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艺术家：铃木雅明
标题：布克斯特胡德：管风琴作品
发行年份：2010年
厂牌：BIS
流派：古典
音质：24位-44.1kHz FLAC/分轨FLAC
总时长：01:08:42
总大小：732兆字节/365兆字节
网站：专辑预览
曲目列表：
01. F大调托卡塔，BUXWV156 6分43秒
02. A小调前奏曲，BUXWV153 5分32秒
03. E小调恰空，BUXWV160 5分09秒
04. 荣耀经，BUXWV218 11分40秒
05. 我不离开上帝，BUXWV220 2分46秒
06. 我不离开上帝，BUXWV221 2分01秒
07. G小调前奏曲，BUXWV148 6分22秒
08. D小调托卡塔，BUXWV155 6分48秒
09. 主啊，信实的上帝，求你接纳我们，BUXWV207 8分02秒
10. 主耶稣基督，我向你呼求，BUXWV196 3分30秒
11. 第一调圣母颂，BUXWV203 7分29秒
演奏者：
铃木雅明 - 管风琴
铃木雅明使用阿尔滕布鲁克圣尼古拉教堂的克拉普迈耶管风琴与吕丁沃思圣雅各比教堂的 Wilde-Schnitger 管风琴演奏。
作为让20岁的约翰·塞巴斯蒂安·巴赫步行400多公里前往拜访的作曲家，迪特里希·布克斯特胡德在音乐史上占据着特殊地位。幸运的是，他的大量音乐作品（主要是声乐与管风琴作品）得以保存。布克斯特胡德的童年和青年时光在丹麦与瑞典交界海峡两侧的赫尔辛堡和埃尔西诺度过，后来被吕贝克（繁荣的汉萨城市）的玛丽恩大教堂会众聘为管风琴师。从这一经历及他的管风琴作品所展现的挑战性来看，他无疑是一位乐器演奏大师。他也必定深谙优质管风琴的精妙——当时最出色的管风琴多位于德国北部。吕贝克以西约130公里的小镇阿尔滕布鲁克和吕丁沃思，至今仍保存着两架这样的宏伟乐器，铃木雅明正是在这两架琴上演绎了布克斯特胡德多样的管风琴作品，从简短的众赞歌前奏曲到壮丽的《荣耀经》，再到著名的《E小调恰空》。
尽管铃木雅明因在BIS唱片公司持续推出备受赞誉的巴赫康塔塔系列而广为人知，但他的职业生涯实则始于12岁担任教堂管风琴师，随后在东京和阿姆斯特丹研习该乐器。此前他为BIS录制的巴赫《管风琴弥撒》（《美国唱片指南》称其为“兼具卓越乐感与高超技巧的管风琴家”）以及斯韦林克的管风琴作品专辑，曾获《留声机》推荐，《国际唱片评论》评价其“演奏在风格完整性与纯粹乐感上令人信服”。
Artist: Masaaki Suzuki
Title: Buxtehude: Organ Music
Year Of Release: 2010
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 01:08:42
Total Size: 732 Mb / 365 Mb
WebSite: Album Preview
Tracklist:
01. Toccata in F major, BuxWV156 6'43
02. Praeludium in A minor, BuxWV153 5'32
03. Ciacona in E minor, BuxWV160 5'09
04. Te Deum Laudamus, BuxWV218 11'40
05. Von Gott will ich nicht lassen, BuxWV220 2'46
06. Von Gott will ich nicht lassen, BuxWV221 2'01
07. Praeludium in G minor, BuxWV148 6'22
08. Toccata in D minor, BuxWV155 6'48
09. Nimm von uns, Herr, Du treuer Gott, BuxWV207 8'02
10. Ich ruf zu Dir, Herr Jesu Christ, BuxWV196 3'30
11. Magnificat Primi Toni, BuxWV203 7'29
Performers:
Masaaki Suzuki - organ
Masaaki Suzuki playing the Klapmeyer Organ of St Nicolai Church, Altenbruch and the Wilde-Schnitger Organ of St Jacobi Church, Lüdingworth.
As the composer that Johann Sebastian Bach at the age of twenty walked more than 400 kilometres in order to meet, Dietrich Buxtehude holds a place of honour in the history of music. Luckily, an important portion of his music, mainly vocal works and organ pieces, has also survived. Having spent his childhood and early years in Helsingborg and Elsinore, on either side of the strait that divides Denmark and Sweden, Buxtehude was recruited as organist by the congregation of the great Marienkirche in the wealthy Hanseatic city of Lübeck. On the basis of this, as well as the challenges posed by his organ compositions, it is safe to assume that he was a virtuoso on his instrument. He would also have been a connoisseur of fine organs - the finest of which at the time were to be found in Northern Germany. Two such magnificent instruments still exist in the small towns of Altenbruch and Lüdingworth, some 130 kilometres west of Lübeck, and on them Masaaki Suzuki here performs a varied selection of Buxtehude's organ works. This ranges from brief chorale preludes to the magnificent Te Deum laudamus and the celebrated Ciaccona in E minor. Although he is most widely known for his on-going, highly praised series of Bach's cantatas on BIS, Masaaki Suzuki in fact began his professional career as a church organist at the age of twelve, later studying the instrument both in Tokyo and in Amsterdam. For BIS he has previously recorded Bach's Organ Mass ('an organist of distinguished musicianship and superior technique' wrote the American Record Guide) and organ works by Sweelinck, a disc which upon its release was recommended by Gramophone and described in International Record Review as containing 'performances which are compelling in their stylistic integrity and uncompromising musicianship.'
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