柏林老音乐学院《C.Ph.E.巴赫双簧管协奏曲》Akademie für Alte Musik Berlin & Xenia Löffler - C.P.E. Bach Oboe Concertos (2020) [Hi-Res] 24-96

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Akademie für Alte Musik Berlin & Xenia Löffler - C.P.E. Bach Oboe Concertos

柏林老音乐学院《C.Ph.E.巴赫:双簧管协奏曲》

C.Ph.E.巴赫:双簧管协奏曲
Xenia Löffler - 柏林老音乐学院 - Georg Kallweit
由harmonia mundi 于 2020 年 3 月 1 日发布
主要艺术家： 柏林老音乐学院 Xenia Löffler
类型： 古典
数字小册子

Album review
This is billed as an album of oboe concertos by C.P.E. Bach, and indeed, oboist Xenia Löffler does justice to the pair of oboe concertos featured. These are galant-style works, with elegant melodies and plenty of examples of the melodic and harmonic surprises that made Bach's eldest son so popular in the middle of the 18th century. The variegated opening movements must have been an absolute delight for audiences of the day. However, the main attraction here is the two symphonies, from the same period (ca. 1750s), and much less played than C.P.E.'s later "Sturm und Drang" works from Hamburg. These are in major keys, but they display the composer's characteristic dramatic flair. The opening movement of the Symphony for winds, strings, and basso continuo in F major, Wq. 181, grows unexpectedly out of a lengthy unison opening, a masterstroke that gives one an idea of what Mozart, who didn't admire many other composers, admired about this one. The Symphony for 2 oboes, 2 horns, strings, and basso continuo in G major, Wq. 180, has its thematic material take shape from brilliant orchestral figuration. Doubtless in passages like these, the engineering idea was to highlight the silvery string sound of the Akademie für Alte Musik Berlin under George Kallweit, and the music is stirring. Yet in the slow movements, the sound is harsh. Berlin's Teldex Studio is made to sound like a church, an odd decision in that these works were probably written for private chambers. However, this on a very short list of complaints about what is generally an exciting C.P.E. Bach album and a good place to start with the composer's early career.

© TiVo

专辑评论
这张专辑被誉为 CPE 巴赫的双簧管协奏曲专辑，而双簧管演奏家 Xenia Löffler 确实对这两首双簧管协奏曲进行了公正的诠释。这些作品风格华丽，旋律优美，旋律和和声的惊喜之处也很多，正是这些让巴赫的长子在 18 世纪中叶如此受欢迎。丰富多彩的开场乐章一定让当时的观众大饱眼福。然而，这张专辑的主要看点是两首交响曲，它们来自同一时期（约 1750 年代），演奏次数远少于 CPE 后来在汉堡创作的“狂飙突进”作品。这些作品都是大调的，但它们展现了作曲家特有的戏剧天赋。交响曲的开场乐章为 F 大调的管乐、弦乐和通奏低音，Wq。 181 出乎意料地从一段冗长的齐奏开始，这一妙招让人知道莫扎特欣赏这部作品的原因，尽管他并不欣赏其他许多作曲家。G 大调交响曲 Wq. 180 由 2 支双簧管、2 支圆号、弦乐和通奏低音组成，其主题材料由出色的管弦乐构成。毫无疑问，在这些段落中，工程理念是突出乔治·卡尔维特领导下的柏林古音乐学院的银色弦乐声音，音乐激动人心。然而，在慢乐章中，声音刺耳。柏林的 Teldex 工作室听起来像教堂，这是一个奇怪的决定，因为这些作品可能是为私人房间写的。然而，这只是对这张通常令人兴奋的 CPE 巴赫专辑的极少数抱怨之一，也是了解这位作曲家早期职业生涯的好起点。

© TiVo


        01. Oboe Concerto in E-Flat Major, H. 468, Wq. 165 I. Allegro.flac
        02. Oboe Concerto in E-Flat Major, H. 468, Wq. 165 II. Adagio ma non troppo.flac
        03. Oboe Concerto in E-Flat Major, H. 468, Wq. 165 III. Allegro ma non troppo.flac
        04. Sinfonia for winds, strings and basso continuo in F Major, H. 656, Wq. 181 I. Allegro.flac
        05. Sinfonia for winds, strings and basso continuo in F Major, H. 656, Wq. 181 II. Andante.flac
        06. Sinfonia for winds, strings and basso continuo in F Major, H. 656, Wq. 181 III. Allegro assai.flac
        07. Oboe Concerto in B-Flat Major, H. 466, Wq. 164 I. Allegretto.flac
        08. Oboe Concerto in B-Flat Major, H. 466, Wq. 164 II. Largo e mesto.flac
        09. Oboe Concerto in B-Flat Major, H. 466, Wq. 164 III. Allegro moderato.flac
        10. Sinfonia for 2 oboes, 2 horns, strings and basso continuo in G Major, H. 655, Wq. 180 I. Allegro di molto.flac
        11. Sinfonia for 2 oboes, 2 horns, strings and basso continuo in G Major, H. 655, Wq. 180 II. Largo.flac
        12. Sinfonia for 2 oboes, 2 horns, strings and basso continuo in G Major, H. 655, Wq. 180 III. Allegro assai.flac



关于专辑
1 张光盘 - 12 首曲目
总时长： 01:03:05
1 本电子小册子
主要艺术家：
柏林老音乐学院
泽尼亚·洛夫勒
作曲家： 卡尔·菲利普·埃马努埃尔·巴赫
标签： harmonia mundi
区域： 德国
类型： 古典
时期：巴洛克音乐
可用
24 位/96 kHz
立体声
数字小册子

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