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艺人：莱纳斯·罗斯（Linus Roth）、德国柏林交响乐团（Deutsches Sinfonie-Orchester Berlin）、米克尔·屈茨森（Mikhel Kütson）
专辑名称：《布里顿与温伯格：小提琴协奏曲》
发行年份：2014年
厂牌：挑战古典唱片公司（Challenge Classics）
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 96.0千赫兹 + 小册子
总时长：1小时02分49秒
总大小：287兆字节 / 1吉字节
网站：专辑预览
曲目单
01. 小提琴与管弦乐队协奏曲，作品15号：第一乐章 有动感的中板
02. 小提琴与管弦乐队协奏曲，作品15号：第二乐章 活泼的快板
03. 小提琴与管弦乐队协奏曲，作品15号：第三乐章 帕萨卡利亚舞曲
04. 小提琴协奏曲，作品67号：第一乐章 很快的快板
05. 小提琴协奏曲，作品67号：第二乐章 小快板
06. 小提琴协奏曲，作品67号：第三乐章 柔板
07. 小提琴协奏曲，作品67号：第四乐章 果断的快板
自2006年莱纳斯·罗斯凭借其在百代唱片公司的首张专辑荣获回声古典音乐奖以来，他不仅作为同辈中最有成就的小提琴家之一而声名远扬，还成为了被遗忘的音乐和作曲家的拥护者。在这张专辑中，他将米哈伊尔·温伯格的小提琴协奏曲（他在挑战古典唱片公司录制的温伯格小提琴与钢琴的全部作品已为他赢得了评论界的赞誉）与本杰明·布里顿的小提琴协奏曲搭配在一起。
莱纳斯·罗斯的才华在他年轻时就得到了认可。12岁时，他被弗赖堡音乐学院的尼古拉·楚马琴科教授录取。1992年，他在德国全国“青年音乐家”比赛中获得一等奖。一年后，他跟随吕贝克音乐学院的扎哈尔·布龙教授继续深造，并于1998年毕业。莱纳斯·罗斯曾获得多个奖项，包括1995年新西伯利亚国际小提琴比赛一等奖、1997年“约瑟夫·西盖蒂”国际音乐比赛二等奖，以及2003年德国音乐比赛一等奖，并因对舒曼作品的最佳诠释获得波恩舒曼故居特别奖。
米哈伊尔·温伯格（1919 - 1996）是一位波兰裔犹太血统的苏联作曲家。在他的一生中，温伯格与他的同胞德米特里·肖斯塔科维奇建立了深厚的个人和音乐方面的联系。不幸的是，在上个世纪后期和本世纪初的大部分时间里，温伯格的作品在很大程度上都处于他朋友的作品的阴影之下。然而，肖斯塔科维奇是他作品的大力拥护者，并认为1959年的小提琴协奏曲是一部真正的杰作。温伯格将这部作品献给了伟大的演奏家列昂尼德·科冈。从很快的快板中打击乐器的第一声敲击到最后逐渐减弱的小提琴和弦，这部协奏曲充满了肯定的力量和不可阻挡的动力。尽管近年来这部精彩绝伦、极具技巧性的作品不幸被忽视，但它终于开始展现出获得其应得听众的迹象。本杰明·布里顿的小提琴协奏曲，作品15号，创作于1939年9月，是作曲家移居美国后的首部作品。布里顿的这部作品很大程度上受到了阿尔班·贝尔格的协奏曲的启发。
Artist: Linus Roth, Deutsches Sinfonie-Orchester Berlin, Mikhel Kütson
Title: Britten & Weinberg: Violin Concertos
Year Of Release: 2014
Label: Challenge Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:02:49
Total Size: 287 mb / 1 gb
WebSite: Album Preview
Tracklist
01. Concerto for Violin and Orchestra, Op. 15: I. Moderato con moto
02. Concerto for Violin and Orchestra, Op. 15: II. Vivace
03. Concerto for Violin and Orchestra, Op. 15: III. Passacaglia
04. Concerto for Violin, Op. 67: I. Allegro molto
05. Concerto for Violin, Op. 67: II. Allegretto
06. Concerto for Violin, Op. 67: III. Adagio
07. Concerto for Violin, Op. 67: IV. Allegro Risoluto
Since he won the Echo Klassik Award for his EMI debut album in 2006, Linus Roth has made a name for himself both as one of the most accomplished violinists of his generation and as a champion of forgotten music and composers. Here he couples Mieczyslaw Weinberg's Violin Concerto - his Challenge Classics recording of Weinberg's complete works for Violin and Piano has already brought him critical acclaim - with Benjamin Britten’s Violin Concerto.
Linus Roth’s talent was recognised early in his youth. When he was 12 years old he was accepted by Prof. Nicolas Chumachenco at the Music Academy Freiburg. In 1992 he won First Prize at the German national competition “Jugend musiziert”. One year later, he continued his studies with Prof. Zakhar Bron at the Music Academy Lübeck, from which he graduated in 1998. Linus Roth has been awarded several prizes, including 1st prize at the International Violin Competition Novosibirsk in 1995, 2nd prize at the International Music Competition “Joseph Szigeti” in 1997, and 1st prize at the German Music Competition, combined with the Special Prize of the Schumannhouse Bonn in 2003 for the best interpretation of a work by Schumann.
Mieczyslaw Weinberg (1919-1996) was a Soviet composer of Polish-Jewish origin. During his life Weinberg developed a strong personal and musical relationship with his compatriot Dmitri Shostakovich. Unfortunately, for much of the latter part of the last century and the early part of this one, Weinberg’s compositions have largely existed in the shadow of that of his friend. Shostakovich, however, was a great champion of his work and considered the Violin Concerto of 1959 to be a genuine masterpiece. Weinberg dedicated the piece to the great virtuoso Leonid Kogan. The concerto contains music full of affirmative power and irresistible drive from the first percussion crack of the Allegro molto to the last diminishing violin chord. Although sadly neglected in recent years this wonderful, highly virtuosic work is at last showing signs of finding the audience that it richly deserves. Benjamin Britten’s Violin Concerto, opus 15, was written in September 1939 and was the composer’s first work after he moved to America. Britten took much of the inspiration for his piece from the concerto of Alban Berg.
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