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艺术家：叶夫根尼·苏德宾
标题：拉赫玛尼诺夫：肖邦主题变奏曲、第二钢琴奏鸣曲
发行年份：2005年
厂牌：BIS
类型：古典音乐
音质：24位-44.1千赫兹FLAC/FLAC（镜像+.cue,log,扫描文件）
总时长：01小时04分45秒
总大小：546兆字节/218兆字节
网站：专辑预览
曲目列表
01. 拉赫玛尼诺夫 - 肖邦主题变奏曲，作品22号 - I. 主题与变奏1-10 [0:06:23.05]
02. 拉赫玛尼诺夫 - 肖邦主题变奏曲，作品22号 - II. 变奏11、13-18 [0:09:36.24]
03. 拉赫玛尼诺夫 - 肖邦主题变奏曲，作品22号 - III. 变奏19-22 [0:10:04.15]
04. 拉赫玛尼诺夫 - 歌曲改编曲 - 《丁香花》（《警报》），作品21号第5首 [0:02:34.40]
05. 拉赫玛尼诺夫 - 歌曲改编曲 - 《雏菊》（《玛格丽特卡》），作品38号第3首 [0:02:20.34]
06. 拉赫玛尼诺夫 - 第二钢琴奏鸣曲，作品36号 - I. 激动的快板 [0:09:13.03]
07. 拉赫玛尼诺夫 - 第二钢琴奏鸣曲，作品36号 - II. 不太快的 - 慢板 [0:05:53.29]
08. 拉赫玛尼诺夫 - 第二钢琴奏鸣曲，作品36号 - III. 同前速度 - 很快的快板 [0:06:03.13]
09. 弗里茨·克莱斯勒 - 《爱之忧伤》 [0:04:39.64]
10. 弗里茨·克莱斯勒 - 《爱之喜悦》 [0:07:13.13]
演奏者：
叶夫根尼·苏德宾，钢琴
叶夫根尼·苏德宾兼具探索精神、稳健技巧与充沛情感，以非凡的专注力与张力，呈现了我所听过的对拉赫玛尼诺夫作品最细致入微、极具感染力且演绎精准的诠释之一。以下评价适用于全专辑：
在苏德宾的演绎中，内声部并非仅为吸引听众而从宏大的管弦乐化织体中刻意突出，而是作为整体中活跃的有机部分自然浮现。无论动态强弱、织体厚薄或节奏快慢，他对和弦的平衡与校准都臻于完美。苏德宾对拉赫玛尼诺夫标志性的快速轻盈段落的掌控，既让人联想到作曲家本人在键盘上的坚实根基，亦重现了亚历克西斯·魏森伯格的冷峻 brilliance（光辉），且音色更富厚度。
尽管苏德宾的演绎充满细腻层次与巧妙的织体区分，但始终以清晰的结构布局为框架，将变奏曲间的过渡与速度关系编织成统一的戏剧性整体，避免了音乐流于松散。这一特点同样体现在第二奏鸣曲中——他基本遵循霍洛维茨对作曲家1913年原版与1931年精简版的平衡整合思路。
在两首克莱斯勒改编曲及两首歌曲的钢琴版本中，苏德宾挖掘出其他钢琴家几乎未触及的线性复杂层次，却毫无刻意之感，亦未减损表面的魅力。
苏德宾在专辑注释中对作品进行了清晰而深刻的分析，并解释了其将肖邦c小调前奏曲主题陈述中第三小节第四拍的E自然音改为降E音的和声与文本依据。无论是环绕声还是传统立体声播放，音质均堪称绝美。当这张专辑成为拉赫玛尼诺夫独奏会参考录音中的经典时，请记住此处的前瞻推荐！此作堪称必听佳作，不容错过。——杰德·迪斯特勒
Artist: Yevgeny Sudbin
Title: Rachmaninov: Variations on a Theme of Chopin, Piano Sonata No. 2
Year Of Release: 2005
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (image+.cue,log,scans)
Total Time: 01:04:45
Total Size: 546 Mb / 218 Mb
WebSite: Album Preview
01. Rachmaninov - Variations on a Theme of Chopin Op.22 - I. Theme¡FVariations 1-10 [0:06:23.05]
02. Rachmaninov - Variations on a Theme of Chopin Op.22 - II. Variations 11, 13-18 [0:09:36.24]
03. Rachmaninov - Variations on a Theme of Chopin Op.22 - III. Variations 19-22 [0:10:04.15]
04. Rachmaninov - Song Transcriptions - Lilacs (Siren), Op.21 No.5 [0:02:34.40]
05. Rachmaninov - Song Transcriptions - Daisies (Margaritki), Op.38 No.3 [0:02:20.34]
06. Rachmaninov - Piano Sonata No.2 Op.36 - I. Allegro agitato [0:09:13.03]
07. Rachmaninov - Piano Sonata No.2 Op.36 - II. Non allegro - Lento [0:05:53.29]
08. Rachmaninov - Piano Sonata No.2 Op.36 - III. L'istesso tempo - Allegro molto [0:06:03.13]
09. Fritz Kreisler - Liebesleid [0:04:39.64]
10. Fritz Kreisler - Liebesfreud [0:07:13.13]
Performers:
Yevgeny Sudbin, piano
Yevgeny Sudbin's inquiring mind, unflappable fingers, and huge heart mesh with extraordinary concentration and intensity, resulting in some of the most carefully thought-through, powerfully projected, and fastidiously executed Rachmaninov interpretations I've ever heard. A few general comments equally pertain to all of the selections.
In Sudbin's hands, inner voices aren't gently coaxed from the massive, orchestrally inspired textures for ear-catching effect, but instead emerge as integral and active components. He balances and calibrates chords to unsplintered perfection, regardless of dynamic level, thickness, or tempo. Sudbin's command of Rachmaninov's trademark swirling leggiero passages recalls the composer's own bedrock solidity at the keyboard and also replicates Alexis Weissenberg's icy brilliance, but with more tonal heft.
While Sudbin offers plenty of nuances and felicitous differentiation of textural levels, he contains them within a strong architectural game plan, where he weaves transitions and tempo relationships between variations into a unified dramatic and cumulative whole that minimizes the music's tendencies to sprawl. The same holds true for the Second sonata, where Sudbin essentially follows Horowitz's well-balanced synthesis of the composer's original 1913 text and much pared down 1931 revision.
In the two Kreisler transcriptions and piano versions of two songs, Sudbin uncovers layers of linear sophistication that other pianists barely scratch, and without the slightest sense of contrivance or lack of surface charm.
Sudbin's superb booklet notes give clear, insightful analyses of the works in hand and explain his harmonic and textual rationale for changing the Chopin C minor Prelude theme statement's E-natural on the fourth beat of measure 3 to E-flat. Either in surround-sound or conventional stereo playback, the sonics are gorgeous. When this release achieves classic status among the reference Rachmaninov recital collections, remember that you read it here first! A winner, not to be missed. -- Jed Distler
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发表于 2025-6-8 08:39:03