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艺术家：吉尔·沙汉姆
标题：20世纪30年代小提琴协奏曲，第一卷：巴伯、哈特曼、贝尔格、斯特拉文斯基、布里顿
发行年份：2014年
厂牌：Canary Classics
类型：古典音乐
音质：24位-44.1kHz FLAC / 分轨FLAC
总时长：2小时05分
总大小：1.3GB / 606MB
网站：专辑预览
曲目单
CD 1
1. 小提琴协奏曲，作品14：I. 快板 10:13
2. 小提琴协奏曲，作品14：II. 行板 08:36
3. 小提琴协奏曲，作品14：III. 无穷动急板 04:22
4. 小提琴协奏曲：Ia. 行板 04:43
5. 小提琴协奏曲：Ib. 小快板 06:47
6. 小提琴协奏曲：IIa. 快板 07:02
7. 小提琴协奏曲：IIb. 柔板 08:38
8. 葬礼协奏曲“纪念天使”：I. 引子（广板）01:03
9. 葬礼协奏曲“纪念天使”：II. 柔板 07:19
10. 葬礼协奏曲“纪念天使”：III. 很快的快板 07:54
11. 葬礼协奏曲“纪念天使”：IV. 合唱（缓慢的进行曲）04:04
CD 2
1. D大调协奏曲：I. 托卡塔 05:46
2. D大调协奏曲：II. 咏叹调I 04:12
3. D大调协奏曲：III. 咏叹调II 05:22
4. D大调协奏曲：IV. 随想曲 06:20
5. d小调小提琴协奏曲，作品15：I. 有动感的中板-激动地-原速 09:41
6. d小调小提琴协奏曲，作品15：II. 活泼地-渐强-宽广地-华彩乐段 08:11
7. d小调小提琴协奏曲，作品15：III. 帕萨卡利亚，慢板行板（稍慢）14:47
演奏者：
吉尔·沙汉姆（小提琴）
纽约爱乐乐团
德累斯顿国家管弦乐团
世宗独奏家乐团
BBC交响乐团
波士顿交响乐团
胡安霍·梅纳
大卫·罗伯逊
20世纪30年代是小提琴协奏曲创作极为丰富的十年，这一时期的不确定性孕育了音乐的蓬勃发展。十年间诞生了30余首小提琴协奏曲，从斯特拉文斯基、贝尔格到巴伯、布里顿的作品，其中十余部已成为小提琴演奏曲目中的标志性经典。
吉尔·沙汉姆是当代顶尖小提琴家，1990年获艾弗里·费舍尔职业大奖，2008年荣膺备受瞩目的艾弗里·费舍尔奖。2012年，《音乐美国》授予他“年度演奏家”称号，盛赞其演奏中“独特的人文主义”。这种“人文主义”与他无瑕的技巧、饱满的艺术热情相结合，成就了极具启发性的音乐演绎。
CD1中，沙汉姆对巴伯《小提琴协奏曲》的演绎既展现了标志性的浓郁深情，又在末乐章巧妙融入美国都市元素——摩天大楼的意象与警笛声清晰可辨。贝尔格协奏曲中，小提琴独奏如泣如诉，与尖锐的十二音和弦相呼应，毫不掩饰地流露出充满情感张力的哀恸。在哈特曼《葬礼协奏曲》中，沙汉姆与曾合作录制门德尔松八重奏及海顿协奏曲（CC08）的世宗独奏家乐团再度联手，《纽约时报》评价其音乐会演绎“完美诠释了作品的痛苦与偶尔迸发的愤怒精神”。
CD2中，沙汉姆与指挥家大卫·罗伯逊对斯特拉文斯基《小提琴协奏曲》的诠释已历经无数次合作打磨，呈现出明亮、轻盈且富有舞蹈性的演绎，《泰晤士报》称其“充满活力与新鲜感，与罗伯逊指挥乐团的精准伴奏浑然一体”。布里顿的协奏曲堪称本专辑中演奏难度最高、情感最为深沉的作品，展现了沙汉姆音乐人格的另一面：作品中如史诗般的戏剧性冲突，大部分段落以近乎暴力的张力展开，其间穿插着如梦幻般的超现实音景，第三乐章结尾的调性模糊处理更是令人难忘。《芝加哥古典乐评》评价：“这部作品与吉尔·沙汉姆的演绎如同量身定制般契合。”
Artist: Gil Shaham
Title: 1930s Violin Concertos, Vol. 1: Barber, Hartmann, Berg, Stravinsky, Britten
Year Of Release: 2014
Label: Canary Classics
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 02:05:00
Total Size: 1.3 Gb / 606 Mb
WebSite: Album Preview
Tracklist:
CD 1
1. Violin Concerto, Op. 14: I. Allegro 10:13
2. Violin Concerto, Op. 14: II. Andante 08:36
3. Violin Concerto, Op. 14: III. Presto in moto perpetuo 04:22
4. Violin Concerto: Ia. Andante04:43
5. Violin Concerto: Ib. Allegretto 06:47
6. Violin Concerto: IIa. Allegro 07:02
7. Violin Concerto: IIb. Adagio 08:38
8. Concerto funebre "To the Memory of an Angel": I. Introduktion (Largo) 01:03
9. Concerto funebre "To the Memory of an Angel": II. Adagio 07:19
10. Concerto funebre "To the Memory of an Angel": III. Allegro di molto 07:54
11. Concerto funebre "To the Memory of an Angel": IV. Choral (Langsamer Marsch) 04:04
CD 2
1. Concerto in D Major: I. Toccata 05:46
2. Concerto in D Major: II. Aria I 04:12
3. Concerto in D Major: III. Aria II 05:22
4. Concerto in D Major: IV. Capriccio 06:20
5. Violin Concerto in D Minor, Op. 15: I. Moderato con moto - agitato - Tempo primo 09:41
6. Violin Concerto in D Minor, Op. 15: II. Vivace - animando - largamente - Cadenza 08:11
7. Violin Concerto in D Minor, Op. 15: III. Passacaglia. Andante Lento (un poco meno mosso) 14:47
Performers:
Gil Shaham (Violin)
New York Philharmonic Orchestra
Staatskapelle Dresden
Sejong Soloists
BBC Symphony Orchestra
Boston Symphony Orchestra
Juanjo Mena
David Robertson
The 1930s was an incredibly rich decade for the violin concerto, thriving on what was the uncertainty of the age. Over 30 violin concertos materialized across the decade with well over a dozen, from Stravinskyand Berg’s through to Barber’s and Britten’s concertos all commanding iconic status within the violinist’s repertory.
Gil Shaham is the leading violinist of his generation. He was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, Gil was named “Instrumentalist of the Year” by Musical America, citing his “special kind of humanism”. Combine this “humanism” with a flawless technique and his generosity of spirit, and the musical results are nothing short of inspired.
CD1. Gil’s recording of the Barber Violin Concerto displays his trademark rich soulfulness as well as the sounds of urban America when called for, skyscrapers, sirens, clearly manifest themselves in the last movement. The weeping, if not lamenting, solo violin in the Berg concerto, harmonized with very poignant 12-tone chords, reveals emotionally charged heart on sleeve mourning in this recording. For Hartmann’s Concerto funebre Gil is reunited with acclaimed Sejong Soloists, with whom he has recorded Mendelssohn’s octet and Haydn concerti (CC08), the New York Times observing from a concert performance of the Hartmann that Shaham “perfectly characterised the work’s anguished and occasionally angry spirit”.
CD2. Stravinsky’s Violin Concerto is a concerto with which Gil and conductor David Robertson have performed together countless times. The result is an interpretation which is luminous, light and dancing, The Times noting from this performance that “Shaham’s interpretation was exceptionally spirited and fresh, always at one with the incisive accompaniment from Robertson’s orchestra.” Benjamin Britten’s concerto is arguably the most challenging to play on this collection and is arguably the most sobering work here, and shows another side of Shaham’s musical personality; a work with a martial-like drama, and for the most part a forceful bordering on violent execution of the work unfolds, interspersed, where called for, an ethereal sound world bordering on the surreal; the tonal ambiguity at the end of the third movement positively haunting. In concert the Chicago Classical Review notes, “This is music that fits Gil Shaham like a well-tailored glove.”
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发表于 2025-6-12 08:01:19