: Orchestral Works, Vol. 2
01. Polonaise
02. Partita: I. Entrata - Allegr
03. Partita: II. Tan
04. Partita: III. Canzona: Breit, feierlic
05. Partita: IV. Etwas brei
06. Violin Concerto: I. Ouverture: Poco sostenuto - Allegro vivo
07. Violin Concerto: II. Ari
08. Violin Concerto: III. Finale. Allegro con spirito
The so-called 'lost generation' of German composers includes many whose lives were shaped by events after 1933. One such was Reinhard Schwarz-Schilling, a composer of strong spiritual depth whose 1953 Violin Concerto was rooted in his wartime experiences. Ingeniously constructed, it subtly evokes the influence of Bach, without at all embracing neo-classicism. Its moving slow movement is followed by a finale that marries virtuosity with dance-like magnetism. The Partita is much admired for its colour and vitality, whilst the Polonaise is a lighter work, brimming with high spirits. GRAMMY-®-winner conductor and composer Jos+ª Serebrier is one of today's most recorded classical artists. He has received 39 GRAMMY-® nominations in recent years. His First Symphony (8.559648) was premi+¨red by Leopold Stokowski (who premi+¨red several of his works) when Serebrier was 17, as a last-minute replacement for the then still unplayable Ives Fourth Symphony.
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