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Artist: Quartetto Nous
Title: Colasanti: String Quartets
Year Of Release: 2020
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 00:49:24
Total Size: 210 / 425 mb
WebSite: Album Preview
Quartetto Nous - Colasanti: String Quartets (2020) [Hi-Res]
Tracklist
01. Due destini
02. Aria
03. Di tumulti e d'ombre studio per Faust
04. Tre notti I. Prima note
05. Tre notti II. Seconda note
06. Tre notti III. Terza note
One of today’s leading Italian string quartets in the powerfully original music of a compatriot. Born in 1975, Silvia Colasanti has an extensive catalogue of works to her credit in all the major classical genres, but her style is principally characterised by its attention to drama, whether experienced on or off the lyric stage. In 2019 the premiere of her Proserpine opera was staged to open the prestigious Spoleto Festival. ‘The score is like elegant lace,’ reported Classical Music Daily, ‘with very skilful orchestration and well-balanced vocal writing. It is not an experimental score but a good piece of music where the main themes are intertwined and can be easily played by the orchestra as well as recognized by the listeners.’ These qualities may also be appreciated in Colasanti’s work for string quartet. The expressive markings for Due destini, starting Agitato and Immobile, reveal the work’s destination of travel towards two quite different places, creating an expressive tension which the string quartet is uniquely well placed to sustain. Aria does not imitate vocal writing but rather draws on the Italian meaning of the word, ‘airs’, with music that breathes and shudders and vanishes on the wind. Di tumulti e onde, dedicated to the Quartetto di Cremona, is subtitled Studio per Faust, and its predominance of darkness over light and tumult over calm is a characterstic feature of Colasanti’s language. Finally there is a trio of pieces that develops the themes of a piece she wrote for string quartet and percussion to accompany a text written by Patrizia Cavalli. The theme is that of a woman waking and dreaming, not unlike the lonely figure in Schoenberg’s Erwartung, and now transformed by Tre Notti into music of sudden fears and restless hopes. The Quartetto Noûs has won acclaim in Italy and abroad for the warmth of its sound and the intelligence of its interpretations. In the UK they have found a home from home at the Conway Hall’s Sunday evening concerts, where they have given ‘forthright and well-proportioned’ Haydn, ‘strong and symphonic conviction’ to Brahms and ‘decisive and unanimous’ Bartók performances (all quoted from reviews in The Strad). This is one of the quartet’s first international album releases.
艺术家：努斯弦乐四重奏组（Quartetto Nous）
作品名称：《科拉桑蒂：弦乐四重奏作品》
发行年份：2020年
厂牌：辉煌古典唱片公司（Brilliant Classics）
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 44.1千赫兹 + 小册子
总时长：49分24秒
总大小：210 / 425 兆字节
网站：专辑预览
努斯弦乐四重奏组 - 《科拉桑蒂：弦乐四重奏作品》（2020年）[高解析度]
曲目列表
01. 《两种命运》（Due destini）
02. 《咏叹调》（Aria）
03. 《喧嚣与阴影：为〈浮士德〉而作的研习曲》（Di tumulti e d'ombre studio per Faust）
04. 《三个夜晚》第一首：初步音符（Tre notti I. Prima note）
05. 《三个夜晚》第二首：二度音符（Tre notti II. Seconda note）
06. 《三个夜晚》第三首：三度音符（Tre notti III. Terza note）
当今意大利领先的弦乐四重奏组之一，演绎一位本国作曲家极具原创力的音乐作品。西尔维娅·科拉桑蒂出生于1975年，在所有主要的古典音乐体裁中，她都有大量值得称赞的作品。但她的风格主要以对戏剧性的关注为特点，无论是在抒情舞台上还是舞台之外所体验到的戏剧性皆是如此。2019年，她的歌剧《普罗塞尔皮娜》在著名的斯波莱托艺术节上首演，作为开幕剧目。《古典音乐日报》报道称：“总谱就像精致的蕾丝，配器非常巧妙，声乐写作也十分平衡。这不是一部实验性的总谱，而是一部优秀的音乐作品，其中的主要主题相互交织，管弦乐队可以轻松演奏，听众也能轻易识别。” 这些特质在科拉桑蒂的弦乐四重奏作品中同样值得欣赏。《两种命运》的表情标记从 “激动地”（Agitato）和 “静止地”（Immobile）开始，揭示了这部作品向两个截然不同的方向发展的走向，营造出一种富有表现力的张力，而弦乐四重奏这种形式尤其适合维持这种张力。《咏叹调》并非模仿声乐写作，而是借鉴了这个词在意大利语中的含义 “曲调”，音乐仿佛在呼吸、颤抖，然后消逝在风中。《喧嚣与波涛》是献给克雷莫纳弦乐四重奏组的作品，副标题是《为〈浮士德〉而作的研习曲》，其中黑暗胜过光明、喧嚣胜过平静的特点，是科拉桑蒂音乐语言的典型特征。最后是一组三首作品，发展了她为弦乐四重奏和打击乐创作的一首作品的主题，该作品曾为帕特里齐亚·卡瓦利所写的一段文本配乐。主题围绕着一位女性的清醒与梦境，这与勋伯格的《期待》中孤独的人物形象不无相似之处，如今《三个夜晚》将其转化为充满突然的恐惧和不安的希望的音乐。努斯弦乐四重奏组因其温暖的音色和富有智慧的诠释，在意大利国内外赢得了赞誉。在英国，他们在康威大厅的周日晚间音乐会上找到了家的感觉，在那里他们演奏的海顿作品 “直率且比例恰当”，演奏的勃拉姆斯作品 “充满强烈的交响信念”，演奏的巴托克作品 “果断且一致”（以上评价均摘自《斯特拉迪》杂志的评论）。这是该四重奏组首批在国际上发行的专辑之一。
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发表于 2025-3-25 07:55:10