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艺人：安德里亚·曼科（Andrea Manco）、若埃尔·伊姆佩里尔（Joël Impérial）、詹卢卡·穆佐隆（Gianluca Muzzolon）、安德里亚·佩科洛（Andrea Pecolo）
专辑名称：《莫扎特：长笛四重奏全集》
发行年份：2020年
厂牌：辉煌古典唱片公司（Brilliant Classics）
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 44.1千赫兹 + 小册子
总时长：1小时04分29秒
总大小：330兆字节 / 631兆字节
网站：专辑预览
安德里亚·曼科、若埃尔·伊姆佩里尔、詹卢卡·穆佐隆与安德里亚·佩科洛 - 《莫扎特：长笛四重奏全集》（2020年）[高解析度]
曲目单
01. D大调长笛四重奏，作品K. 285：第一乐章，快板
02. D大调长笛四重奏，作品K. 285：第二乐章，柔板
03. D大调长笛四重奏，作品K. 285：第三乐章，回旋曲
04. G大调长笛四重奏，作品K. 285a：第一乐章，行板
05. G大调长笛四重奏，作品K. 285a：第二乐章，小步舞曲速度
06. F大调双簧管四重奏，作品K. 370：第一乐章，快板
07. F大调双簧管四重奏，作品K. 370：第二乐章，柔板
08. F大调双簧管四重奏，作品K. 370：第三乐章，回旋曲。快板
09. C大调长笛四重奏，作品K. 285b：第一乐章，快板
10. C大调长笛四重奏，作品K. 285b：第二乐章，小行板。主题与变奏曲
11. A大调长笛四重奏，作品K. 298：第一乐章，行板。主题与变奏曲
12. A大调长笛四重奏，作品K. 298：第二乐章，小步舞曲 - 三声中部
13. A大调长笛四重奏，作品K. 298：第三乐章，回旋曲。优雅的小快板
在18世纪后期，为弦乐三重奏搭配一件管乐器而作的作品在业余音乐爱好者圈子中极为流行；顺应这一时尚潮流，莫扎特在与母亲游历法国和德国期间，创作了四首长笛与弦乐的四重奏作品。当时22岁的莫扎特刚刚结识了一位长笛独奏家约翰·巴普蒂斯特·温德林（Johann Baptist Wendling），温德林与一位热衷于吹奏长笛的富有的赞助人有联系。这位赞助人愿意为一些协奏曲和四重奏作品支付一笔可观的酬金——这笔酬金比莫扎特在萨尔茨堡担任宫廷乐师的年薪还要高——于是莫扎特便着手创作，于1777年圣诞节完成了第一首四重奏作品K385。这里的其他作品可能是后来创作的——或许是莫扎特对这个项目失去了热情——但它们都堪称是为技艺娴熟的业余演奏者以及家庭演奏而构思的高雅室内乐范例。虽然这些作品并不像莫扎特献给海顿的弦乐四重奏那样复杂，能够充分展示他的作曲技巧，但这四首长笛四重奏都充满了温和的智慧与幽默感，而且它们并非被写成以长笛为主、弦乐三重奏为辅的小型协奏曲，而是将各声部视为平等伙伴的室内乐作品。莫扎特不时地展现出他一贯的卓越才华，比如作品K285b中缓慢的变奏曲乐章，其在表达上那种轻盈却又庄重的特质，让人联想到《大组曲》（‘Gran Partita’）管乐小夜曲中类似的乐章。
这张新录制的四重奏专辑还有一个特别之处，即收录了为当前演奏组合改编的双簧管四重奏作品K370。此次演奏由意大利长笛演奏家安德里亚·曼科领衔，2003年，年仅20岁的他在贾南德雷亚·诺塞达（Gianandrea Noseda）的指挥下，成为了都灵皇家剧院管弦乐团的首席长笛手。从那以后，他在欧洲及其他地区的许多优秀管弦乐团中担任首席长笛手，2014年，他在米兰斯卡拉歌剧院担任长笛独奏职位。与他一同演奏的还有三位同样经验丰富的意大利籍弦乐演奏家。这张专辑标志着他在辉煌古典唱片公司的首次亮相。
Artist: Andrea Manco, Joël Impérial, Gianluca Muzzolon, Andrea Pecolo
Title: Mozart: Complete Flute Quartets
Year Of Release: 2020
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 01:04:29
Total Size: 330 / 631 mb
WebSite: Album Preview
Andrea Manco, Joël Impérial, Gianluca Muzzolon & Andrea Pecolo - Mozart: Complete Flute Quartets (2020) [Hi-Res]
Tracklist
01. Flute Quartet in D Major, K. 285 I. Allegro
02. Flute Quartet in D Major, K. 285 II. Adagio
03. Flute Quartet in D Major, K. 285 III. Rondeau
04. Flute Quartet in G Major, K. 285a I. Andante
05. Flute Quartet in G Major, K. 285a II. Tempo di minuetto
06. Oboe Quartet in F Major, K. 370 I. Allegro
07. Oboe Quartet in F Major, K. 370 II. Adagio
08. Oboe Quartet in F Major, K. 370 III. Rondeau. Allegro
09. Flute Quartet in C Major, K. 285b I. Allegro
10. Flute Quartet in C Major, K. 285b II. Andantino. Tema con variazioni
11. Flute Quartet in A Major, K. 298 I. Andante. Tema con variazioni
12. Flute Quartet in A Major, K. 298 II. Minuetto - Trio
13. Flute Quartet in A Major, K. 298 III. Rondeau. Allegretto grazioso
During the late 18th century, compositions for string trio with a wind instrument were extremely popular in amateur circles; and in keeping with this highly fashionable trend, Mozart composed four quartets for flute and strings while on a tour of France and Germany with his mother. The 22-year-old composer had lately made the acquaintance of a solo flautist, Johann Baptist Wendling, who was in contact with a rich flute-playing patron. A handsome fee was offered for some concertos and quartets – more than Mozart’s annual salary as a court musician back at home in Salzburg – and so he set to work, completing the first quartet, K385, on Christmas Day 1777. The other works here may have been composed later – perhaps Mozart ran out of enthusiasm for the project – but they all count as examples of refined chamber music conceived for skilled amateur players and domestic consumption, While hardly as complex a showcase of Mozart’s compositional skills as the string quartets he dedicated to Haydn, all four quartets abounding in gentle wit and good humour, and written not as mini-concertos for flute and string trio but as chamber music for equal partners. Every now and then Mozart touches the sublime, as so often he could, such as the slow variation movement of K285b, which recalls the similar movement in the ‘Gran Partita’ wind serenade in its weightless gravity of expression. This new recording of the quartets offers a substantial bonus, in the shape of the Oboe Quartet K370 arranged for the ensemble at hand. The performances are led by the Italian flautist Andrea Manco, who in 2003, at just 20 years old, became principal flute of the Teatro Regio orchestra in Turin under the directorship of Gianandrea Noseda. Since then he has played principal flute for many fine orchestras in Europe and farther afield, and in 2014 he took a solo flute post at the Teatro alla Scala in Milan. He is joined here by a trio of equally experienced, Itallian-based string players. This album marks his debut on Brilliant Classics.
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