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艺人：奥尔加·格奥尔基耶夫斯卡娅（Olga Georgievskaya）
专辑名称：《恰空舞曲与歌曲》（Chaconnes & Songs）
发行年份：2015年
厂牌：奥德拉德克唱片公司（Odradek Records）
音乐类型：古典钢琴音乐
音质：FLAC无损格式 / FLAC 24比特 - 96.0千赫兹 + 小册子
总时长：0小时53分54秒
总大小：192兆字节 / 800兆字节
网站：专辑预览
曲目单
01. D小调恰空舞曲（选自《第二小提琴 partita，作品BWV 1004》，费鲁乔·布索尼改编）
02. 第二钢琴奏鸣曲，作品36号：第一乐章 激动的快板
03. 第二钢琴奏鸣曲，作品36号：第二乐章 不太快的快板 - 慢板
04. 第二钢琴奏鸣曲，作品36号：第三乐章 同速 - 很快的快板
05. 《哦，不要悲伤》（奥尔加·格奥尔基耶夫斯卡娅改编）
06. 《缪塞诗片段》（奥尔加·格奥尔基耶夫斯卡娅改编）
07. G小调恰空舞曲（奥尔加·格奥尔基耶夫斯卡娅改编）
《恰空舞曲与歌曲》是屡获殊荣的俄罗斯钢琴家奥尔加·格奥尔基耶夫斯卡娅的首张CD专辑（她的姐姐柳德米拉已经在奥德拉德克唱片公司发行过一张贝多芬和舒曼作品的录音）。她在这张专辑中的演奏曲目范围从巴赫到拉赫玛尼诺夫，其中还包括一些她自己改编的作品。
拉赫玛尼诺夫著名且极富挑战性的第二钢琴奏鸣曲，是钢琴作品中抒情性的最佳范例之一。有趣的是，这部作品的两端分别是音乐史上最伟大的两首恰空舞曲——巴赫的恰空舞曲（采用布索尼著名的改编版本）和维塔利的恰空舞曲（采用她自己的改编版本）。就如同拉赫玛尼诺夫本人在作曲、改编和演奏方面都游刃有余一样，奥尔加也继承了他的传统：她通过将这部奏鸣曲置于两首基于固定低音进行创作的杰作之间，强化了其形式逻辑，又通过并置另外两首改编作品——拉赫玛尼诺夫的歌曲《哦，不要悲伤》和《缪塞诗片段》，突出了作品的抒情性。毫无疑问，她对这些作品有着深刻的理解，她在键盘上的触键既深沉又细腻。这是一张既具有宏伟气势又充满强烈情感的专辑。它通过超越创作、改编和演奏之间的界限，凸显了她艺术形式中的一个核心矛盾。
奥尔加·格奥尔基耶夫斯卡娅作为独奏家，不仅在俄罗斯各大主要管弦乐团合作演出，还在意大利、芬兰、法国、希腊、瑞士、乌克兰、乌兹别克斯坦和美国等地进行过独奏音乐会。她在多个国际比赛中荣获最高奖项，以优异成绩毕业于莫斯科国立柴可夫斯基音乐学院，并在该校完成了研究生学业——她的博士论文研究的是拉赫玛尼诺夫音乐中的复调问题。目前，她是莫斯科市立师范大学和俄罗斯国立专业艺术学院的教授，她经常承担极具挑战性的项目，例如在七场独奏音乐会上演奏贝多芬的32首钢琴奏鸣曲。
Artist: Olga Georgievskaya
Title: Chaconnes & Songs
Year Of Release: 2015
Label: Odradek Records
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:53:54
Total Size: 192 / 800 mb
WebSite: Album Preview
Tracklist
01. Chaconne in D minor (from Partita II for Violin, BWV 1004) (Arr. Ferruccio Busoni)
02. Piano Sonata No. 2, Op. 36: I. Allegro agitato
03. Piano Sonata No. 2, Op. 36: II. Non allegro-Lento
04. Piano Sonata No. 2 Op. 36: III. L'istesso tempo-Allegro molto
05. Oh, do not Grieve (Arr. Olga Georgievskaya)
06. Fragment from Musset (Arr. Olga Georgievskaya)
07. Chaconne in G minor (Arr. Olga Georgievskaya)
‘Chaconnes and Songs’ is the debut CD of award-winning Russian pianist Olga Georgievskaya (whose sister Liudmila has already released a recording of Beethoven and Schumann on Odradek Records). Her repertoire here ranges from Bach to Rachmaninov, including some of her own transcriptions.
One of the piano’s best examples of lyricism, the famous and very demanding Second Sonata of Rachmaninov, is intriguingly book-ended by two of the greatest chaconnes of musical history - Bach’s, in Busoni’s celebrated transcription, and Vitali’s, in her own arrangement. Just as Rachmaninov himself was as at home as composer, arranger and performer, Olga follows in his tradition: having underpinned the formal logic of the sonata by framing it between the two masterworks of invention over ground bass, she draws into relief its lyricism by juxtaposing two further transcriptions - of Rachmaninov’s songs “Oh do not grieve” and “Fragment from Musset”. Her deep instinct for these works is beyond doubt, and she brings to her keyboard a touch that is at once dense and delicate. It is a disc of monumentality and yet great emotional intensity. It brings to the fore one of the central paradoxes of her art-form by transcending the distinction between creation, arrangement, and performance.
Olga Georgievskaya has performed as a recitalist and soloist with major orchestras all over Russia as well as in Italy, Finland, France, Greece, Switzerland, Ukraine, Uzbekistan, and the USA. Top prize-winner in several international competitions, she graduated cum laude from the Moscow State Tchaikovsky Conservatory, where she also completed her postgraduate studies - her doctorate researched polyphony in the music of Rachmaninov. Currently a professor at the Moscow City Pedagogical University and at the Russian State Specialized Academy of Arts, she often undertakes highly challenging projects such as performing the 32 Beethoven piano sonatas in a series of seven recitals.
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发表于 2025-3-23 08:11:36