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01-查尔斯·斯佩林《在密西西比相遇》2020年 Hi-Res 24B - 44.1kHz

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发表于 2025-5-2 07:01:50 | 显示全部楼层 |阅读模式
Charles Spearin, Josefin Runsteen - Met at the Mississippi (2020).jpg


艺人:查尔斯·斯佩林(Charles Spearin)、约瑟芬·鲁恩斯滕(Josefin Runsteen)
曲目名称:《相聚密西西比》(Met at the Mississippi)
发行年份:2020年
厂牌:艺术与工艺制作公司(Arts & Crafts Productions Inc.)
音乐类型:古典音乐
音质:FLAC无损格式 / FLAC 24比特 - 44.1千赫兹
总时长:00:38:42
总大小:203 / 393兆字节
网站:专辑预览

曲目列表
01. 斯佩林,鲁恩斯滕:《群山生机勃勃》(The Hills Are Alive)
02. 斯佩林,鲁恩斯滕:《圣维吉利奥教堂》(Chiesa di san vigilio)
03. 鲁恩斯滕,斯佩林:《全然信任》(Trust All)
04. 鲁恩斯滕,斯佩林:《与你同呼吸,与我同呼吸》(Breathing With You, With Me)
05. 鲁恩斯滕,斯佩林:《伊斯特卡》(Ista¨cke)
06. 鲁恩斯滕,斯佩林:《哎呀》(Hoppla)
07. 斯佩林,鲁恩斯滕:《闪耀的月亮》(Blæðandi tungl)
08. 斯佩林,鲁恩斯滕:《麻雀》(Sparven)
09. 鲁恩斯滕,斯佩林:《你被爱着》(You Are Loved)
10. 鲁恩斯滕,斯佩林:《时间是欲望的度量》(Time Is A Measurement Of Desire)

查尔斯·斯佩林和约瑟芬·鲁恩斯滕,两位来自不同音乐领域、素不相识的陌生人,于2019年7月在意大利北部一座12世纪的城堡中相遇。他们受菲斯特(Feist)和达米恩·赖斯(Damien Rice)以及其他几位来自不同国家的优秀音乐家和艺术家的邀请,参加了为期一周的驻留项目,共同在音乐、诗歌和创意方面展开合作。

坎波城堡(Castel Campo)曾为冯·特拉普家族(没错,就是《音乐之声》里的那个家族)所有,如今归拉西尼(Rasini)家族所有并由其打理。拉西尼家族热情地敞开胸怀,将自家宅邸提供给这群艺术家使用。城堡旁边有一条狭窄且隐蔽的小路,蜿蜒穿过一片茂密的小树林。小路拐过一个小弯后,便通向一片田野。沿着小路走下去是一个谷仓,再往前是一座小教堂。无论是否有宗教信仰,任何进入这座小教堂的人都会不由自主地感受到从每个角落散发出来的那种质朴的神圣气息。装饰在灰泥天花板上的文艺复兴时期的壁画非常精美,但真正让人感受到这个地方核心氛围的是覆盖在墙壁上的古老涂鸦。几百年前,有人用拉丁文潦草地写下“上帝啊,求你救我们脱离瘟疫”,而在这些字迹之上,则是在黑死病最终过去之后人们绘制的各种感恩符号。

在驻留项目的第一天,查尔斯和约瑟芬几乎还没怎么交流过,他们就去小教堂测试音响效果,并开始用各自的乐器即兴演奏。加拿大人查尔斯带来了他的尼克尔哈琶琴(nyckelharpa),一种瑞典民间乐器,而瑞典人约瑟芬则带来了她的小提琴。很快,他们就被五彩斑斓般迸发的声音所震撼,并且立刻感受到了一种深刻的音乐共鸣。他们决定每天都来这里相聚,并记录下他们的即兴演奏。这些探索成果被收录在这张专辑中,成为了他们的首张专辑《谢天谢地,瘟疫结束了》(Thank God the Plague is Over)。

他们每天往返于小教堂之间,一路上除了脚下碎石的嘎吱声外,万籁俱寂。这段路程、身边新结识的一群朋友、善良的拉西尼家族、周围的山峦、椽子间叽叽喳喳的麻雀,以及最重要的——那座神圣的小教堂,所有这些都直接促成了这张专辑的诞生。

约瑟芬·鲁恩斯滕,小提琴
查尔斯·斯佩林,尼克尔哈琶琴
吉扎·瓦尔蒂丝多蒂尔(Gyða Valtýsdóttir),大提琴
Artist: Charles Spearin, Josefin Runsteen
Title: Met at the Mississippi
Year Of Release: 2020
Label: Arts & Crafts Productions Inc.
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz
Total Time: 00:38:42
Total Size: 203 / 393 mb
WebSite: Album Preview

Tracklist

01. Spearin, Runsteen: The Hills Are Alive
02. Spearin, Runsteen: Chiesa di san vigilio
03. Runsteen, Spearin: Trust All
04. Runsteen, Spearin: Breathing With You, With Me
05. Runsteen, Spearin: Ista¨cke
06. Runsteen, Spearin: Hoppla
07. Spearin, Runsteen: Blæðandi tungl
08. Spearin, Runsteen: Sparven
09. Runsteen, Spearin: You Are Loved
10. Runsteen, Spearin: Time Is A Measurement Of Desire


Charles Spearin and Josefin Runsteen, two complete strangers from different spheres of music, met at a 12th-century castle in northern Italy in July 2019. They were invited by Feist and Damien Rice, among a handful other fantastic musicians and artists from various countries, to a week-long residency to collaborate on music, poetry and ideas.

Castel Campo, once owned by the Von Trapp family (yes, from The Sound of Music), is nowadays owned and cared for by the Rasini family, who warmly opened up their hearts and home to this little group of artists. Beside the castle runs a narrow, hidden road that wiggles through a dense grove that, after a little curve, opens up into a field. The road leads to a barn, and then a little chapel. Anyone who enters this chapel, religious or not, cannot help but sense a humble sacredness emanating from every corner. The Renaissance frescos that adorn the plaster ceilings are beautiful, but what connects one to the heart of the place is the ancient graffiti covering the walls. Hundreds of years ago, scrawled in Latin, are the words “Please, God, save us from the Plague” and then, over top, are various symbols of gratitude painted once the Black Death had finally moved on.

On the first day of the residency, when Charles and Josefin had barely exchanged a word to each other, they went up to test the acoustics in the Chapel and began improvising on their instruments. Charles, the Canadian, brought his nyckelharpa, a Swedish folk instrument, while Josefin, the Swede, brought her violin. Immediately, they were astonished by colourful explosions of sound and they felt an instantaneous, profound musical connection. They decided to meet there every day and record their improvisations. These explorations are collected here as their debut album, Thank God the Plague is Over.

They walked back and forth to their chapel every day in complete silence except for the crunch of the gravel under their feet. The walk, the nearby collection of new friends, the kind Rasini family, the mountains, the chirping sparrows in the rafters—and, most important, the sacred tiny sanctuary of the Chapel—were all direct contributors to the creation of this album.

Josefin Runsteen, violin
Charles Spearin, nyckelharpa
Gyða Valtýsdóttir, cello


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