02-兰格-米勒—《很久很久以前……戏剧音乐》(2005) [Hi-Res]

海伦姐姐

艺术家：混合合唱团、苏珊娜·埃尔马克、迈克尔·克里斯滕森、约翰·罗伊特、奥尔堡交响乐团、摩西·阿茨蒙  
标题：兰格-米勒——《很久很久以前……戏剧音乐》  
发行年份：2005年  
厂牌：BIS  
类型：古典音乐  
音质：无损FLAC格式/24位-44.1千赫兹FLAC格式+小册子  
总时长：01小时09分05秒  
总大小：335兆字节/655兆字节  
网站：专辑预览  

曲目列表  
01. 《很久很久以前》（Der Var Engang）：第1首 前奏曲  
02. 《很久很久以前》（Der Var Engang）：第3首 吉普赛音乐  
03. 《很久很久以前》（Der Var Engang）：第6首 小夜曲（男高音，合唱团）  
04. 《很久很久以前》（Der Var Engang）：第7首 田园咏叹调（女高音，合唱团）  
05. 《很久很久以前》（Der Var Engang）：第8首 狩猎音乐  
06. 《很久很久以前》（Der Var Engang）：第9首 狩猎歌（男中音，合唱团）  
07. 《很久很久以前》（Der Var Engang）：第10首 集市音乐  
08. 《很久很久以前》（Der Var Engang）：第11首 小步舞曲  
09. 《很久很久以前》（Der Var Engang）：第12首 圆舞曲  
10. 《很久很久以前》（Der Var Engang）：第13首 吉普赛舞曲  
11. 《很久很久以前》（Der Var Engang）：第16首 士兵之歌（男中音）  
12. 《很久很久以前》（Der Var Engang）：第18首 暮色音乐  
13. 《很久很久以前》（Der Var Engang）：第20首 厨房音乐  
14. 《很久很久以前》（Der Var Engang）：第24首 仲夏夜之歌（男高音，合唱团）  
15. 《文艺复兴》，作品59号：序曲 坚定的快板，但不过分急板  
16. 《文艺复兴》，作品59号：小夜曲（男高音，合唱团）  
17. 《海边的歌》，作品54号：《白夜时分即将过去》 小快板  
18. 《海边的歌》，作品54号：《当我乘船经过你家》 中板 持续地  
19. 《17首歌曲》，作品64号：第三册，第8首《在寒冷深夜》  
20. 《维京之血》，作品50号：序曲 坚定的快板  
21. 《维京之血》，作品50号：《海王之歌》（男中音）  


### 专辑解析  
丹麦作曲家彼得·兰格-米勒（1850-1926）深受舒曼影响，却发展出兼具勃拉姆斯气质的晚期浪漫主义风格，其作品以歌曲见长，声乐创作尤为细腻精妙。本专辑聚焦于他的戏剧音乐，尤其是最负盛名的《很久很久以前》。这部作品的脚本由霍尔格·德拉赫曼创作，融合了莎士比亚《驯悍记》与安徒生《养猪人》的元素，录音收录了全剧14首音乐间奏（超过半数），其中终曲《仲夏夜之歌》至今仍是丹麦人仲夏节围炉吟唱的传统曲目。  

专辑同时呈现了兰格-米勒与德拉赫曼的另一合作——以画家丁托列托为主题的戏剧《文艺复兴》，选取其序曲与小夜曲。后者曾在1940年代由丹麦传奇男高音阿克塞尔·谢茨录音并大获成功。此外，专辑还包含三首作曲家亲自配器的艺术歌曲，以及其野心之作歌剧《维京之血》的序曲与咏叹调——这部歌剧的失利间接导致兰格-米勒逐渐淡出创作舞台。  

此录音与BIS厂牌的CD-641（卡尔·尼尔森）、CD-749（克里斯蒂安·霍内曼）共同构成“丹麦戏剧音乐三部曲”。奥尔堡交响乐团在指挥摩西·阿茨蒙带领下，携手丹麦顶尖歌唱家，以本土视角诠释这些融合浪漫主义抒情与戏剧张力的作品，既有北欧自然的诗意，亦不乏史诗般的雄浑笔触，展现了兰格-米勒被低估的剧场音乐魅力。
Artist: Coro Misto, Susanne Elmark, Michael Kristensen, Johan Reuter, Aalborg Symphony Orchestra, Moshe Atzmon
Title: Lange-Müller - Once upon a time... Theatre music
Year Of Release: 2005
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 01:09:05
Total Size: 335 / 655 mb
WebSite: Album Preview

Tracklist

01. Once Upon a Time (Der Var Engang): No. 1: Forspil (Prelude)
02. Once Upon a Time (Der Var Engang): No. 3: Zigeunermusik (Gypsy Music)
03. Once Upon a Time (Der Var Engang): No. 6: Serenade (Tenor, Choir)
04. Once Upon a Time (Der Var Engang): No. 7: Aria Pastorale (Soprano, Choir)
05. Once Upon a Time (Der Var Engang): No. 8: Jaegermusik (Hunting Music)
06. Once Upon a Time (Der Var Engang): No. 9: Jaegersang (Hunting Song) (Baritone, Choir)
07. Once Upon a Time (Der Var Engang): No. 10: Markedsmusik (Market Music)
08. Once Upon a Time (Der Var Engang): No. 11: Menuet
09. Once Upon a Time (Der Var Engang): No. 12: Vals (Waltz)
10. Once Upon a Time (Der Var Engang): No. 13: Sigojnerdans (Gypsy Dance)
11. Once Upon a Time (Der Var Engang): No. 16: Krigsmandens Vise (The Soldier's Song) (Baritone)
12. Once Upon a Time (Der Var Engang): No. 18: Skumringsmusik (Twilight Music)
13. Once Upon a Time (Der Var Engang): No. 20: Kokkenmusik (Kitchen Music)
14. Once Upon a Time (Der Var Engang): No. 24: Midsommervise (Midsummer Song) (Tenor, Choir)
15. Renaissance, Op. 59: Overture: Allegro Risoluto, Ma Non Troppo Presto
16. Renaissance, Op. 59: Serenade (Tenor, Choir)
17. Sange Ved Havet (Songs By the Sea), Op. 54: Snart Er de Lyse Naetters Tid Forbi (Soon the Time of the White Nights Is Past): Allegretto
18. Sange Ved Havet (Songs By the Sea), Op. 54: Og Da Jeg Sejled Dit Hus Forbi (And As I Sailed Past Your House): Moderato Sostenuto
19. 17 Songs, Op. 64: 17 Songs, Op. 64: Book III, No. 8: Silde Ved Nat Hin Kolde (Late On a Night So Cold)
20. Vikingeblod (Viking Blood), Op. 50: Overture: Allegro Risoluto
21. Vikingeblod (Viking Blood), Op. 50: Sokongens Sang Til Havet (The Song of the Sea King) (Baritone)


The Danish composer Peter Lange-Müller (1850-1926) was deeply influenced by Schumann, but developed his own late Romantic style somewhat reminiscent of Brahms. A great part of his output consists of songs and he developed a vocal style of striking subtlety. On this disc some of his dramatic works are represented, among them the most popular of all: Once upon a Time. (The Midsummer Song with which it ends is still sung every year as the Danes gather around the bonfires on Midsummer’s Eve.) The libretto by Holger Drachmann combines motifs from both Shakespeare (The Taming of the Shrew) and Hans Christian Andersen (The Swineherd) and this recording contains 14, or more than half, of the musical interludes from Lange-Müller’s score. Drachmann and Lange-Müller collaborated on several other projects, such as Renaissance, a play about the painter Tintoretto, from which the Overture and a Serenade have been included on this recording. The Serenade, as well as the Midsummer Song from Once upon a Time, became great successes for the legendary Danish tenor Aksel Schiøtz on recordings from the 1940’s. Included on the disc are also three songs which Lange-Müller himself orchestrated, as well as the Overture and an aria from the composer’s most ambitious project, the opera Vikingeblod (Viking Blood), the lack of success of which contributed to Lange-Müller’s gradual silence as a composer.

This disc may be considered part of a triptych of Danish music for the theatre, together with BIS-CD-641 and 749, featuring works by Carl Nielsen and Christian Horneman respectively. As on these discs – and many other in the BIS catalogue – it is the Aalborg Symphony Orchestra, conducted by Moshe Atzmon, who interprets the music of their countryman, along with some of the foremost Danish singers as soloists.

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