14-瑞士室内独奏家乐团 - 《泽维尔·戴耶室内乐作品》 2020年 Hi-Res 24B - 96.0kHz

史前青蛙

艺术家：瑞士室内独奏家乐团
作品名称：《泽维尔·戴耶：室内乐》
发行年份：2020年
厂牌：克拉韦斯唱片公司（Claves Records）
音乐类型：古典音乐
音质：FLAC无损 / FLAC 24比特 - 48.0千赫兹 / FLAC 24比特 - 96.0千赫兹 + 小册子
总时长：00:55:17
总大小：259 / 562 / 920兆字节
网站：专辑预览

曲目列表
01. 《独自与独奏者》，为独奏大提琴而作
02. 《如沉重的睡眠》，为长笛、中提琴与大提琴而作
03. 《关于阴影（II）》，为长笛与弦乐三重奏而作
04. 《记忆，圆圈》，为双簧管与弦乐三重奏而作
05. 《夜曲》，为双簧管、长笛与弦乐三重奏而作

瑞士室内独奏家乐团 - 《泽维尔·戴耶：室内乐》（2020年）[高解析度]

这张CD反映了20年的陪伴历程。自1999年瑞士室内音乐会创立以来，我委托泽维尔·戴耶创作了八部新作品，涵盖从独奏到室内乐重奏的各种形式。其中五部作品，带着富有感染力的标题，收录于此：《独自与独奏者》《如沉重的睡眠》《关于阴影（II）》《夜曲》《记忆，圆圈》。聆听这些作品，我们立刻沉浸在一个声音的世界中，这个世界逐渐编织出一幅在光明与阴影间令人着迷的大教堂般的图景，仿佛悬浮在一个不断更新的空间中，始终如一。

听众逐渐被这缓慢而有机生长的音响之树所吸引，其爆发性的能量在黑夜与梦境之间展开。在这个由众多固定音点和消逝的线条构成的迷宫中，以及由四分音符和声所增强的氛围里，不时有爆发性的乐段——有时仿佛从文艺复兴的深处喷涌而出——产生深刻的共鸣，用宽阔的旋律线条滋润着我们的记忆。它们汇聚成一种清澈的力量：对强大音乐身份的追求，其精神性既独特又真实。

Artist: Swiss Chamber Soloists
Title: Xavier Dayer: Chamber Music
Year Of Release: 2020
Label: Claves Records
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz / flac 24bits - 96.0kHz +Booklet
Total Time: 00:55:17
Total Size: 259 / 562 / 920 mb
WebSite: Album Preview

Tracklist

01. Solus cum Solo for Solo Cello
02. Come Heavy Sleep for Flute, Viola and Cello
03. De Umbris (II) for Flute and String Trio
04. Memoire, Cercles for Oboe and String Trio
05. Nocturne for Oboe, Flute and String Trio

Swiss Chamber Soloists - Xavier Dayer: Chamber Music (2020) [Hi-Res]

This CD reflects 20 years of companionship. Since 1999, when the Swiss Chamber Concerts were created, I have commissioned eight new works from Xavier Dayer, ranging from solo to camerata. Five of them, with evocative titles, are presented here: Solus cum solo / Come heavy sleep / De Umbris (II) / Nocturne / Mémoire, cercles. Listening to them immediately plunges us into a world of sound that gradually weaves the tantalising tapestry of a cathedral between light and shadow, as if suspended and unchanging in a constantly renewed space.

The listener is gradually captivated by the slow and organic growth of sonorous arborescence, the explosive energy of which is deployed between night and dream. In this labyrinth, formed of as many fixed points as vanishing lines and enhanced by quarter-tone harmonies, there are bursts – sometimes gushing from the depths of the Renaissance – that create deep resonance, irrigating our memory with wide grooves. They converge towards a limpid force: that of the quest for a powerful musical identity whose spirituality appears as singular as it is authentic.

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