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艺术家：弗兰基·科摩斯
标题：《别样倾诉》
发行年份：2025年
厂牌：亚流行唱片
风格：另类音乐、独立流行
音质：320千比特每秒的MP3格式/分轨FLAC格式/24位-96千赫兹的分轨FLAC格式
总时长：37分46秒
总大小：90.8/231/754兆字节
网站：专辑预览
曲目列表：
1. 《压花》（1分58秒）
2. 《各取其一》（1分56秒）
3. 《格格不入》（2分25秒）
4. 《婊心》（2分25秒）
5. 《瓷器》（2分43秒）
6. 《一根！灰！发！》（2分01秒）
7. 《虚荣》（2分33秒）
8. 《不久》（1分36秒）
9. 《玛格丽塔》（2分08秒）
10. 《你的看法》（2分00秒）
11. 《击掌握手》（2分47秒）
12. 《你成为》（2分46秒）
13. 《狂欢之旅》（2分27秒）
14. 《明天》（2分28秒）
15. 《仙境》（2分06秒）
16. 《生活回归》（1分38秒）
17. 《坑洼》（1分56秒）
《别样倾诉》是纽约独立摇滚四人组弗兰基·科摩斯的第六张专辑，也是迄今为止最出色的作品。它仿佛跨越时空存在，就像我们所有人一样。这是一组碎片与记忆、被铭记的场所和重新诠释的情感的集合，最终汇聚成一个明亮而嗡鸣的整体：一张坚实且富有 worldly 气质的独立摇滚唱片，主题围绕衰老与时光流逝，却又能巧妙地保持着强烈的时代感。弗兰基·科摩斯的主唱、吉他手兼词曲作者格蕾塔·克莱恩长期以来被誉为当代独立音乐中最灵巧且不可或缺的创作者之一，而在《别样倾诉》中，她的歌词略带软化，近期作品中标志性的讥讽 cynicism 如今让位于对人类大脑与心灵那令人敬畏且必要的易错性的认知。
将《别样倾诉》归类为回归风格，或至少是回归早期弗兰基·科摩斯专辑那种丰富直接的特质，或许有些唐突但也完全错误：正如《别样倾诉》所清晰表明的，你永远无法回到二十出头时的舒适与勇敢，但那个人总会在你内心某处存在，无论你如何改变。《别样倾诉》讲述的是寻找那个人、致敬他们并向他们学习。“这张专辑很多内容都关于成年以及弄清楚如何了解自己——比如，‘什么是前进？’”克莱恩说，“当我们沉迷于反复回望过去的循环时，要如何前进？写歌就是穿越这一切的方式。”
自克莱恩十几岁后期以来，她一直是美国独立地下音乐的重要人物。当时她在Bandcamp上高产的发布作品，以及2014年独立厂牌 debut《Zentropy》，让她被称为“纽约市DIY的桂冠诗人”。这样的标签对年轻的肩膀来说分量不轻，但很难否认她对当代流行音乐产生的独特影响。如果说如今年轻女性在卧室拿起合成器，在网上发布几首歌并迅速成为超级明星的想法已成为常规，那是因为克莱恩和她的同龄人早在主流唱片公司营销部门将其贴在情绪板上之前，就已将（女性）DIY 天才常态化并推崇备至。
从那时起，许多事情都发生了变化：在过去十年经历了几次不同的阵容变动后，弗兰基·科摩斯如今是由克莱恩、亚历克斯·贝利、凯蒂·冯·施莱歇尔和雨果·斯坦利组成的四人组。克莱恩是唯一的常驻成员，但斯坦利、贝利和冯·施莱歇尔是重要的合作者，将“格蕾塔·克莱恩”和“弗兰基·科摩斯”这两个名字互换使用是不正确的。克莱恩仍是主要词曲作者，《别样倾诉》的音乐由乐队整体编排，而这是他们首张自行录制和制作的专辑。毫不意外，它感觉像是更纯粹、更精炼的呈现。“这确实感觉像是自我十几岁以来想制作的最佳版本，”克莱恩说，“尽管这是在客厅录制的，但音质与我们在录音室制作的任何作品一样高保真。”
Artist: Frankie Cosmos
Title: Different Talking
Year Of Release: 2025
Label: Sub Pop Records
Genre: Alternative, Indie Pop
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 37:46
Total Size: 90.8 / 231 / 754 MB
WebSite: Album Preview
Tracklist:
1. Pressed Flower (1:58)
2. One of Each (1:56)
3. Against the Grain (2:25)
4. Bitch Heart (2:25)
5. Porcelain (2:43)
6. One! Grey! Hair! (2:01)
7. Vanity (2:33)
8. Not Long (1:36)
9. Margareta (2:08)
10. Your Take On (2:00)
11. High Five Handshake (2:47)
12. You Become (2:46)
13. Joyride (2:27)
14. Tomorrow (2:28)
15. Wonderland (2:06)
16. Life Back (1:38)
17. Pothole (1:56)
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current. Frankie Cosmos’ lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
Kline has been a fixture of the American indie underground since her late teens when her prolific Bandcamp releases and 2014 indie-label debut Zentropy led her to be dubbed “the poet laureate of New York City DIY.” A tag like that is a lot for young shoulders to take on, but it’s hard to deny the singular influence she has had on contemporary pop music. If the idea of a young woman picking up a synth in her bedroom, putting a couple of songs on the internet, and quickly becoming a superstar is now de rigeur, it’s because Kline and her peers normalized and exalted (female) DIY genius long before they were pinned to moodboards in major-label marketing offices.
A lot has changed since then: after going through a handful of different permutations over the past decade, Frankie Cosmos is now a four-piece featuring Kline, Alex Bailey, Katie Von Schleicher, and Hugo Stanley. Kline is the only constant, but Stanley, Bailey, and Von Schleicher are crucial collaborators, and to use the names “Greta Kline” and “Frankie Cosmos” interchangeably would be incorrect. Kline remains the primary songwriter, and the music on Different Talking is arranged by the band as a whole, but this is the first album to be self-tracked and self-produced by the band. Not coincidentally, it feels like a purer, more distilled take. “It does feel like the best version of what I’ve wanted to make since I was a teenager,” says Kline. “Although this was recorded in a living room, it’s as high fidelity as anything we’ve made in the studio.”
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