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艺术家：马特·海莫维茨（Matt Haimovitz）
标题：J.S.巴赫：安娜·玛格达莱娜的大提琴组曲
发行年份：2015年
厂牌：PentaTone
类型：古典音乐
音质：FLAC无损 / 24位-96kHz FLAC + 小册子
总时长：02:14:03
总大小：625兆字节 / 2.37千兆字节
网站：专辑预览
曲目列表
第一组曲 G大调，BWV 1007
01. 前奏曲
02. 阿勒曼德舞曲
03. 库朗特舞曲
04. 萨拉班德舞曲
05. 小步舞曲I-II
06. 吉格舞曲
第二组曲 d小调，BWV 1008
07. 前奏曲
08. 阿勒曼德舞曲
09. 库朗特舞曲
10. 萨拉班德舞曲
11. 小步舞曲I-II
12. 吉格舞曲
第三组曲 C大调，BWV 1009
13. 前奏曲
14. 阿勒曼德舞曲
15. 库朗特舞曲
16. 萨拉班德舞曲
17. 布雷舞曲I-II
18. 吉格舞曲
第四组曲 降E大调，BWV 1010
01. 前奏曲
02. 阿勒曼德舞曲
03. 库朗特舞曲
04. 萨拉班德舞曲
05. 布雷舞曲I-II
06. 吉格舞曲
第五组曲 c小调，BWV 1011
07. 前奏曲
08. 阿勒曼德舞曲
09. 库朗特舞曲
10. 萨拉班德舞曲
11. 加沃特舞曲I-II
12. 吉格舞曲
第六组曲 D大调，BWV 1012
13. 前奏曲
14. 阿勒曼德舞曲
15. 库朗特舞曲
16. 萨拉班德舞曲
17. 加沃特舞曲I-II
18. 吉格舞曲
### 专辑解析
继与克里斯托弗·奥赖利（Christopher O’Riley）合作录制具有突破性的本真乐器版《贝多芬奏鸣曲与变奏曲全集》后，海莫维茨（Matt Haimovitz）推出《J.S.巴赫：安娜·玛格达莱娜的大提琴组曲》，使用巴洛克大提琴与短笛大提琴（五弦乐器，可能为巴赫第六组曲的原乐器）演绎。
巴赫《六首大提琴无伴奏组曲》的原始手稿已失传，现存重要版本之一是巴赫第二任妻子安娜·玛格达莱娜的抄本，其笔迹与作曲家本人极为相似。自1890年卡萨尔斯在二手书店发现出版版本、20年后首次公开演奏以来，这套组曲便成为大提琴独奏领域的“圣经”——每位演奏者都在探寻进入其核心的独特路径。大提琴家马特·海莫维茨与巴赫组曲的渊源可追溯至2000年，当时这位前神童在民谣俱乐部和摇滚场地（包括纽约已关闭的朋克圣地CBGB’s）演奏全套组曲，掀起“另类古典革命”，同年他在新兴的Oxinmale唱片公司发行了三套组曲专辑。
15年后，海莫维茨带着全新诠释回归，其演绎深受安娜·玛格达莱娜手稿与时代乐器的启发：
- 本真主义视角：使用巴洛克大提琴（羊肠弦、无电子拾音）和五弦短笛大提琴（第六组曲可能的原乐器），还原音色的质朴感与音域的拓展性，尤其在第六组曲的高音区展现更丰富的和声层次。
- 手稿细节的挖掘：参考安娜抄本中的装饰音标记与分句提示，例如在萨拉班德舞曲中强调切分节奏的即兴性，或在前奏曲中通过强弱对比凸显复调线条的对话感。
- 结构的叙事性：打破传统“纯净演绎”的框架，在阿拉曼德与库朗特舞曲中注入近似即兴的自由速度，仿佛重现18世纪家庭音乐会上的灵动氛围，同时在吉格舞曲中强调舞蹈性的律动感。
对于熟悉现代演绎（如卡萨尔斯、斯塔克）的听众，此版本提供了“回到源头”的听觉体验：羊肠弦的沙哑质感与五弦琴的明亮高音形成鲜明对比，尤其在第五组曲（c小调）中，通过低音区的厚重音色强化了悲剧性；而第六组曲（D大调）的加沃特舞曲则因五弦琴的额外高音弦，展现出近似维奥尔琴的华丽装饰音。海莫维茨的演奏既保留了巴赫音乐的数学美感，又通过本真乐器的独特声响，揭示了手稿背后可能的人文温度——正如安娜·玛格达莱娜的抄本不仅是乐谱，更是一段音乐婚姻的见证。
Artist: Matt Haimovitz
Title: J.S. Bach: The Cello Suites According to Anna Magdalena
Year Of Release: 2015
Label: PentaTone
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 02:14:03
Total Size: 625 mb / 2.37 gb
WebSite: Album Preview
Tracklist
01. Cello Suite No. 1 in G major, BWV 1007: I. Prelude
02. Cello Suite No. 1 in G major, BWV 1007: II. Allemande
03. Cello Suite No. 1 in G major, BWV 1007: III. Courante
04. Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande
05. Cello Suite No. 1 in G major, BWV 1007: V. Menuet I-II
06. Cello Suite No. 1 in G major, BWV 1007: VI. Gigue
07. Cello Suite No. 2 in D minor, BWV 1008: I. Prelude
08. Cello Suite No. 2 in D minor, BWV 1008: II. Allemande
09. Cello Suite No. 2 in D minor, BWV 1008: III. Courante
10. Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande
11. Cello Suite No. 2 in D minor, BWV 1008: V. Menuet I-II
12. Cello Suite No. 2 in D minor, BWV 1008: VI. Gigue
13. Cello Suite No. 3 in C major, BWV 1009: I. Prelude
14. Cello Suite No. 3 in C major, BWV 1009: II. Allemande
15. Cello Suite No. 3 in C major, BWV 1009: III. Courante
16. Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande
17. Cello Suite No. 3 in C major, BWV 1009: V. Bourree I-II
18. Cello Suite No. 3 in C major, BWV 1009: VI. Gigue
01. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prelude
02. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
03. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
04. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
05. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourree I-II
06. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
07. Cello Suite No. 5 in C minor, BWV 1011: I. Prelude
08. Cello Suite No. 5 in C minor, BWV 1011: II. Allemande
09. Cello Suite No. 5 in C minor, BWV 1011: III. Courante
10. Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande
11. Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte I-II
12. Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue
13. Cello Suite No. 6 in D major, BWV 1012: I. Prelude
14. Cello Suite No. 6 in D major, BWV 1012: II. Allemande
15. Cello Suite No. 6 in D major, BWV 1012: III. Courante
16. Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande
17. Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I-II
18. Cello Suite No. 6 in D major, BWV 1012: VI. Gigue
Matt Haimovitz - J.S. Bach: The Cello Suites According to Anna Magdalena (2015) [Hi-Res]
Fresh off the heels of his revelatory period-instrument recording of the complete Beethoven Sonatas and Variations with Christopher O’Riley, Beethoven, Period., Haimovitz releases J.S. Bach: The Cello Suites according to Anna Magdalena on baroque cello and cello piccolo, the five-string instrument for which Bach’s Suite VI was likely intended.
The original manuscript of J.S. Bach’s 6 Suites for Cello Solo has been lost to history. One of our only apostles is a copy made by Anna Magdalena, Bach’s second wife, her handwriting uncanny in its likeness to the composer’s own. Since 1890, when Casals found a published copy in a second-hand music shop and first performed the suites in public 20 years later, the suites have been both Bible and Holy Grail of the solo cello repertoire – each cellist searching for his own way into the heart of this music.Cellist Matt Haimovitz has been closely associated with the Bach suites since the year 2000, when the former child prodigy jump-started the alt-classical revolution by performing the complete cycle in folk clubs and rock venues, including New York’s now-defunct punk palace CBGB’s. That same year, he released a 3-CD set of the Suites that launched the newborn Oxingale Records.
Now, 15 years later, Haimovitz returns to The Cello Suites with a stunning new interpretation, intimately informed by Anna Magdalena’s manuscript and the tools of the time.
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发表于 2025-5-17 08:01:27