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艺术家：世界和谐乐团，克劳迪奥·阿斯特罗尼奥
标题：布鲁恩斯：康塔塔全集
发行年份：2016年
厂牌：辉煌古典唱片
类型：古典音乐
音质：无损FLAC格式/24位-96.0千赫兹FLAC格式+小册子
总时长：02:19:01
总大小：649兆字节/2.47千兆字节
网站：专辑预览
曲目列表
01. 我的心已准备好
02. 止住你们的泪潮
03. 我从深处呼求，A小调
04. 我离别之时已至
05. 普世向主欢呼
06. 啊，尊贵的圣灵
07. 我的心已就绪
08. 我躺下沉睡
09. 圣洁基督已复活
10. 敬畏主的人有福了
11. 主在天上设立宝座
12. 人在世上岂不是常遇患难
世界和谐乐团，克劳迪奥·阿斯特罗尼奥 - 《布鲁恩斯：康塔塔全集》（2016年）[高解析度]
尼古劳斯·布鲁恩斯年仅32岁便英年早逝，但其对巴赫之前一代北德音乐界的影响极为深远，尤其是对约翰·塞巴斯蒂安·巴赫本人。目前仅存17部作品，包括此处呈现的12首宗教康塔塔。这些作品创作于1689至1697年间，无疑是为特定委托而作（尽管委托细节已失传），但其形式与编制多样，适用于不同场合。正如乐谱所示，布鲁恩斯合作的乐手水平差异显著：部分仅具普通演奏技巧，另一些则是令人赞叹的 virtuoso 演奏家。
尽管存在这种多样性，布鲁恩斯的康塔塔在形式上却不失严谨。其和声与声部进行充满日耳曼风格的感性，而主题运用的轻盈感则更接近意大利风格，这表明布鲁恩斯在丹麦宫廷任职期间可能接触过意大利音乐家。部分康塔塔的声乐段落展现出真正的器乐化 virtuosity，如《普世向主欢呼》，其中男高音声部是该体裁中最具挑战性的段落之一，预示了巴赫的女高音独唱康塔塔《普世向主欢呼》（BWV51）。其他康塔塔的华丽器乐助奏部分（如男低音康塔塔《我的心已就绪》中的小提琴独奏）亦为先驱：参与演奏的乐手可能包括约翰·冯·韦托夫和海因里希·比贝尔——他们如今以作曲家身份被铭记，却曾是那个时代技艺最精湛的器乐演奏家。
整体而言，这套作品集为深入理解巴赫成长的音乐文化提供了珍贵契机。《止住你们的泪潮》的旋律简洁性，几乎让人联想到路德宗礼拜仪式的庄严感，摒弃了地中海作曲家钟爱的装饰性元素。世界和谐乐团与克劳迪奥·阿斯特罗尼奥已为辉煌古典唱片录制多部备受赞誉的巴洛克作品，包括亚历山德罗·斯特拉代拉的三张专辑：咏叹调（BC94258）、二重唱（BC94343）及清唱剧《苏珊娜》（BC94345）。
尼古劳斯·布鲁恩斯（1665-1697）生于丹麦，曾引起布克斯特胡德的注意，成为其最具天赋的得意门生。他曾任丹麦皇家宫廷作曲家，却在31岁时猝然离世，终结了辉煌的职业生涯。布鲁恩斯的许多作品已失传。年轻的约翰·塞巴斯蒂安·巴赫对其声乐作品推崇备至，这种影响在巴赫的早期创作中清晰可辨。
这张新录音呈现了布鲁恩斯的康塔塔全集，以“幻想风格”写成，展现出显著的形式自由与情感表达。
由4位杰出的声乐独唱家与世界和谐乐团共同演绎，克劳迪奥·阿斯特罗尼奥指挥——他此前已为辉煌古典唱片成功录制过亨德尔、卡贝松（全集）、威廉·弗里德曼·巴赫及斯特拉代拉的作品。
Artist: Harmonices Mundi, Claudio Astronio
Title: Bruhns: Complete Cantatas
Year Of Release: 2016
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 02:19:01
Total Size: 649 mb / 2.47 mb
WebSite: Album Preview
Tracklist
01. Paratum cor meum
02. Hemmt eure Tränenflut
03. De profundis clamavi in A Minor
04. Die Zeit meines Abschieds ist vorhanden
05. Jauchzet dem Herren alle Welt
06. O werter heil'ger Geist
07. Mein Herz ist bereit
08. Ich liege und schlafe
09. Erstanden ist der heilige Christ
10. Wohl dem, der den Herren fürchtet
11. Der Herr hat seinen Stuhl im Himmel bereitet
12. Muss nicht der Mensch auf dieser Erden im steten Streite sein
Harmonices Mundi, Claudio Astronio - Bruhns: Complete Cantatas (2016) [Hi-Res]
Nicolaus Bruhns died at the age of just 32, but his influence on the North-German musical landscape in the generation before Bach was profound, not least on Johann Sebastian himself. Only 17 works survive, including the 12 sacred cantatas presented here. They were composed between 1689 and 1697, doubtless to specific commissions which have been lost, but given their diverse forms and forces, for varied situations. As the scores themselves reveal, the musicians with whom Bruhns worked varied considerably, some of them being of modest skill, while others where impressive virtuoso players.
Despite this variety, however, Bruhns’s cantatas did not lack formal rigour. While his harmony and voice-leading was Germanic in sensibility, his airy use of themes was more Italianate, suggesting that Bruhns had been in contact with Italian musicians while employed at the Danish court. Several of the cantatas have vocal parts of truly instrumental virtuosity such as Jauchzet dem Herren, alle Welt, one of the most demanding tenor parts within the genre, anticipating Bach’s solo soprano cantata Jauchzet allem Gott BWV51. Other cantatas also prefigure the Cantor of Leipzig with their ornate instrumental obbligato parts, such as the violin solo in the bass cantata Mein Herz ist bereit: the musicians involved may well have included Johann von Wethoff and Heinrich Biber, who are now remembered as composers but were among the most skilled instrumentalists of their day.
Taking the set in the round, it offers a valuable opportunity to understand better the culture in which Bach was nurtured. The melodic simplicity of Hemmt eure Trähnenfluht almost seems to evoke the severity of the Lutheran liturgy, shorn of embellishment and the decorative component so dear to the Mediterranean composers. Harmonices Mundi and Claudio Astronio have made several well-received albums of Baroque repertoire for Brilliant Classics, among them three album of Alessandro Stradella: arias (BC94258), duets (BC94343) and the oratorio Susanna (BC94345).
Nicolaus Bruhns (1665-1697) was born in Denmark, where he caught the attention of Buxtehude, becoming his most talented and favourite pupil. He became composer at the Danish Royal Court when his untimely death at age 31 ended a splendid career. Many works by Bruhns have been lost. The young Johann Sebastian Bach has a great admiration for the vocal works by Bruhns, and their influence may be clearly seen in Bach’s early works.
This new recording presents the complete Cantatas by Bruhns, written in the “Stylus Phantasticus” displaying a notable freedom of form and expression of feeling.
Performed by 4 excellent vocal soloists and the Harmonices Mundi, conducted by Claudio Astronio, who already recorded successfully for Brilliant Classics works by Handel, Cabezon (complete works) Wilhelm Friedemann Bach and Stradella.
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