|
|
艺术家：斯美塔那三重奏（Smetana Trio）
标题：斯美塔那三重奏《贝多芬：钢琴三重奏》
发行年份：2020年
厂牌：Supraphon a.s.
类型：古典音乐
音质：FLAC无损 / 24位-192kHz FLAC + 小册子
总时长：02:11:40
总大小：569兆字节 / 4.33千兆字节
网站：专辑预览
曲目列表
01. c小调第三钢琴三重奏，作品1：I. 有活力的快板
02. c小调第三钢琴三重奏，作品1：II. 如歌的行板与变奏曲
03. c小调第三钢琴三重奏，作品1：III. 小步舞曲，近似快板-三声中部
04. c小调第三钢琴三重奏，作品1：IV. 终曲，最急板
05. 降B大调钢琴三重奏，作品97：I. 有节制的快板
06. 降B大调钢琴三重奏，作品97：II. 谐谑曲，快板
07. 降B大调钢琴三重奏，作品97：III. 如歌的行板但稍快
08. 降B大调钢琴三重奏，作品97：IV. 有节制的快板
09. d小调第一钢琴三重奏，作品70：I. 有节制的快板
10. d小调第一钢琴三重奏，作品70：II. 极广板与富有表现力地
11. d小调第一钢琴三重奏，作品70：III. 急板
12. 降E大调第二钢琴三重奏，作品70：I. 稍绵延-不过分的快板
13. 降E大调第二钢琴三重奏，作品70：II. 小快板
14. 降E大调第二钢琴三重奏，作品70：III. 不过分的小快板
15. 降E大调第二钢琴三重奏，作品70：IV. 终曲，快板
斯美塔那三重奏 - 贝多芬：钢琴三重奏（2020年）[高解析度]
当贝多芬将其首批三首钢琴三重奏定为作品1时，这位22岁的作曲家已显露出探索、革新并重塑创作规则的野心，其成就几乎超越了同时代人的理解范畴。据称，约瑟夫·海顿在私下聆听作品1的首演后，曾质疑普通听众能否理解第三首。贝多芬在这一乐器组合中大胆实验——从曲式、和声到其他维度均有突破。
d小调第一钢琴三重奏（作品70）的创作灵感可能源自贝多芬当时构思的莎士比亚戏剧《麦克白》歌剧草图。慢乐章中充满奇幻色彩的音乐，以奇异的转调和据说是为歌剧改写的“女巫合唱”片段，为这部作品赢得了“幽灵三重奏”的昵称。在《大公三重奏》（作品97）中，贝多芬赋予所有乐器平等的表现力，每件乐器都能充分展现其技术特质与情感表达空间。1814年4月，这部作品首演，这也是贝多芬在几乎失聪的状态下，作为钢琴家倒数第二次公开演出。
值此这位最伟大作曲家诞辰250周年之际，斯美塔那三重奏推出这张专辑可谓恰逢其时。该专辑延续了乐团此前备受赞誉的录音水准，无疑将在贝多芬作品的录音史上掀起波澜。
Artist: Smetana Trio
Title: Beethoven: Piano Trios
Year Of Release: 2020
Label: Supraphon a.s.
Genre: Classical
Quality: flac lossless / flac 24bits - 192.0kHz +Booklet
Total Time: 02:11:40
Total Size: 569 mb / 4.33 gb
WebSite: Album Preview
Tracklist
01. Piano Trio No. 3 in C Minor, Op. 1: I. Allegro con brio
02. Piano Trio No. 3 in C Minor, Op. 1: II. Andante cantabile con variazioni
03. Piano Trio No. 3 in C Minor, Op. 1: III. Menuetto. Quasi allegro-Trio
04. Piano Trio No. 3 in C Minor, Op. 1: IV. Finale. Prestissimo
05. Piano Trio in B-Flat Major, Op. 97: I. Allegro moderato
06. Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro
07. Piano Trio in B-Flat Major, Op. 97: III. Andante cantabile ma pero con moto
08. Piano Trio in B-Flat Major, Op. 97: IV. Allegro moderato
09. Piano Trio No. 1 in D Minor, Op. 70: I. Allegro moderato
10. Piano Trio No. 1 in D Minor, Op. 70: II. Largo assai ed espressivo
11. Piano Trio No. 1 in D Minor, Op. 70: III. Presto
12. Piano Trio No. 2 in E-Flat Major, Op. 70: I. Poco sostenuto-Allegro ma non troppo
13. Piano Trio No. 2 in E-Flat Major, Op. 70: II. Allegretto
14. Piano Trio No. 2 in E-Flat Major, Op. 70: III. Allegretto ma non troppo
15. Piano Trio No. 2 in E-Flat Major, Op. 70: IV. Finale. Allegro
Smetana Trio - Beethoven: Piano Trios (2020) [Hi-Res]
When Beethoven assigned the opus number one to his three piano trios, it was evident that the then 22-year-old composer would explore, advance and co-create the composition rules, and that he would very nearly transcend that which was comprehensible to his contemporaries. Upon hearing the first private performance of Op. 1, Joseph Haydn purportedly voiced his doubts as to whether the ordinary listener would be able to understand No. 3. Beethoven experimented with this combination of instruments too - with the form, harmonies and other facets. The Piano Trio in D major, Op. 70 No. 1 may have had its roots in sketches for an opera based on Shakespeare's drama Macbeth that Beethoven was contemplating at the time. The spectral music of the slow movement, featuring strange modulations and said to be a reworking of the Witches Chorus intended for the opera, earned the piece the nickname "Ghost Trio". In the "Archduke Trio", Op. 97, Beethoven emancipated all the instruments, providing each equal scope to apply their technical qualities and possibilities of expression. Its first performance, in April 1814, was the penultimate public concert Beethoven, at the time almost deaf, gave as a pianist. The 250th anniversary of one of the greatest composers of all time was an irresistible impulse for the Smetana Trio. Their new addition to the Beethoven discography possesses all the parameters of the ensemble's previous, highly acclaimed recordings and will undoubtedly cause quite a stir.
|
|
发表于 2025-5-17 08:05:05
发表于 2025-5-17 10:34:02