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艺术家：亚历山大·德碧茨
标题：阿德拉 亚历山大·德碧茨
发行年份：2021年
厂牌：波兰华纳音乐 - WMI
类型：古典音乐
音质：FLAC（分轨）/24位-44.1千赫兹FLAC（分轨）
总时长：55分24秒
总大小：196兆字节/473兆字节
网站：专辑预览
曲目列表
1. 处方（5分10秒）
2. 阿兰胡埃斯协奏曲BWV 1056（5分21秒）
3. 你的（《毒枭》主题曲）（2分29秒）
4. 水与酒（7分15秒）
5. 佩德罗（1分51秒）
6. 拉威尔（5分18秒）
7. 隔离之歌（3分55秒）
8. 多明戈（3分44秒）
9. Gnossienne第一号（5分40秒）
10. 阿斯图里亚斯（5分13秒）
11. 阿德拉（5分38秒）
12. 童话（3分56秒）
“专辑标题《阿德拉》源自罗德里戈的一首作品，它是我们二重奏演出曲目的情感高潮。重要的不是名字，而是我们所爱和思念的人。每个人心中肯定都有这样一个人，因此我们希望每位听众都能在专辑中找到贴近自己内心的东西。
钢琴与古典吉他在音乐中几乎从未合作过。然而，在我与卢卡斯·库罗帕切夫斯基的首次联合演出后，我们立刻意识到可以共同创造出引人入胜的音乐世界。我们在选择曲目时也遵循了这一思路，这些曲目既来自钢琴 repertoire，也来自吉他 repertoire，但其中大部分音乐所蕴含的南方精神更常与吉他传统联系在一起。在我对古典作品的改编中，我力求展现两种乐器的音质特点、独特表现力和文化关联。我重新改编了多梅尼科·斯卡拉蒂著名的《D小调奏鸣曲（托卡塔）》K. 141，以突出其西班牙根源。在我们的专辑中，它被命名为《多明戈》，具有鲜明的弗拉门戈特色和即兴元素。《阿兰胡埃斯协奏曲BWV 1056》正如其名，是世界上最著名的吉他与管弦乐队作品——华金·罗德里戈的《阿兰胡埃斯协奏曲》与约翰·塞巴斯蒂安·巴赫的《F小调键盘协奏曲》BWV 1056的融合。两首协奏曲第二慢乐章的主题在这里如同电影中的交叉剪辑技巧般相互交织，我们还互换了角色，卢卡斯演奏巴赫的主题，而我则演绎罗德里戈的主题。
专辑中有三首作品加入了雅库布·约瑟夫·奥尔林斯基如天使般的嗓音。在这三首作品中——埃格贝托·希斯蒙蒂的吉他作品《水与酒》、我自己的《隔离之歌》，甚至华金·罗德里戈的著名作品《阿德拉》——人声更多地被视为一种乐器，而非抒情主体。《隔离之歌》是在2020年新冠疫情隔离期间专门为雅库布·约瑟夫·奥尔林斯基创作的。《佩德罗》的灵感来源于佩德罗·阿莫多瓦的电影。”
Artist: Aleksander Debicz
Title: Adela
Year Of Release: 2021
Label: WM Poland - WMI
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 55:24
Total Size: 196 / 473 MB
WebSite: Album Preview
Tracklist:
1. Recipe (5:10)
2. Aranjuez Concerto BWV 1056 (5:21)
3. Tuyo („Narcos” Theme) (2:29)
4. Água e Vinho (7:15)
5. Pedro (1:51)
6. Ravel (5:18)
7. Quarantine Song (3:55)
8. Domingo (3:44)
9. Gnossienne No. 1 (5:40)
10. Asturias (5:13)
11. Adela (5:38)
12. Fairytale (3:56)
“The album title ADELA comes from a song by Rodrigo which constitutes the emotional culmination of our duo’s programme. What counts is not the name, but the person we love and long for. Everyone certainly has such a person, and so we hope that each listener will find something close to his or her heart on our album.
The piano and classical guitar virtually never collaborate in music. However, after our first joint performance with Łukasz Kuropaczewski, we immediately realised that we could create intriguing music worlds together. We followed the same line of thinking in our choice of programme, which derives from both the piano and guitar repertoires, though the spirit of the South that informs most of that music is more typically associated with the guitar tradition. In my arrangements of classical works, I strove to represent the sonic qualities of both instruments, their unique expression, and cultural associations. I reworked Domenico Scarlatti’s famous “Sonata in D Minor (Toccata)” K. 141 so as to bring out its Spanish roots. Titled “Domingo” on our album, it features distinctive flamenco qualities and an improvised layer. The “Aranjuez Concerto BWV 1056” is, as its very name suggests, a fusion of the world’s most famous piece for guitar and orchestra, Joaquin Rodrigo’s “Concierto de Aranjuez”, with Johann Sebastian Bach’s “Keyboard Concerto in F Minor” BWV 1056. Themes from the second, slow movements of both concertos interlink here as in the film cross-cutting technique, and we swap roles, Łukasz leading the Bach theme while I take up Rodrigo’s.
Three of the works on this album have been enriched by the angelic voice of Jakub Józef Orliński. In these three, Egberto Gismonti’s guitar composition “Água e Vinho”, my own “Quarantine Song”, and even the famous “Adela” by Joaquin Rodrigo, the voice has been treated more as an instrument than a lyrical subject. “Quarantine Song” was composed during the COVID-19 quarantine in 2020 specially for Jakub Józef Orliński as its performer. “Pedro” was inspired by the films of Pedro Almodóvar
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