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艺术家：拉斐拉·格罗姆斯、尤利娅姆·里姆
作品名称：《拉斐拉·格罗姆斯 - 尤利娅姆·里姆：大提琴奏鸣曲 - 施特劳斯与门德尔松作品》
发行年份：2014年
厂牌：法老古典唱片公司
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特-96.0千赫兹
总时长：00小时57分31秒
总大小：245兆字节 / 946兆字节
网站：专辑预览
曲目列表
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01. F大调大提琴奏鸣曲，作品6号，TrV 115：第一乐章 充满活力的快板
02. F大调大提琴奏鸣曲，作品6号，TrV 115：第二乐章 不过分的行板
03. F大调大提琴奏鸣曲，作品6号，TrV 115：第三乐章 终曲。活泼的快板
04. F大调浪漫曲，TrV 118（大提琴与钢琴版本）
05. D大调第二大提琴奏鸣曲，作品58号，MWV Q 32：第一乐章 非常活泼的快板
06. D大调第二大提琴奏鸣曲，作品58号，MWV Q 32：第二乐章 诙谐的小快板
07. D大调第二大提琴奏鸣曲，作品58号，MWV Q 32：第三乐章 柔板
08. D大调第二大提琴奏鸣曲，作品58号，MWV Q 32：第四乐章 非常活泼且充满生气的快板
这张专辑收录了理查德·施特劳斯的两首早期作品以及门德尔松成熟时期的一部作品。“我的奏鸣曲让观众极为欣喜，赢得了热烈的掌声。大家纷纷向我祝贺，而且每个人都赞不绝口。” 1883年12月19日，在作品首演之后，理查德·施特劳斯自豪地给他的父母写信说道。施特劳斯在1881年，17岁时开始创作他唯一的一首大提琴奏鸣曲，并在两年后完成。那时，他已经创作了许多作品，和费利克斯·门德尔松·巴托尔迪一样，他是个十足的音乐神童。事实上，在施特劳斯的早期作品中，门德尔松的影响清晰可闻，比如在这首大提琴奏鸣曲的终曲中：它让人回想起《仲夏夜之梦》的轻盈，或是钢琴作品《随想回旋曲》的俏皮。在最初为大提琴与管弦乐队创作的《浪漫曲》中，施特劳斯展现出了与在奏鸣曲中同样自由且创新的曲式运用：奏鸣曲式、回旋曲和艺术歌曲相互融合，创造出一种不受拘束、联想丰富的结构，它以非传统的方式展开，同时仍保持着音乐性、叙事的连贯性和张力。与理查德·施特劳斯的两首青年时期作品不同，门德尔松的《大提琴与钢琴奏鸣曲》，作品58号，是他32岁成熟时期的产物。门德尔松花了两年多的时间来创作他的这首大提琴奏鸣曲。最终的成果是一部极为宏大的作品，其四个冗长的乐章远远超越了早期室内乐作品的限制。
Artist: Raphaela Gromes, Juliam Riem
Title: Raphaela Gromes - Juliam Riem: Violoncellosonaten - Strauss & Mendelssohn
Year Of Release: 2014
Label: Farao Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:57:31
Total Size: 245 / 946 mb
WebSite: Album Preview
Tracklist
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01. Cello Sonata in F Major, Op. 6, TrV 115: I. Allegro con brio
02. Cello Sonata in F Major, Op. 6, TrV 115: II. Andante ma non troppo
03. Cello Sonata in F Major, Op. 6, TrV 115: III. Finale. Allegro vivo
04. Romanze in F Major, TrV 118 (Version for cello and piano)
05. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: I. Allegro assai vivace
06. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: II. Allegretto scherzando
07. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: III. Adagio
08. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: IV. Molto allegro e vivace
Two early pieces by Richard Strauss and a work from Mendelssohn's maturity My sonata pleased the audience immensely, and it received colossal applause. I was congratulated from all sides, and everyone was of the same opinion, Richard Strauss proudly wrote to his parents on 19 December 1883 after the work's first performance. Strauss started work on his only cello sonata in 1881 at the age of 17, completing it two years later. By then, he had already done a lot of composing like Mendelssohn Bartholdy, he was very much a child prodigy. In fact, Mendelssohn's influence can be clearly heard in Strauss's early works, as here in the Finale of the Cello Sonata: it recalls the lightness of A Midsummer Night's Dream or the playfulness of the piano piece Rondo Capriccioso. In the Romance originally composed for cello and orchestra Strauss displays the same free and innovative use of form that he does in the sonata: sonata form, rondo and Lied blend to create an unfettered, associative structure that unfolds unconventionally, while still possessing musical and narrative coherence and tension. Unlike the two youthful works by Richard Strauss, Mendelssohn's Sonata for Cello and Piano, op. 58, is the product of a mature 32-year-old. Mendelssohn laboured over his Cello Sonata for more than two years. The result is an extraordinarily expansive work that, with its four long movements, goes far beyond the constraints of earlier chamber-music works.
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发表于 2025-4-18 08:09:25