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艺术家:菅波信也(Nobuya Sugawa)
作品名称:《吉松隆:萨克斯管协奏曲》(Yoshimatsu: Saxophone Concerto)
发行年份:2000年
厂牌:钱德勒唱片公司(Chandos)
音乐类型:古典音乐
音质:FLAC格式(分轨)/ 24比特/96千赫兹 FLAC格式(分轨)/ 数字小册子
总时长:01小时16分56秒
总大小:320.5兆字节 / 1.30吉字节
网站:专辑预览
曲目列表
[11分41秒] 1. 第一乐章:黄玉(托帕石)
[11分19秒] 2. 第二乐章:蓝宝石
[4分29秒] 3. 第一乐章:顺风
[5分31秒] 4. 第二乐章:风的痕迹
[9分14秒] 5. 第三乐章:新风
[4分26秒] 6. 第一乐章:稍快的快板
[3分47秒] 7. 第二乐章:小广板
[4分48秒] 8. 第三乐章:十分活泼地
[10分21秒] 9. 第一乐章:十分中板的快板
[6分52秒] 10. 第二乐章:柔板
[4分27秒] 11. 第三乐章:诙谐的快板
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关于这张专辑
专辑发行时间:2000年
高解析度音频(HRA)发行时间:2000年1月1日
厂牌:钱德勒唱片公司
音乐类型:古典音乐
子类型:协奏曲
艺术家:菅波信也
作曲家:吉松隆(Takashi Yoshimatsu)、本田俊幸(Toshiyuki Honda)、雅克·伊贝尔(Jacques Ibert)、拉尔斯 - 埃里克·拉尔松(Lars-Erik Larsson)
专辑内容包括:专辑封面、小册子(PDF格式)
本田俊幸:《风之协奏曲》
雅克·伊贝尔:《中音萨克斯管室内小协奏曲》
拉尔斯 - 埃里克·拉尔松:《萨克斯管与弦乐团协奏曲(原始版本)》,作品14号
吉松隆:《女高音萨克斯管协奏曲 “辇道增七调式”》
菅波信也(萨克斯管)
英国广播公司(BBC)爱乐乐团,佐渡裕指挥
菅波信也是日本最杰出的管乐器演奏家之一。此次他与佐渡裕指挥的BBC爱乐乐团合作,演奏吉松隆和本田俊幸的作品,这两部作品都是专门为他创作的。他还演奏了伊贝尔和拉尔松的作品,这些作品在萨克斯管的音乐会保留曲目中已占有稳固的地位。
菅波信也在日本及世界各地演出,多年来获得了无数奖项。
与钱德勒唱片公司有长期合作关系的吉松隆在1994年为菅波信也创作了一首名为《数码鸟》的协奏曲,这部作品运用了萨克斯管的所有功能,并融合了古典、民族和爵士风格。当菅波信也向吉松隆请求创作一首新的协奏曲时,作曲家拒绝了,他说:“我无法创作出一部超越上一部的新作品。” 然而,当提到创作一首女高音萨克斯管协奏曲的想法时,他写道:“我想,也许我可以为女高音萨克斯管创作一部协奏曲,突出‘宁静’的特点,与《数码鸟》中‘动感’的特点形成对比,于是我开始构思一部新作品。” 作品标题中的 “辇道增七(Albireo)” 是位于天鹅座喙部的一颗双星的名字。这两颗星分别闪耀着像黄玉一样明亮的金黄色和像蓝宝石一样的蓝绿色。吉松隆继续说道:“‘辇道增七调式’ 象征着女高音萨克斯管的双重特质,它融合了冷静与热烈、美丽与深沉。这就是为什么我把冷静而美丽的第一部分命名为‘黄玉’,把热烈而深沉的第二部分命名为‘蓝宝石’。” 这部作品由菅波信也于2005年在大阪交响乐大厅首演。
本田俊幸以萨克斯管演奏家的身份开启了他的职业生涯。他谈到了菅波信也与《风之协奏曲》之间的联系:“菅波信也是一位和我一样的萨克斯管演奏家,也是我非常尊敬的朋友,他委托我为他创作一部协奏曲,一部向爵士乐致敬的协奏曲。人们往往会把爵士乐与即兴演奏以及节奏布鲁斯联系起来,但我们选择了一个略有不同的方向…… 能够与BBC爱乐乐团和菅波信也一起录制这部作品,我感到非常荣幸…… ‘Vent’ 是法语中‘风’的意思。请把《风之协奏曲》看作是一部关于风的协奏曲。”
这张专辑还收录了伊贝尔的《室内小协奏曲》,这是中音萨克斯管最著名的作品之一,佐渡裕曾多次指挥演奏这部作品,以及拉尔松广受欢迎的《萨克斯管与弦乐团协奏曲》。
“萨克斯管爱好者们一定会欢迎这样一张专辑,它不仅对两部经典作品进行了精彩的诠释,还极大地丰富了已录制的曲目库。”(《留声机》杂志)
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Artist: Nobuya Sugawa
Title: Yoshimatsu: Saxophone Concerto
Year Of Release: 2000
Label: Chandos
Genre: Classical
Quality: FLAC (tracks) / FLAC (tracks) 24bit/96kHz / Digital Booklet
Total Time: 01:16:56
Total Size: 320.5 MB / 1,30 GB
WebSite: Album Preview
Tracklist:
[11:41] 1. I. Topaz
[11:19] 2. Ii. Sapphire
[4:29] 3. I. Un Vent Propice
[5:31] 4. Ii. La Marque Du Vent
[9:14] 5. Iii. Un Noveau Vent
[4:26] 6. I. Allegro Con Moto
[3:47] 7. Ii. Larghetto
[4:48] 8. Iii. Animato Molto
[10:21] 9. I. Allegro Molto Moderato
[6:52] 10. Ii. Adagio
[4:27] 11. Iii. Allegro Scherzando
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ABOUT THE ALBUM
Album-Release: 2000
HRA-Release: 01.01.2000
Label: Chandos
Genre: Classical
Subgenre: Concertos
Artist: Nobuya Sugawa
Composer: Takashi Yoshimatsu, Toshiyuki Honda, Jacques Ibert, Lars-Erik Larsson
Album including: Album cover, Booklet (PDF)
Honda: Concerto du vent
Ibert: Concertino da camera for Alto Saxophone
Larsson: Concerto for saxophone & string orchestra (original version), Op. 14
Yoshimatsu: Soprano Saxophone Concerto 'Albireo mode'
Nobuya Sugawa (saxophone)
BBC Philharmonic, Yutaka Sado
Nobuya Sugawa is one of the most distinguished wind instrumentalists in Japan. He is joined here by the BBC Philharmonic under Yutaka Sado to perform works by Yoshimatsu and Honda, both of which are dedicated to him. He also plays works by Ibert and Larsson which are firmly established in the saxophone’s concert repertoire.
Sugawa performs in Japan and throughout the world and over the years has received numerous prizes and awards.
Takashi Yoshimatsu, who has a long-term association with Chandos, in 1994 wrote a concerto for Sugawa titled Cyber-bird, a piece which utilises all the functions of the saxophone, and fuses classical, ethnic and jazz styles. When Sugawa approached Yoshimatsu for a new concerto, the composer declined, saying, ‘I can’t compose a new work that surpasses the last one’. Yet, when the idea of a soprano saxophone concerto was mentioned, he writes, ‘I thought, maybe I can compose a concerto for the soprano sax that highlights “calm”, in contrast to the “motion” characteristic of Cyber-bird, and so I started to structure a new work’. The ‘Albireo’ of the title is the name of the double Beta star that sits at the beak of the constellation Cygnus. These two stars shine respectively bright golden yellow like a topaz and bluish-green like a sapphire. Yoshimatsu continues, ‘Albireo Mode symbolises the character of the soprano sax, which is two-fold, combining both coolness and heat, both beauty and depth. That is why I named the cool and beautiful first part “Topaz” and the hot and deep second part “Sapphire”’. The work was premiered by Sugawa in 2005 at the Symphony Hall in Osaka.
Toshiyuki Honda began his professional career as a saxophonist. He writes of the connection between Sugawa and the Concerto du vent, ‘Nobuya Sugawa, a saxophone player like me and a friend whom I respect very much, entrusted me with the task of writing a concerto for him, a concerto that would represent a tribute to jazz. People tend to associate jazz with ad lib and rhythm and blues, but we took a slightly different direction… It was a great honour to be able to record with the BBC Philharmonic and Nobuya Sugawa… “Vent” is the French word for wind. Please think of the Concerto du vent as a Concerto of the wind’.
Completing the recording are Ibert’s Concertino da camera, one of the best-known works for alto saxophone, by a composer Yutaka Sado has conducted on many occasions, and Larsson’s popular Concerto for Saxophone and String Orchestra.
“Lovers of the saxophone must welcome an album that offers two stalwart works in such fine interpretations, as well as significantly extending the recorded repertory.” (Gramophone)
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