13-音乐情感—十七世纪威尼斯音乐 2020 Hi-Res 24bits - 44.1kHz

史前青蛙

艺术家：Colorito乐团  
标题：音乐情感—十七世纪威尼斯音乐  
发行年份：2020年  
厂牌：Coviello Classics  
类型：古典音乐  
音质：FLAC无损 / 24位-44.1kHz FLAC + 小册子  
总时长：01:09:32  
总大小：397 / 732兆字节  
网站：专辑预览  

曲目列表  
01. 拉贝纳利亚舞曲  
02. 第二十二号交响曲  
03. 三小提琴第二奏鸣曲  
04. 贝加马斯克咏叹调  
05. 第四奏鸣曲  
06. 第九托卡塔  
07. 第十奏鸣曲  
08. c小调协奏曲，RV 401 I. 不过分的快板  
09. c小调协奏曲，RV 401 II. 柔板  
10. c小调协奏曲，RV 401 III. 不过分的快板  
11. 第二调式三声部奏鸣曲  
12. 我的即兴琶音曲  
13. 福斯卡里纳三声部奏鸣曲  
14. 莫妮卡主题奏鸣曲  

Colorito乐团 - 音乐情感——十七世纪威尼斯音乐（2020年）[高解析度]  

这是一个极具创新性的时代：望远镜、摆钟和牛顿的万有引力定律只是十七世纪众多发展与发现的冰山一角。音乐领域自然也经历了诸多革新，其中最重要的突破之一便是一种全新音乐体裁的诞生——从1600年起发展的巴洛克歌剧，将“情感表达”作为核心创作手段：通过剧情推动主角的情感状态，并以丰富的音乐手法加以呈现。在十七世纪的威尼斯，这种艺术形式不断登上新高峰，并从歌剧延伸至其他音乐类型——纯粹以器乐传递的“音乐情感”。Colorito乐团以其得名的“明亮浓烈的色彩风格”，演绎了这些迷人的“无词歌剧”中的部分作品。


Artist: Ensemble Colorito
Title: Affetti musicali - Venetian Music of the Seicento
Year Of Release: 2020
Label: Coviello Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 01:09:32
Total Size: 397 / 732 mb
WebSite: Album Preview

Tracklist

01. La Benaglia
02. Sinfonia No XXII
03. Sonata seconda a 3 violini
04. Aria sopra la Bergamasca
05. Sonata IV
06. Toccata IX
07. Sonata X
08. Concerto in C Minor, RV 401 I. Allegro non molto
09. Concerto in C Minor, RV 401 II. Adagio
10. Concerto in C Minor, RV 401 III. Allegro ma non molto
11. Sonata a 3 secondo tuono
12. Arpeggiata a mio modo
13. Sonata a 3 La Foscarina
14. Sonata sopra La Monica

Ensemble Colorito - Affetti musicali - Venetian Music of the Seicento (2020) [Hi-Res]

It was a particularly innovative period: the telescope, the pendulum clock and Newton’s laws of gravity are just a few examples of the developments and discoveries of the 17th century. No wonder that music also experienced many innovations. One of the most important was immediately a completely new genre: In the baroque opera, which developed from 1600 onwards, affects were the central means of creation; emotional states of the protagonists, which develop from the opera plot and can then be expressed with a rich canon of musical means. In the Venice of the “Seicento” this art reaches ever new heights and is then transferred from opera to other musical genres – musical affects, purely instrumental. Some of these fascinating “operas without words” are presented by the Ensemble Colorito in the bright, intense colour scheme to which it owes its name.

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