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艺术家：樊尚·拉尔代雷（Vincent Larderet）
标题：李斯特：在光明与黑暗之间
发行年份：2020年
厂牌：Piano Classics
类型：古典音乐
音质：FLAC无损 / 24位-96kHz FLAC + 小册子
总时长：01:26:04
总大小：286兆字节 / 1.25千兆字节
网站：专辑预览
曲目列表
01. 读但丁后，S. 161
02. 夜晚，S. 1122
03. 无眠！S. 203
04. 第二首悲怆 gondola，S. 200
05. 灰色的云，S. 199
06. b小调第二叙事曲，S. 171
07. R. W. - 威尼斯，S. 201
08. 诗意与宗教的和谐，S. 173 VII. 葬礼
09. 灾星！- 不祥，S. 208
10. 在梦中，S. 207
樊尚·拉尔代雷 - 李斯特：在光明与黑暗之间（2020年）[高解析度]
樊尚·拉尔代雷是施坦威艺术家，曾在全球众多顶级钢琴音乐节和音乐厅举办独奏会。他与索尔·加贝塔、埃马纽埃尔·贝特朗、米歇尔·达尔贝托等音乐家合作室内乐，这张专辑标志着他在Piano Classics厂牌的首次亮相。
他此前的专辑探索了印象主义和晚期浪漫主义的热烈世界，因此踏入李斯特晚期作品的醉人领域可谓自然延续。《灰色的云》《灾星！》等接近沉默与无调性边缘的作品，对触键和音色的细腻把控要求，丝毫不亚于拉尔代雷常在公开演出中演绎的德彪西与拉威尔套曲。
钢琴家在小册子序言中解释，专辑旨在捕捉李斯特多变钢琴作品中无与伦比的情感彩虹。1849年的《但丁奏鸣曲》几乎白手起家（受贝多芬与柏辽兹启发）开创了标题音乐体裁，将《神曲》的叙事弧光浓缩在17分钟的单乐章中，堪称典范。
四年后的《第二叙事曲》讲述了一个哥特式夜骑故事，或许源自希腊英雄勒安得耳泅渡赫勒斯滂海峡会情人溺亡的神话。钢琴家需在这部音色绘画杰作中，从琴键上掀起层层音浪。《葬礼》预示了李斯特晚期严峻而神秘的表达，将丰富和声与多层织体凝练为愈发宏大的音乐画布，赋予每个音符以死亡的厚重存在感。《无眠！》的清醒幻象仿佛来自另一个世界；拉尔代雷以《在梦中》为这场对李斯特的独特情书收尾，勾勒出更慰藉人心的梦境图景。
《在光明与黑暗之间》唤起贯穿李斯特作品的多元情感，诠释了象征作曲家深刻矛盾的挣扎。弗朗茨·李斯特（1811-1886）是19世纪最著名的音乐家之一：他是旅行演奏的 virtuoso，社交界名流，按当时标准堪称道德存疑的纨绔子弟；晚年却接受小圣职，追求纯净与灵性。
专辑中的作品展现了同一人的对立面向：《但丁奏鸣曲》《第二叙事曲》《葬礼》《夜晚》，以及一系列晚期作品《灾星》《灰色的云》《无眠》《R.W.威尼斯》《悲怆 gondola》《在梦中》，构成圣徒与魔鬼的迷人并置。
由当代法国最杰出的钢琴家之一樊尚·拉尔代雷演绎，他此前为拿索斯和Ars Productions录制的专辑屡获大奖，并在《Crescendo》《Classica》《Musica》《Fanfare》《Fono Forum》等媒体斩获五星好评。
Artist: Vincent Larderet
Title: Liszt: Between Light & Darkness
Year Of Release: 2020
Label: Piano Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:26:04
Total Size: 286 mb / 1.25 gb
WebSite: Album Preview
Tracklist
01. Apres une lecture de Dante, S. 161
02. La notte, S. 1122
03. Schlaflos! S. 203
04. La lugubre gondola No. 2, S. 200
05. Nuages gris, S. 199
06. Ballade No. 2 in B Minor, S. 171
07. R. W. - Venezia, S. 201
08. Harmonies poetiques et religieuses, S. 173 VII. Funerailles
09. Unstern! - Sinistr, S. 208
10. En reve, S. 207
Vincent Larderet - Liszt: Between Light & Darkness (2020) [Hi-Res]
Vincent Larderet is a Steinway Artist who has given solo recitals at many of the world’s premier piano festivals and concert halls. He has played chamber music with the likes of Sol Gabetta, Emmanuelle Bertrand and Michel Dalberto, and the present release marks his debut on Piano Classics.
His previous albums have explored the hot-house world of Impressionism and late Romanticism, making the intoxicating world of late Liszt a natural progression. Pieces on the edge of silence and tonality such as Nuages gris and Unstern! demand at least as much refined nuance of touch and colour as the major cycles of Debussy and Ravel which Larderet has often performed in public.
In his own booklet introduction, the pianist explains that the aim of the album is to capture the unrivalled rainbow of emotions that span Liszt’s protean oeuvre for the piano. His genius in creating the genre of programme music, almost from scratch (with help from Beethoven and Berlioz), is celebrated by the inclusion of the Dante Sonata of 1849, which condenses and transfigures the narrative arc of the entire Divine Comedy within a single 17-minute span.
From four years later, the Second Ballade tells a Gothic tale of a night-ride, perhaps also the ancient Greek myth of Hero and Leander in which the hero drowns while attempting to swim across the Hellespont to visit his beloved, with the pianist called upon literally to produce wave upon wave of sound from his instrument in a masterpiece of tone-painting. The Funerailles anticipate the stern and enigmatic utterances of his very late period, condensing his rich harmonies and multi-layered voices to leave an ever-more imposing musical canvas which imbues each single note with significance and the overwhelming presence of mortality. The ‘sleepless’ vision of Schlaflos! Seems to come from another world; Larderet concludes his unique love-letter to Liszt with En rêve, which paints a more consoling dreamscape.
Between Light and Darkness evokes the varied emotions that run through Liszt’s work, expressing the struggle that symbolized the profound duality of the composer.
Franz Liszt (1811-1886) was one of the most famous musicians of the 19-th century. A traveling virtuoso, a man of the world, a dandy with (according the standard of the day) questionable morals. On the other hand Liszt took minor holy orders in his old age and strove for purity and spirituality.
The works on this recording present opposing aspects of the same person: the Dante Sonata, Ballade No. 2, Funérailles, La Notte, and a series of late works: Unstern, Nuages gris, Schlaflos, R.W. Venezia, La Lugubre Gondola, En rêve, a fascinating juxtaposition of the saint and the devil.
Played by one of the most remarkable French pianists of his generation: Vincent Larderet, whose previous recordings for Naxos and Ars Productions received many awards and 5-star reviews in Crescendo, Classica, Musica, Fanfare, Fono Forum and others.
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发表于 2025-5-17 07:53:39