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艺术家：西尔克·阿文豪斯，玛丽-路易丝·诺伊内克，安特耶·魏塔斯
标题：勃拉姆斯与利盖蒂 - 圆号三重奏
发行年份：2012年
厂牌：BIS
类型：古典音乐
音质：无损FLAC / 24位-88.2kHz FLAC+小册子
总时长：59分16秒
总大小：238/914兆字节
网站：专辑预览
曲目单
01. 降E大调小提琴、圆号与钢琴三重奏，作品40：I. 行板 - 稍活跃
02. 降E大调小提琴、圆号与钢琴三重奏，作品40：II. 谐谑曲，快板 - 慢许多的快板 - 快板
03. 降E大调小提琴、圆号与钢琴三重奏，作品40：III. 忧伤的柔板
04. 降E大调小提琴、圆号与钢琴三重奏，作品40：IV. 终曲，生气勃勃的快板
05. 独奏X
06. 小提琴、圆号与钢琴三重奏“向勃拉姆斯致敬”：I. 温柔的小行板
07. 小提琴、圆号与钢琴三重奏“向勃拉姆斯致敬”：II. 极活泼且节奏感强
08. 小提琴、圆号与钢琴三重奏“向勃拉姆斯致敬”：III. 进行曲风格 - 按原速稍快
09. 小提琴、圆号与钢琴三重奏“向勃拉姆斯致敬”：IV. 挽歌，柔板
这张专辑除了收录两首以圆号、小提琴与钢琴这一独特组合创作的重要作品外，还将两位风格迥异的作曲家汇聚在一起：约翰内斯·勃拉姆斯，这位通常被视为19世纪晚期伟大传统主义者的作曲家；以及捷尔吉·利盖蒂，比勃拉姆斯晚出生90年，是他所处时代最具创新性与前瞻性的人物之一。
目前尚不清楚勃拉姆斯为何选择为这种此前从未有人尝试过的乐器组合作曲——我们只知道他年轻时曾吹奏过圆号，且圆号也是他父亲的主要乐器。人们普遍认为，尽管这部作品的灵感源于1864年，但次年母亲的离世对该作品，尤其是对挽歌般的第三乐章《忧伤的柔板》产生了重大影响，这一乐章或许是勃拉姆斯最私密、最深情的慢乐章之一。
利盖蒂将自己的三重奏作品创作于勃拉姆斯诞辰150周年庆典期间，并为其加上了“向勃拉姆斯致敬”的副标题，但他也表示“或许唯一让人联想到勃拉姆斯的，是某种带点微笑的保守姿态——且带着明显的讽刺意味”。不过，两部作品仍有相似之处：例如，它们均为四个乐章，利盖蒂的作品中也包含一个慢乐章《挽歌》，其情感表现力在这位作曲家的作品中并不常见。
两首三重奏之间穿插了一首卡莱维·阿霍专为本次录音创作的圆号独奏新作《独奏X》。玛丽-路易丝·诺伊内克不仅演奏了这首独奏作品，还承担了三重奏中高难度的圆号部分——无需过多介绍，她既是备受赞誉的室内乐演奏家，也是独奏家，捷尔吉·利盖蒂的最后几部作品之一《汉堡圆号独奏与室内乐团协奏曲》便是为她而作。在这张专辑中，她与杰出音乐家安特耶·魏塔斯和西尔克·阿文豪斯合作，这两位均首次在BIS厂牌亮相。
Artist: Silke Avenhaus, Marie-Luise Neunecker, Antje Weithaas
Title: Brahms & Ligeti - Horn Trios
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
Total Time: 00:59:16
Total Size: 238 / 914 mb
WebSite: Album Preview
Tracklist
01. Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: I. Andante - Poco piu animato
02. Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: II. Scherzo. Allegro - Molto meno allegro - Allegro
03. Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: III. Adagio mesto
04. Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: IV. Finale. Allegro con brio
05. Solo X
06. Trio for Violin, Horn and Piano, "Hommage à Brahms": I. Andantino con tenerezza –
07. Trio for Violin, Horn and Piano, "Hommage à Brahms": II. Vivacissimo molto ritmico
08. Trio for Violin, Horn and Piano, "Hommage à Brahms": III. Alla marcia - Piu mosso tempo primo
09. Trio for Violin, Horn and Piano, "Hommage à Brahms": IV. Lamento. Adagio
Along with the two major works for the unusual combination of horn, violin and piano, this disc also brings together a rather incongruous pair of composers: Johannes Brahms, generally regarded as the great traditionalist of the late 19th century, and György Ligeti, born 90 years after Brahms, and one of the most innovative and progressive figures of his time. Why Brahms chose to compose for this previously unheard-of combination of instruments is not known – what we do know is that he himself played the horn in his youth, and that it had also been a principal instrument of his father. It is also generally recognized that although the inspiration for the piece came to him in 1864, the death of his mother the following year had a great impact on the piece, and especially on the elegiac third movement, Adagio mesto (‘sad’), possibly one of Brahms’s most intimate and heart-felt slow movements. Ligeti composed his trio to be performed during the celebrations of the 150th anniversary of Brahms’ birth and gave it the subtitle ‘Hommage à Brahms’, but also commented that ‘the only thing reminiscent of Brahms is perhaps a certain smilingly conservative comportment – with distinctly ironic distance’. There are nevertheless points of similarity – both works are in four movements, for instance, and Ligeti too includes a slow movement, Lamento, of an emotional expressivity unusual for this composer. The two trios frame a substantial, newly composed piece for horn solo written by Kalevi Aho with the present recording in mind. Marie-Luise Neunecker, who performs it and the demanding horn parts of the trios, needs no further introduction: acclaimed as a chamber musician as well as soloist it was for her that György Ligeti wrote one of his last works, the Hamburg Concerto for solo horn and chamber orchestra. On this disc she is in the company of the eminent musicians Antje Weithaas and Silke Avenhaus, both appearing for the first time on the BIS label.
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发表于 2025-6-11 08:08:57