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艺术家：安东·巴塔戈夫
标题：约翰·帕赫贝尔七首作品
发行年份：2025年
厂牌：证据唱片
类型：古典钢琴
音质：无损FLAC（分轨）/24位-48.0千赫兹FLAC+小册子
总时长：01:17:21
总大小：278/690兆字节
网站：专辑预览
曲目单
01. 凡人皆有一死，P.377a（普林斯顿现场）
02. D大调恰空舞曲，P.40（普林斯顿现场）
03. d小调幻想曲，P.125（普林斯顿现场）
04. C大调恰空舞曲，P.38（普林斯顿现场）
05. a小调幻想曲，P.126（普林斯顿现场）
06. f小调恰空舞曲，P.43（普林斯顿现场）
07. D大调卡农与吉格舞曲，P.37（普林斯顿现场）
约翰·帕赫贝尔（1653-1706）是德国作曲家与管风琴家，生前便广受赞誉。他的私人生活早年亦十分顺遂：娶了一位美丽的妻子——埃尔福特市长之女，并育有一子。然而不久后，妻子与儿子均死于瘟疫。帕赫贝尔的首部出版作品集名为《音乐中的死亡沉思》，此后他的所有创作皆围绕“超越死亡”的主题展开。透过这些音乐，我们逐步理解到死亡并非终结，亦非通往虚无的过渡。相反，它是进入一个没有痛苦与腐朽的短暂现象、没有离别与恐惧的境界之门——一个光明全然澄澈的空间。
约翰·帕赫贝尔的音乐结构与几个世纪前的许多作品相似：类似练习曲，围绕和弦序列展开无穷变奏。简单的和弦进行不断重复，变奏衍生出多样的旋律与织体，逐渐彰显其魔力。这种创作手法在20世纪以“极简主义”之名复兴。它不仅从不令人厌倦，反而越聆听越令人不愿其终止。每个变奏都为你打开一扇门，你穿行于这无尽的连廊，意识到这正是回归本真的路径。
Artist: Anton Batagov
Title: Seven Works of Johann Pachelbel
Year Of Release: 2025
Label: Evidence Records
Genre: Classical Piano
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
Total Time: 01:17:21
Total Size: 278 / 690 mb
WebSite: Album Preview
Tracklist
01. Alle Menschen müssen sterben, P. 377a (Live in Princeton)
02. Chaconne in D Major, P. 40 (Live in Princeton)
03. Fantasia in D Minor, P. 125 (Live in Princeton)
04. Chaconne in C Major, P. 38 (Live in Princeton)
05. Fantasia in A Minor, P. 126 (Live in Princeton)
06. Chaconne in F Minor, P. 43 (Live in Princeton)
07. Canon and Gigue in D Major, P. 37 (Live in Princeton)
Johann Pachelbel (1653-1706), a German composer and organist, received much recognition during his lifetime. The early years of his private life were also extremely successful: he married a beautiful woman, the daughter of the mayor of Erfurt, and they had a son. However, shortly afterwards, his wife and son died of plague. Pachelbel’s first published collection of works was titled Musicalische Sterbens-Gedanken (Musical Thoughts on Death). All of his compositions from that point onwards were meditations on overcoming death. Step by step, through this music, we come to understand that death is not the end, nor a transition into non-existence. On the contrary, it is an entrance into a realm where there are no temporary phenomena subject to suffering and decay, no parting, and no fear – a space where nothing obscures the light.
The music of Johann Pachelbel is structured similarly to many compositions written a few centuries ago: exercises of sorts, endless variations on a chord sequence. Simple chord progressions are repeated over and over again, with variations giving birth to various melodies and textures, gradually revealing their magic. In the 20th century, this compositional technique was revived under the name of ‘minimalism.’ Not only does this never get boring, but the longer you listen, the less you want it to stop. Each variation opens a door before you, and you walk through this endless enfilade, realizing that it is none other than a way home.
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发表于 2025-6-10 08:27:14