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艺术家：叶夫根尼·苏德宾
标题：肖邦：f小调幻想曲 - 叙事曲 - 玛祖卡 - 夜曲
发行年份：2011年
厂牌：BIS
类型：古典钢琴
音质：无损FLAC格式/24位-96.0千赫兹FLAC格式+小册子
总时长：01小时09分48秒
总大小：239兆字节/700兆字节
网站：专辑预览
曲目列表
01. f小调幻想曲，作品49号
02. 升c小调第7号夜曲，作品27号第1首
03. c小调第13号夜曲，作品48号第1首
04. f小调第7号玛祖卡，作品7号第3首
05. D大调第23号玛祖卡，作品33号第2首
06. b小调第25号玛祖卡，作品33号第4首
07. 降A大调第3号叙事曲，作品47号
08. 降B小调第17号玛祖卡，作品24号第4首
09. 升c小调第32号玛祖卡，作品50号第3首
10. 降E大调第16号夜曲，作品55号第2首
11. f小调第4号叙事曲，作品52号
12. 《随想曲》（改编自《一分钟圆舞曲》）
叶夫根尼·苏德宾 - 肖邦：f小调幻想曲 - 叙事曲 - 玛祖卡 - 夜曲（2011年）[高解析度]
叶夫根尼·苏德宾在专辑注释中写道：“肖邦的音乐呈现出一种奇妙的矛盾。”在他的经验中，音乐直接的情感吸引力使大多数听众能迅速产生共鸣，但对演奏者而言“这是一场艰难的平衡表演：一方面要避免天真与平淡，另一方面又要防止刻意雕琢损害音乐本质”。苏德宾的诠释受到肖邦本人关于演奏的观点影响：“简洁是最高目标，需在克服所有困难后达成。”但他也坦言，自己同样着迷于伊格纳西·弗里德曼、本诺·莫伊塞维奇等传奇音乐家的历史录音——这些演奏以极具个人色彩的风格打动了他：“迷人的节奏摆动、自由的乐句处理、令人心颤的发音方式……”
苏德宾的肖邦独奏会以恢弘的《f小调幻想曲》开场——这部作品常被称为作曲家“最宏大的作品”，随后选取与肖邦紧密相关的三类体裁：玛祖卡、夜曲及第三、第四号叙事曲。2005年发行第二张专辑后，《钢琴杂志》曾用诗意的语言评价叶夫根尼·苏德宾：“一位无所畏惧的技术大师，对乐器拥有全面掌控力；一位极具敏锐度与深邃感的音乐戏剧家；一位能在奔放的修辞与极致的私密感间自如游走的诗人；一位能精准捕捉所奏作品独特精神的风格大师”——这些特质无疑促成了一场令人难忘的肖邦独奏会，而苏德宾在返场曲《随想曲》（他本人根据肖邦《一分钟圆舞曲》改编）中更是将这些特质展现得淋漓尽致。
Artist: Yevgeny Sudbin
Title: Chopin: Fantaisie in F minor - Ballades - Mazurkas - Nocturnes
Year Of Release: 2011
Label: BIS
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:09:48
Total Size: 239 / 700 mb
WebSite: Album Preview
Tracklist
01. Fantasy in F Minor, Op. 49
02. Nocturne No. 7 in C-Sharp Minor, Op. 27, No. 1
03. Nocturne No. 13 in C Minor, Op. 48, No. 1
04. Mazurka No. 7 in F Minor, Op. 7, No. 3
05. Mazurka No. 23 in D Major, Op. 33, No. 2
06. Mazurka No. 25 in B Minor, Op. 33, No. 4
07. Ballade No. 3 in A-Flat Major, Op. 47
08. Mazurka No. 17 in B-Flat Minor, Op. 24, No. 4
09. Mazurka No. 32 in C-Sharp Minor, Op. 50, No. 3
10. Nocturne No. 16 in E-Flat Major, Op. 55, No. 2
11. Ballade No. 4 in F Minor, Op. 52
12. A la minute
Yevgeny Sudbin - Chopin: Fantaisie in F minor - Ballades - Mazurkas - Nocturnes (2011) [Hi-Res]
Chopin’s music presents us with a strange paradox' writes Yevgeny Sudbin in his liner notes to this recording. In Sudbin’s own experience, the music’s direct emotional appeal makes it instantly accessible to most listeners, but to the interpreter ‘it becomes a tough balancing act: on the one side, naïvety and blandness threaten, while, on the other side, a laboured and contrived approach could potentially damage the music'. Sudbin's own approach has been influenced by Chopin's own words regarding interpretation: 'Simplicity is the highest goal, achievable when you have overcome all difficulties.' But, as he recounts, he is also fascinated by historic recordings by legends such as Ignaz Friedman and Benno Moiseiwitch – performances which have made an impact on him on account of the highly personal playing: 'the beguiling rhythmic swings, freedom in phrasing, articulation that tickles you all over…' Sudbin opens his own Chopin recital with the expansive Fantaisie in F minor – sometimes described as the composer's 'grandest work' – continuing with a selection of pieces from three genres that are strongly associated with Chopin: Mazurkas, Nocturnes and the Ballades Nos 3 and 4. Following the 2005 release of his second disc, Piano Magazine described Yevgeny Sudbin in lyrical terms as 'a fearless technician with an all-encompassing command of his instrument; a musical dramatist of exceptional acumen and sophistication; a poet who moves seamlessly between unbridled rhetoric and extreme intimacy; a stylist who catches the particular spirit of everything he plays' – all qualities which would seem to be conducive to a memorable Chopin recital, and which Sudbin certainly brings to the fore in the encore À la minute, his own paraphrase on the composer's 'Minute Waltz'.
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发表于 2025-6-8 08:38:27