10-马特·海莫维茨《巴赫前奏曲》 2016 Hi-Res 24bits - 96.0kHz

史前青蛙

艺术家：马特·海莫维茨（Matt Haimovitz）  
标题：马特·海莫维茨《巴赫前奏曲》  
发行年份：2020年  
厂牌：PentaTone  
类型：古典音乐  
音质：FLAC无损 / 24位-96kHz FLAC + 小册子  
总时长：01:15:50  
总大小：328兆字节 / 1.42千兆字节  
网站：专辑预览  

曲目列表  
01. 前奏曲（菲利普·格拉斯）  
02. G大调第一大提琴组曲，BWV 1007：I. 前奏曲  
03. 维罗妮卡（杜韵）  
04. d小调第二大提琴组曲，BWV 1008：I. 前奏曲  
05. 奔跑（维贾伊·伊耶）  
06. C大调第三大提琴组曲，BWV 1009：I. 前奏曲  
07. 记忆（罗伯托· Sierra）  
08. 降E大调第四大提琴组曲，BWV 1010：I. 前奏曲  
09. 曾几何时（大卫·桑福德）  
10. c小调第五大提琴组曲，BWV 1011：I. 前奏曲  
11. 莉莉乌库拉妮（卢娜·珀尔·伍尔夫）  
12. D大调第六大提琴组曲，BWV 1012：I. 前奏曲  

马特·海莫维茨 - 巴赫前奏曲（2016年）[高解析度]  

马特·海莫维茨对巴赫大提琴组曲持续深入的探索，在《巴赫前奏曲》中达到新的巅峰。这张专辑包含六首全新委约作品，每首均呼应并映照大提琴组曲的精神内核。新创作的前奏曲拓展了巴赫作品中多元的精神、跨文化与民间元素，在大师的时代与当代之间搭建起桥梁。  

海莫维茨使用大提琴与短笛大提琴演奏，将每首新作与对应组曲的前奏曲并置：  
菲利普·格拉斯**的《前奏曲》以简洁凝练的语言为第一组曲奠定基调，引导听众进入开放宁静的心境。  
杜韵**的《维罗妮卡》为第二组曲创作，交织俄罗斯东正教安魂祷文、塞尔维亚圣咏与中欧吉普赛小提琴音乐，编织成心碎的“哭泣拼贴画”。  
维贾伊·伊耶**的《奔跑》回应第三组曲，以充满感染力的能量与动感节奏，既赞颂乐器的自然共鸣，也暗合作曲家的爵士乐根源。  
罗伯托· Sierra**的《记忆》围绕第四组曲展开，巧妙引用动机片段，融合加勒比低音线条与萨尔萨节奏，营造出万花筒般的异域幻景。  
大卫·桑福德**的《曾几何时》对应第五组曲，开篇以拨奏技巧展现力量，随后以萨克斯的呜咽与巴赫的史诗般赋格形成对话。  
卢娜·珀尔·伍尔夫**受前西方夏威夷圣咏启发，为第六组曲创作《莉莉乌库拉妮》，充分发挥短笛大提琴的炫技特性，从低音到高音区的跨度宛如歌剧般宏大。  

《巴赫前奏曲》不仅是对经典的致敬，更是一场跨越时空的声音实验。海莫维茨通过当代作曲家的多元视角，揭示巴赫音乐的普适性——它既是巴洛克的复调结晶，也是激发跨文化对话的灵感源泉。六首前奏曲如同六面棱镜，折射出巴赫组曲在当代的精神回响，同时邀请听众以全新维度聆听这些耳熟能详的前奏曲，发现其隐藏的叙事可能与情感深度。

Artist: Matt Haimovitz
Title: Overtures to Bach
Year Of Release: 2016
Label: PentaTone
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:15:50
Total Size: 328 mb / 1.42 gb
WebSite: Album Preview

Tracklist

01. Overture
02. Cello Suite No. 1 in G Major, BWV 1007 I. Prelude
03. The Veronica
04. Cello Suite No. 2 in D Minor, BWV 1008 I. Prelude
05. Run
06. Cello Suite No. 3 in C Major, BWV 1009 I. Prelude
07. La memoria
08. Cello Suite No. 4 in E-Flat Major, BWV 1010 I. Prelude
09. Es War
10. Cello Suite No. 5 in C Minor, BWV 1011 I. Prelude
11. Lili'uokalani
12. Cello Suite No. 6 in D Major, BWV 1012 I. Prelude

Matt Haimovitz - Overtures to Bach (2016) [Hi-Res]

Matt Haimovitz’s continuously-evolving and intense engagement with the Bach Cello Suites reaches a new zenith with Overtures to Bach, six new commissions that anticipate and reflect each of the cello suites. The new overtures expand upon the multitude of spiritual, cross-cultural, and vernacular references found in the Bach, building a bridge from the master’s time to our own.

The new album, Overtures to Bach, pairs each new work with the Prélude from the suite it introduces, with Haimovitz performing on cello and cello piccolo. Philip Glass simply and eloquently prepares the audience for the first Suite with his Overture, encouraging an open and calm frame of mind. For the second suite, Du Yun creates a heartbreaking quilt of cries in The Veronica, mingling a Russian Orthodox prayer for the dead, Serbian chant, and central European gypsy fiddle music. Vijay Iyer’s Run responds to Bach’s third suite with infectious energy and kinesthetic rhythms that celebrate the natural resonance of the instrument as well as the composer’s jazz roots.

Then, Roberto Sierra’s La memoria plays on our memory of Bach's Suite IV, seamlessly referencing motivic fragments and creating a kaleidoscopic mirage with the exotic flavors of Caribbean bass lines and salsa rhythms.

David Sanford’s Es War, a response to the fifth suite, opens with a tour de force of pizzicato, then wrestles with Bach’s epic fugue with a saxophone’s wails. For the sixth and final suite, Luna Pearl Woolf is inspired by pre-Western Hawaiian chant, taking full advantage of the virtuosic properties of the cello piccolo and treating it operatically, from the low bass to the soprano stratosphere.

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