03-阿尔贝托·拉西 - 《为多种乐器而作的协奏曲》2008年，Hi-Res

哭泣的沙门

艺术家：和谐神殿乐团（Il Tempio Armonico）、阿尔贝托·拉西（Alberto Rasi）
作品名称：《达尔阿巴科：为多种乐器而作的协奏曲》（Dall'Abaco: Concerti a più istrumenti）
发行年份：2008年
厂牌：斯特拉迪瓦里唱片公司（Stradivarius）
音乐类型：古典音乐
音质：FLAC无损格式 / 24比特 - 96.0千赫兹 + 小册子
总时长：01:29:10
总大小：491兆字节 / 1.69吉字节
网站：专辑预览

CD1
01. D大调为多种乐器而作的协奏曲，作品6号，第12首：第一乐章 快板
02. D大调为多种乐器而作的协奏曲，作品6号，第12首：第二乐章 庄板
03. D大调为多种乐器而作的协奏曲，作品6号，第12首：第三乐章 不过分的快板
04. b小调为多种乐器而作的协奏曲，作品6号，第4首：第一乐章 快板
05. b小调为多种乐器而作的协奏曲，作品6号，第4首：第二乐章 柔板
06. b小调为多种乐器而作的协奏曲，作品6号，第4首：第三乐章 快板
07. E大调为多种乐器而作的协奏曲，作品6号，第2首：第一乐章 不过分的快板
08. E大调为多种乐器而作的协奏曲，作品6号，第2首：第二乐章 如歌的咏叹调
09. E大调为多种乐器而作的协奏曲，作品6号，第2首：第三乐章 很快的快板
10. F大调为多种乐器而作的协奏曲，作品6号，第3首：第一乐章 快板
11. F大调为多种乐器而作的协奏曲，作品6号，第3首：第二乐章 始终轻柔的广板
12. F大调为多种乐器而作的协奏曲，作品6号，第3首：第三乐章 有精神的快板
13. C大调为多种乐器而作的协奏曲，作品6号，第1首：第一乐章 快板
14. C大调为多种乐器而作的协奏曲，作品6号，第1首：第二乐章 广板
15. C大调为多种乐器而作的协奏曲，作品6号，第1首：第三乐章 急板且清晰的
16. D大调为多种乐器而作的协奏曲，作品6号，第8首：第一乐章 快板
17. D大调为多种乐器而作的协奏曲，作品6号，第8首：第二乐章 广板
18. D大调为多种乐器而作的协奏曲，作品6号，第8首：第三乐章 快板

CD2
01. A大调为多种乐器而作的协奏曲，作品6号，第7首：第一乐章 快板
02. A大调为多种乐器而作的协奏曲，作品6号，第7首：第二乐章 庄板
03. A大调为多种乐器而作的协奏曲，作品6号，第7首：第三乐章 急板
04. E大调为多种乐器而作的协奏曲，作品6号，第11首：第一乐章 快板
05. E大调为多种乐器而作的协奏曲，作品6号，第11首：第二乐章 咏叹调
06. E大调为多种乐器而作的协奏曲，作品6号，第11首：第三乐章 有精神的快板
07. C大调为多种乐器而作的协奏曲，作品6号，第10首：第一乐章 快板
08. C大调为多种乐器而作的协奏曲，作品6号，第10首：第二乐章 广板
09. C大调为多种乐器而作的协奏曲，作品6号，第10首：第三乐章 快板
10. 降B大调为多种乐器而作的协奏曲，作品6号，第9首：第一乐章 不过分的快板
11. 降B大调为多种乐器而作的协奏曲，作品6号，第9首：第二乐章 非常广板
12. 降B大调为多种乐器而作的协奏曲，作品6号，第9首：第三乐章 非常快板
13. G大调为多种乐器而作的协奏曲，作品6号，第5首：第一乐章 活泼的快板
14. G大调为多种乐器而作的协奏曲，作品6号，第5首：第二乐章 咏叹调
15. G大调为多种乐器而作的协奏曲，作品6号，第5首：第三乐章 快板
16. F大调为多种乐器而作的协奏曲，作品6号，第6首：第一乐章 快板
17. F大调为多种乐器而作的协奏曲，作品6号，第6首：第二乐章 柔板
18. F大调为多种乐器而作的协奏曲，作品6号，第6首：第三乐章 不过分的快板
19. F大调为多种乐器而作的协奏曲，作品6号，第6首：第四乐章 非常快板

和谐神殿乐团、阿尔贝托·拉西 - 《达尔阿巴科：为多种乐器而作的协奏曲》（2008年）[高解析度]

这张斯特拉迪瓦里唱片公司发行的唱片中，埃瓦里斯托·费利切·达尔阿巴科的《为多种乐器而作的协奏曲，作品第六号》，有三分之二的内容令人惊叹。在注意到这场演出是由阿尔贝托·拉西指挥的维罗纳和谐神殿乐团演奏之前，评论者就已经被演奏的卓越水准所震撼。这一点本应显而易见；拉西和他的乐团几乎完整地录制了达尔阿巴科的六首作品，此前他们在奥地利广播公司（ORF）录制了作品2号，在斯特拉迪瓦里唱片公司录制了作品5号，那张唱片非常出色。而这张唱片收录了达尔阿巴科在60岁时于阿姆斯特丹发行的最后一部作品中的12首协奏曲，其水准超越了之前的作品。首先，录音质量堪称完美；这张唱片是在维罗纳的真理别墅录制的，这是一座17世纪的建筑，现在用作度假酒店，也经常作为低调的音乐会场地。这里的声学效果恰到好处，能够容纳和谐神殿乐团演奏的15首作品；音效的衰减程度恰到好处，既增添了温暖感，又能让人感受到空间的大小，同时不会掩盖音乐本身。其次，尽管乐团规模不大，但他们的演奏声音宏大；很难想象拉西的乐团能演奏出如此饱满、丰富的合奏效果，但他们做到了。和谐神殿乐团效率极高，演奏节奏明快，训练有素，音准严谨。再者，我们必须注意到作品本身的质量。达尔阿巴科是一位意大利音乐家，与安东尼奥·维瓦尔第年龄相仿，表面上听起来与维瓦尔第相似，但在他们那个时代，两人被视为同辈。维瓦尔第几乎整个职业生涯都在威尼斯度过，而达尔阿巴科自1715年左右起以慕尼黑为基地；他的音乐融合了维瓦尔第那种激烈的棱角感和驱动力，还带有一丝德国巴洛克音乐中精妙的对位法和厚重感。后者的特点在很大程度上丰富了音乐的基础，形成了非常令人满意的音乐织体。达尔阿巴科的作品6号于1735年出版，通常人们可能会认为这12首协奏曲是在很长一段时间内创作的，但达尔阿巴科引入了一些源自当时在意大利新兴的华丽风格的微妙元素，这表明即使在他职业生涯的晚期，达尔阿巴科仍能敏锐地捕捉到新的、有价值的灵感来源。拉西和和谐神殿乐团明智地重新排列了这部作品的顺序，以便于听众聆听，而不是按照作品的原始顺序录制。每一首协奏曲都展现出全新的、未曾听闻的音乐视野；这些音乐常常令人过耳难忘，让人忍不住一遍又一遍地聆听，甚至是单个乐章。斯特拉迪瓦里唱片公司发行的由阿尔贝托·拉西与和谐神殿乐团演奏的埃瓦里斯托·费利切·达尔阿巴科的《为多种乐器而作的协奏曲，作品第六号》，这两张唱片收录了顶级的巴洛克管弦乐作品，经得起时间的考验。也许拉西意识到了这次录制的重要性，因为在作品6号之后，达尔阿巴科除了室内乐作品外，没有其他作品留存。强烈推荐给喜爱巴洛克音乐的听众。

Artist: Il Tempio Armonico, Alberto Rasi
Title: Dall'Abaco: Concerti a più istrumenti
Year Of Release: 2008
Label: Stradivarius
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:29:10
Total Size: 491 / 1.69 gb
WebSite: Album Preview

Tracklist

CD1
01. Concerti a più istrumenti in D Major, Op. 6, No. 12: I. Allegro
02. Concerti a più istrumenti in D Major, Op. 6, No. 12: II. Grave
03. Concerti a più istrumenti in D Major, Op. 6, No. 12: III. Allegro ma non troppo
04. Concerti a più istrumenti in B Minor, Op. 6, No. 4: I. Allegro
05. Concerti a più istrumenti in B Minor, Op. 6, No. 4: II. Adagio
06. Concerti a più istrumenti in B Minor, Op. 6, No. 4: III. Allegro
07. Concerti a più istrumenti in E Major, Op. 6, No. 2: I. Allegro ma non troppo
08. Concerti a più istrumenti in E Major, Op. 6, No. 2: II. Aria cantabile
09. Concerti a più istrumenti in E Major, Op. 6, No. 2: III. Allegro assai
10. Concerti a più istrumenti in F Major, Op. 6, No. 3: I. Allegro
11. Concerti a più istrumenti in F Major, Op. 6, No. 3: II. Largo sempre piano
12. Concerti a più istrumenti in F Major, Op. 6, No. 3: III. Allegro e spirito
13. Concerti a più istrumenti in C Major, Op. 6, No. 1: I. Allegro
14. Concerti a più istrumenti in C Major, Op. 6, No. 1: II. Largo
15. Concerti a più istrumenti in C Major, Op. 6, No. 1: III. Presto e spiccato
16. Concerti a più istrumenti in D Major, Op. 6, No. 8: I. Allegro
17. Concerti a più istrumenti in D Major, Op. 6, No. 8: II. Largo
18. Concerti a più istrumenti in D Major, Op. 6, No. 8: III. Allegro

CD2
01. Concerti a più istrumenti in A Major, Op. 6, No. 7: I. Allegro
02. Concerti a più istrumenti in A Major, Op. 6, No. 7: II. Grave
03. Concerti a più istrumenti in A Major, Op. 6, No. 7: III. Presto
04. Concerti a più istrumenti in E Major, Op. 6, No. 11: I. Allegro
05. Concerti a più istrumenti in E Major, Op. 6, No. 11: II. Aria
06. Concerti a più istrumenti in E Major, Op. 6, No. 11: III. Allegro e spiritoso
07. Concerti a più istrumenti in C Major, Op. 6, No. 10: I. Allegro
08. Concerti a più istrumenti in C Major, Op. 6, No. 10: II. Largo
09. Concerti a più istrumenti in C Major, Op. 6, No. 10: III. Allegro
10. Concerti a più istrumenti in B-Flat Major, Op. 6, No. 9: I. Allegro ma non troppo
11. Concerti a più istrumenti in B-Flat Major, Op. 6, No. 9: II. Largo assai
12. Concerti a più istrumenti in B-Flat Major, Op. 6, No. 9: III. Allegro assai
13. Concerti a più istrumenti in G Major, Op. 6, No. 5: I. Allegro e vivace assai
14. Concerti a più istrumenti in G Major, Op. 6, No. 5: II. Aria
15. Concerti a più istrumenti in G Major, Op. 6, No. 5: III. Allegro
16. Concerti a più istrumenti in F Major, Op. 6, No. 6: I. Allegro
17. Concerti a più istrumenti in F Major, Op. 6, No. 6: II. Adagio
18. Concerti a più istrumenti in F Major, Op. 6, No. 6: III. Allegro ma non troppo
19. Concerti a più istrumenti in F Major, Op. 6, No. 6: IV. Allegro assai

Il Tempio Armonico, Alberto Rasi - Dall'Abaco: Concerti a più istrumenti (2008) [Hi-Res]

Fully two-thirds of this disc, Stradivarius' Evaristo Felice Dall'Abaco: Concerti à più Istrumenti Opera Sesta, had passed under the laser, with the reviewer's jaws agape at the undeniable excellence of the proceedings thereon, before note was taken that this performance was the work of the Verona-based orchestra Il Tempio Armonico under the direction of Alberto Rasi. That much should have been obvious; Rasi and his group have been recording Dall'Abaco's six opus numbers seemingly entire, with the whole Opus 2 on ORF and Opus 5 on a previous (and outstanding) Stradivarius disc. As good as that was, this one, which contains the 12 concerti in Dall'Abaco's last opus, issued in Amsterdam when the composer was 60, manages to exceed the already high standard set by its predecessor. Firstly, the recording quality is perfect; this was made at the Villa Verità in Verona, a seventeenth century edifice now used as a resort hotel that regularly serves as a low-key concert venue. The acoustics are just right to accommodate the 15 pieces in Il Tempio Armonico; it decays just enough to provide warmth and a sense of room size without swallowing the music. Secondly, although the dimensions of the group are modest, they put out a BIG sound; it hardly seems possible that Rasi's band could produce such a full, rich ensemble, but it does. Il Tempio Armonico likewise benefits by being efficient, fleet of foot, well drilled, and scrupulously in tune. Thirdly, though, one must take note of the quality of the work itself. Dall'Abaco was an Italian musician roughly the age of Antonio Vivaldi, and superficially sounds like Vivaldi, though in their day the two were regarded as peers. While Vivaldi worked practically his whole career in Venice, Dall'Abaco was based in Munich from about 1715; his music combines the scrappy angularity and drive of Vivaldi with a subtle hint of the hardy counterpoint and ballast of the German Baroque. Most of the latter aspect goes toward filling in the underpinnings of the music and results in a very satisfying texture. Dall'Abaco's Opus 6 was published in 1735, and while normally one might assume these 12 concerti were written over a long period of time, Dall'Abaco introduces some slight elements drawn from the galant style then emergent in Italy, which demonstrates that even in the twilight of his career Dall'Abaco still had his ear to the ground for new and worthwhile sources of inspiration. Rasi and Il Tempio Armonico have wisely arranged the opus in an order to best facilitate listening, rather than recording the whole work in its original order, and each concerto appears to open upon new and unheralded vistas; this music is often immediately memorable and makes you want to listen -- even to just individual movements -- again and again. Stradivarius' Evaristo Felice Dall'Abaco: Concerti à più Istrumenti Opera Sesta with Alberto Rasi and Il Tempio Armonico is two discs of top-flight Baroque orchestral music that are built to last, and perhaps Rasi was aware of the sense of occasion, as after Opus 6 there is nothing left of Dall'Abaco except his chamber music. This is urgently recommended to those who appreciate and enjoy the Baroque.

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