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03. 巴伐利亚室内爱乐乐团 莫扎特《钢琴协奏曲》 2020年-Hi-Res,24bits - 96.0kHz

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发表于 2025-3-19 08:05:23 | 显示全部楼层 |阅读模式
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艺术家:巴伐利亚室内爱乐乐团(Bayerische Kammerphilharmonie)、亚历山大·辛普夫(Alexander Schimpf)
专辑名称:《莫扎特:钢琴协奏曲K. 413与K. 415》(Mozart: Piano Concertos K. 413 & K. 415)
发行年份:2020年
厂牌:CAvi-music
音乐类型:古典音乐
音质:FLAC无损格式 / 24比特-96.0千赫兹FLAC格式 + 小册子
总时长:01小时14分34秒
总大小:310兆字节(FLAC无损格式)/ 1.3吉字节(24比特-96.0千赫兹FLAC格式)
网站:专辑预览

巴伐利亚室内爱乐乐团与亚历山大·辛普夫 - 《莫扎特:钢琴协奏曲K. 413与K. 415》(2020年)[高解析度]

曲目列表
01. 《F大调第十一号钢琴协奏曲》,作品K. 413:第一乐章,快板(Piano Concerto No. 11 in F Major, K. 413: I. Allegro)
02. 《F大调第十一号钢琴协奏曲》,作品K. 413:第二乐章,小广板(Piano Concerto No. 11 in F Major, K. 413: II. Larghetto)
03. 《F大调第十一号钢琴协奏曲》,作品K. 413:第三乐章,小步舞曲速度(Piano Concerto No. 11 in F Major, K. 413: III. Tempo di Menuetto)
04. 《A大调第十二号钢琴协奏曲》,作品K. 414:第一乐章,快板(Piano Concerto No. 12 in A Major, K. 414: I. Allegro)
05. 《A大调第十二号钢琴协奏曲》,作品K. 414:第二乐章,行板(Piano Concerto No. 12 in A Major, K. 414: II. Andante)
06. 《A大调第十二号钢琴协奏曲》,作品K. 414:第三乐章,回旋曲。小快板(Piano Concerto No. 12 in A Major, K. 414: III. Rondeau. Allegretto)
07. 《C大调第十三号钢琴协奏曲》,作品K. 415:第一乐章,快板(Piano Concerto No. 13 in C Major, K. 415: I. Allegro)
08. 《C大调第十三号钢琴协奏曲》,作品K. 415:第二乐章,行板(Piano Concerto No. 13 in C Major, K. 415: II. Andante)
09. 《C大调第十三号钢琴协奏曲》,作品K. 415:第三乐章,回旋曲。快板 - 柔板 - 快板(Piano Concerto No. 13 in C Major, K. 415: III. Rondeau. Allegro-Adagio-Allegro)

这是德国钢琴家亚历山大·辛普夫与来自巴伐利亚奥格斯堡的专业室内乐乐团——巴伐利亚室内爱乐乐团合作推出的首张管弦乐专辑。

亚历山大·辛普夫表示:“莫扎特的音乐对演奏者提出了特殊的挑战,这一点已被多次指出。似乎在音乐演奏中存在的某些基本矛盾或张力被推向了极致:莫扎特的许多作品要求产生声音的乐器演奏过程和条件退居幕后,以突出我们所听到的音乐效果。不应让人注意到或听到演奏者在用力。精妙、精准的节奏调整听起来绝不应显得刻意或经过安排。理想情况下,这种音乐应呈现出完全自然、自发产生的状态。所有背后的脑力和技术努力都不应在观众的感知中凸显出来。否则,莫扎特音乐中典型的‘飘逸’自然效果,那种神奇的内在平衡,就无法展现出来……在这张唱片中,我们采用了莫扎特特别认可的版本:摒弃了额外的管乐声部。尽管莫扎特为这些协奏曲创作的管乐声部确实能增添一些色彩,但从音乐实质的角度来看,它们并非必不可少。”(亚历山大·辛普夫,专辑小册子)

在波恩(德国音乐比赛)、维也纳(国际贝多芬比赛一等奖)和克利夫兰(克利夫兰国际钢琴比赛一等奖)的一系列比赛中取得令人瞩目的成绩后,亚历山大·辛普夫作为一名音乐会钢琴家开启了成功的职业生涯,定期在多个大洲进行演出。他受邀举办钢琴独奏音乐会,并与知名管弦乐团合作,在维也纳音乐厅、柏林音乐厅、纽约卡内基音乐厅的赞克尔厅、圣彼得堡马林斯基音乐厅、法兰克福“老歌剧院”大厅、波恩贝多芬大厅、纽伦堡梅斯辛格大厅、科隆爱乐大厅以及慕尼黑爱乐大厅等著名古典音乐场馆登台表演。

Artist: Bayerische Kammerphilharmonie, Alexander Schimpf
Title: Mozart: Piano Concertos K. 413 & K. 415
Year Of Release: 2020
Label: CAvi-music
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:14:34
Total Size: 310 mb / 1.3 gb
WebSite: Album Preview

Bayerische Kammerphilharmonie & Alexander Schimpf - Mozart: Piano Concertos K. 413 & K. 415 (2020) [Hi-Res]


Tracklist

01. Piano Concerto No. 11 in F Major, K. 413: I. Allegro
02. Piano Concerto No. 11 in F Major, K. 413: II. Larghetto
03. Piano Concerto No. 11 in F Major, K. 413: III. Tempo di Menuetto
04. Piano Concerto No. 12 in A Major, K. 414: I. Allegro
05. Piano Concerto No. 12 in A Major, K. 414: II. Andante
06. Piano Concerto No. 12 in A Major, K. 414: III. Rondeau. Allegretto
07. Piano Concerto No. 13 in C Major, K. 415: I. Allegro
08. Piano Concerto No. 13 in C Major, K. 415: II. Andante
09. Piano Concerto No. 13 in C Major, K. 415: III. Rondeau. Allegro-Adagio-Allegro


The orchestral debut album of the German pianist Alexander Schimpf, together with the Bayerische Kammerphilharmonie, a professional chamber music ensemble from Augsburg (Bavaria).

Alexander Schimpf: "Mozart"019s music poses special challenges to performers, and they have often been pointed out. As it would seem, certain fundamental tensions or contradictions inherent in music making are taken to extremes: many works by Mozart require that the instrumental process and conditions responsible for producing the sound should retreat into the background in favor of the musical result as we hear it. No expenditure of energy should be noted or heard. Fine, precise timing adjustments should never sound organized or deliberate. This music should ideally be presented as something that emerges entirely naturally, of its own accord. All the mental and technical effort in the background should be eliminated from the forefront of perception. Otherwise, the typically 'floating' Mozartian natural effect, that magical inner balance, cannot emerge... On this recording we make use of the version specifically authorized by Mozart: eschewing additional wind parts. Although the wind parts composed by Mozart for these concertos can indeed provide some colour, they do not have anything essential or indispensable to add in terms of musical substance." (Alexander Schimpf, Booklet)

After a series of impressive wins at competitions in Bonn (German Music Competition), Vienna (1st Prize at the International Beethoven Competition) and Cleveland (1st Prize at the Cleveland International Piano Competition), Alexander Schimpf has been pursuing a successful career as a concert pianist, performing regularly on several continents. Invitations to play solo piano recitals and to collaborate with renowned orchestras have led to appearances in well-known classical music venues such as the Konzerthaus Vienna, the Konzerthaus Berlin, Zankel Hall at Carnegie Hall in New York City, the Marinsky Concert Hall in Saint Petersburg, the Great Hall of the "Alte Oper" in Frankfurt, the Beethovenhalle in Bonn, the Meistersingerhalle in Nuremberg, the Cologne Philharmonie, and the Munich Philharmonic Hall.


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