02-安德烈·巴拉诺夫 - 巴赫独奏 帕格尼尼、伊萨伊 第一卷 2020年 Hi-Res

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艺术家：安德烈·巴拉诺夫
作品名称：《独奏》（巴赫、帕格尼尼、伊萨伊），第一卷
发行年份：2020年
厂牌：MUSO
音乐类型：古典音乐
音质：FLAC无损格式 / 24比特 - 44.1千赫兹 / 24比特 - 88.2千赫兹 + 小册子
总时长：01:00:42
总大小：339 / 628 / 1018兆字节
网站：专辑预览

曲目列表
01. B小调第一小提琴独奏组曲，BWV 1002 第一乐章 阿勒曼德舞曲
02. B小调第一小提琴独奏组曲，BWV 1002 第二乐章 变奏曲
03. B小调第一小提琴独奏组曲，BWV 1002 第三乐章 库朗特舞曲
04. B小调第一小提琴独奏组曲，BWV 1002 第四乐章 变奏曲
05. B小调第一小提琴独奏组曲，BWV 1002 第五乐章 萨拉班德舞曲
06. B小调第一小提琴独奏组曲，BWV 1002 第六乐章 变奏曲
07. B小调第一小提琴独奏组曲，BWV 1002 第七乐章 博雷亚节奏
08. B小调第一小提琴独奏组曲，BWV 1002 第八乐章 变奏曲
09. D小调第三小提琴独奏奏鸣曲，作品27号（致乔治·埃内斯库的叙事曲）
10. E大调第一小提琴随想曲，作品1号
11. B小调第二小提琴随想曲，作品1号
12. E大调第九小提琴随想曲，作品1号（狩猎）
13. 降E大调第十四小提琴随想曲，作品1号
14. 降E大调第十七小提琴随想曲，作品1号
15. D大调第二十小提琴随想曲，作品1号
16. A小调第二十四小提琴随想曲，作品1号

安德烈·巴拉诺夫 - 《独奏》（巴赫、帕格尼尼、伊萨伊），第一卷（2020年）[高解析度]

安德烈·巴拉诺夫的首张小提琴独奏专辑《金色小提琴》受到了热烈欢迎，媒体称赞他“拥有华丽的演奏技巧、丰富的想象力、对戏剧性的敏锐感知、精湛的乐器掌控能力以及能达到优雅境界的细腻情感”。

这位俄罗斯小提琴家如今推出了对小提琴独奏曲目探索的第一部分，演绎了三位在连续三个世纪中成为小提琴创作大师的作品：巴赫、帕格尼尼和伊萨伊。

约翰·塞巴斯蒂安·巴赫于1720年创作的《奏鸣曲与组曲》是具有奠基意义的作品，拓展了乐器的表现边界；巴赫为小提琴开辟了前所未有的可能性，创作了小提琴曲目中的巅峰之作，其戏剧性影响具有革命性。这六部作品既展现了作曲家的痛苦与孤独，又传递出希望和生命力。

欧仁·伊萨伊在聆听了巴赫的《奏鸣曲与组曲》后，于1923年夏天开始创作自己的小提琴独奏奏鸣曲。这些作品描绘了小提琴演奏技巧的演变以及20世纪早期音乐的某些重要特征，为小提琴独奏音乐赋予了新的高贵品质。所需的演奏技巧始终服务于极富诗意的音乐语言；第三奏鸣曲以其奇幻且富有狂想曲风格的抒情性，凭借丰富多样的色彩和复调的丰富性，仿佛拥有了管弦乐般的力量。

在巴赫和伊萨伊之间，尼科洛·帕格尼尼无疑将小提琴的演奏技巧推向了极致。他于1820年出版的24首小提琴随想曲，是技巧与个性的瑰宝，既是辉煌的协奏曲，也是高深的练习曲。如同巴赫和伊萨伊的作品一样，这些随想曲也展现出了华丽的诗意和在旋律与和声方面极具冒险精神的想象力。安德烈·巴拉诺夫选择录制其中的七首随想曲，并以令人惊叹的第24号随想曲结束了他的演奏曲目，这部作品集合了之前随想曲中使用的所有技巧。2012年伊丽莎白女王音乐比赛一等奖获得者安德烈·巴拉诺夫以最出色的方式呈现了这个涵盖了三个世纪小提琴现代性的曲目。


Artist: Andrey Baranov
Title: Solo [Bach, Paganini, Ysaÿe], Volume. 1
Year Of Release: 2020
Label: MUSO
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz / flac 24bits - 88.2kHz +Booklet
Total Time: 01:00:42
Total Size: 339 / 628 / 1018 mb
WebSite: Album Preview

Tracklist

01. Partita for solo violin No. 1 in B Minor, BWV 1002 I. Allemanda
02. Partita for solo violin No. 1 in B Minor, BWV 1002 II. Double
03. Partita for solo violin No. 1 in B Minor, BWV 1002 III. Courante
04. Partita for solo violin No. 1 in B Minor, BWV 1002 IV. Double
05. Partita for solo violin No. 1 in B Minor, BWV 1002 V. Sarabande
06. Partita for solo violin No. 1 in B Minor, BWV 1002 VI. Double
07. Partita for solo violin No. 1 in B Minor, BWV 1002 VII. Tempo di Borea
08. Partita for solo violin No. 1 in B Minor, BWV 1002 VIII. Double
09. Sonata for solo violin No. 3 in D Minor, Op. 27 (Ballade To George Enescu )
10. Caprice for solo violin No. 1 in E Major, Op. 1
11. Caprice for solo violin No. 2 in B Minor, Op. 1
12. Caprice for solo violin No. 9 in E Major, Op. 1 (La Caccia)
13. Caprice for solo violin No. 14 in E-Flat Major, Op. 1
14. Caprice for solo violin No. 17 in E-Flat Major, Op. 1
15. Caprice for solo violin No. 20 in D Major, Op. 1
16. Caprice for solo violin No. 24 in A Minor, Op. 1

Andrey Baranov - Solo [Bach, Paganini, Ysaÿe], Volume. 1 (2020) [Hi-Res]

The Golden Violin, Andrey Baranov’s first solo disc, received an excellent welcome and was hailed by the press for “his flamboyant virtuosity, his imagination, his sense of drama, limitless instrumental mastery, a sensitivity that can reach the state of grace”.

The Russian violinist today launches the first part of an exploration of the solo violin repertory, tackling some of the greatest and most beautiful pieces of three composers who, in the course of three successive centuries, became masters of violin writing: Bach, Paganini and Ysaÿe.

Composed in 1720, the Sonatas and Partitas of Johann Sebastian Bach are fundamental works that push back the boundaries of the instrument; Bach opened up the violin to hitherto unsuspected possibilities and composed a summit of the repertory that is revolutionary in its dramatic impact. These six works seem indeed to show the composer’s suffering and solitude, yet they also convey hope and the vital force.

It was after having heard the Sonatas and Partitas of Bach that Eugène Ysaÿe embarked on the composition of his own Sonatas for solo violin during the summer of 1923. They portray the evolution of violin techniques and certain important characteristics of early twentieth-century music, giving new credentials of nobility to solo violin music. The required virtuosity is always at the service of a highly poetic musical language; the third Sonata, with its fantastical and rhapsodic lyricism, seems to acquire orchestral force from the variety of its colours and the richness of its polyphony. Between the two, Niccolò Paganini undoubtedly pushed the virtuosity of his instrument to extreme limits. His 24 Caprices for solo violin, published in 1820, are gems of virtuosity and character and form so many brilliant concertos as much as transcendental studies. As with Bach and Ysaÿe, they also manifest magnificent poetry and an extraordinarily adventurous imagination, as much melodically as harmonically. Andrey Baranov has chosen to record seven of these Caprices, concluding his programme with the staggering No. 24, the cumulation of all the techniques used in the previous caprices. The First Prize of the Queen Elisabeth Competition 2012 thus ended in the finest manner a programme covering three centuries of violinistic modernity.

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