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艺术家：慕尼黑爱乐乐团、瓦列里·捷杰耶夫
专辑名：《布鲁克纳：第四至第七交响曲》
发行年份：2020年
厂牌：慕尼黑爱乐乐团有限合伙公司（MUNCHNER PHILHARMONIKER GBR）
流派：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 96.0千赫兹
总时长：04小时39分08秒
总大小：1.23 / 4.97吉字节
网站：专辑预览
曲目列表
《降E大调第四交响曲，WAB 104 “浪漫”》：
01. 第一乐章，激动地，不过快
02. 第二乐章，行板近似小快板
03. 第三乐章，谐谑曲与三声中部
04. 第四乐章，终曲（激动地，但不过快）
《降B大调第五交响曲，WAB 105》：
01. 第一乐章，柔板 - 快板
02. 第二乐章，柔板 - 非常缓慢
03. 第三乐章，谐谑曲与三声中部
04. 第四乐章，终曲（柔板 - 中板快板）
《A大调第六交响曲，WAB 106》：
01. 第一乐章，庄严地
02. 第二乐章，柔板。非常庄严地
03. 第三乐章，谐谑曲与三声中部
04. 第四乐章，终曲。激动地，但不过快
《E大调第七交响曲，WAB 107》：
01. 第一乐章，中板快板
02. 第二乐章，柔板。非常庄严且缓慢
03. 第三乐章，谐谑曲与三声中部
04. 第四乐章，终曲。激动地，但不太快
布鲁克纳从未听过自己的《第五交响曲》以管弦乐形式演奏的演出。当这部作品在格拉茨首演时，他已病得太重而无法出席。这部作品被认为是他最具挑战性，同时也是最令人印象深刻的作品之一，这在很大程度上要归功于其对位法运用精妙且气势磅礴的末乐章。
可以说，慕尼黑爱乐乐团演奏安东·布鲁克纳的作品次数比其他任何乐团都要多。许多曾与慕尼黑爱乐乐团合作过的传奇指挥家所录制的大量布鲁克纳作品，都被保存在慕尼黑爱乐乐团厂牌（MPHIL Label）的历史档案中，其中包括与谢尔盖·切利比达克、克里斯蒂安·蒂勒曼、鲁道夫·肯佩、京特·旺德和奥斯瓦尔德·卡巴斯塔合作的精彩作品。
在圣弗洛里安修道院这个在此背景下具有独特历史意义的迷人场所，慕尼黑爱乐乐团和瓦列里·捷杰耶夫呈现了安东·布鲁克纳交响曲中最壮观、最具雄心的系列演出。所有演出都在林茨的圣弗洛里安修道院举行，这个场地与这位作曲家及其最终安息之地有着千丝万缕的联系。这些录音可在该乐团自己的厂牌MPHIL上获取。
瓦列里·捷杰耶夫对录制这些作品的感受是：“慕尼黑爱乐乐团的乐手们才华横溢，令人惊叹。他们将精湛的技术能力与对布鲁克纳音乐的深刻集体理解相结合。我珍视并很幸运能有机会与这些音乐家合作，我希望全世界的人们都能听到我们共同演奏的音乐。”
在瓦列里·捷杰耶夫的整个职业生涯中，他一直特别关注德奥音乐作品，这引发了他对安东·布鲁克纳作品的持久热爱。在最近几十年里，他不断探索德奥音乐作品，赢得了赞誉，尤其是他对瓦格纳、施特劳斯、马勒和布鲁克纳作品的诠释——这些音乐正是慕尼黑爱乐乐团演奏曲目的核心所在。
Artist: Münchner Philharmoniker, Valery Gergiev
Title: Bruckner: Symphony No. 4 - 7
Year Of Release: 2020
Label: MUNCHNER PHILHARMONIKER GBR
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 04:39:08
Total Size: 1.23 / 4.97 gb
WebSite: Album Preview
Tracklist
01. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell
02. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante quasi Allegretto
03. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo & Trio
04. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale (Bewegt, doch nicht zu schnell)
01. Symphony No. 5 in B-Flat Major, WAB 105: I. Adagio-Allegro
02. Symphony No. 5 in B-Flat Major, WAB 105: II. Adagio-sehr langsam
03. Symphony No. 5 in B-Flat Major, WAB 105: III. Scherzo & Trio
04. Symphony No. 5 in B-Flat Major, WAB 105: IV. Finale (Adagio-Allegro moderato)
01. Symphony No. 6 in A Major, WAB 106: I. Majestoso
02. Symphony No. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich
03. Symphony No. 6 in A Major, WAB 106: III. Scherzo & Trio
04. Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell
01. Symphony No. 7 in E Major, WAB 107: I. Allegro moderato
02. Symphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und langsam
03. Symphony No. 7 in E Major, WAB 107: III. Scherzo & Trio
04. Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell
Bruckner never heard a performance of his Fifth Symphony in its orchestral guise. By the time the work was premiered in Graz, he was already too ill to attend. It is regarded as one of his most challenging and at the same time most impressive creations, not least on account of its contrapuntal and powerful final movement.
The Munich Philharmonic has arguably given more performances of Anton Bruckner’s music than any other orchestra. A great number of Bruckner recordings lead by the many legendary conductors that have worked for and with the Munich Philharmonic are stored in the historical archive of the MPHIL Label including magnificent pieces with Sergiu Celibidache, Christian Thielemann, Rudolf Kempe, Günter Wand and Oswald Kabasta.
In the Monastery of St. Florian fascinating a setting with unique historical significance in this context, the Munich Philharmonic and Valery Gergiev present the most spectacular and ambitious cycle of Anton Bruckner’s symphonies. All performances took place in the Monastery of St. Florian in Linz, a venue inextricably linked to the composer and his final resting place. The recordings are available on the orchestra’s very own label MPHIL.
Valery Gergiev on the experience of making these recordings: »The Munich Philharmonic are incredible, talented players. They combine this technical ability with a deep group experience in the music of Bruckner. I treasure and am fortunate to have the opportunity to work with these musicians and want people around the world to hear the music we make together.«
Valery Gergiev has paid the Austro-German repertoire particular attention throughout his career, which ignited a lasting fascination for Anton Bruckner. Over recent decades he has continued to explore the Austro-German repertoire, garnering adulation, especially for his interpretations of Wagner, Strauss, Mahler and Bruckner – music that is at the very heart of the Munich Philharmonic’s repertoire.
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