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艺术家: Christian Ferras
作品名称: 班多:匈牙利小提琴与管弦乐队协奏曲(重新灌录版)
发行年份: 1964
厂牌: Warner Classics
音乐类型: 古典乐
音质: FLAC (分轨) / 24bit-96kHz FLAC (分轨)
总时长: 27分51秒
总大小: 140 / 563 MB
官网: Album Preview
曲目列表:
1. 匈牙利小提琴与管弦乐队协奏曲: I. 快板 (10:18)
2. 匈牙利小提琴与管弦乐队协奏曲: II. 慢板 (8:47)
3. 匈牙利小提琴与管弦乐队协奏曲: III. 快板 (8:48)
评论家M.M.在1965年4月《留声机》杂志的评论中写道:“久洛·班多曾是格特勒四重奏的成员;他以指挥家的身份在比利时、匈牙利、法国、荷兰和委内瑞拉开展职业生涯。因此,你会期待他的小提琴协奏曲能展现出对独奏家和伴奏者声音的热爱;而这首《匈牙利协奏曲》确实做到了这一点,事实上,它在两个方面都呈现出极其丰富的音色。你也会期待一位匈牙利作曲家创作的《匈牙利协奏曲》即使在1958年也能体现出其归属意义;班多做到了这一点,他的音乐充满激情,既让人联想到早期的巴托克,也让人联想到这两种风格最初源自的民间音乐。
“这首协奏曲激动人心,费拉斯和管弦乐队的出色演奏更是锦上添花。巴黎音乐学院管弦乐团一直具备大多数优点;在这里,它还增加了极其罕见的稳定铜管演奏,圆号、小号和长号都是如此。录音也为音效做出了另一大贡献,(在单声道中,我所听到的)声音丰富、明亮且宏亮。也许应该如此,12英寸唱片的一面仅播放十分钟;整首协奏曲,两面加起来仅27分多钟。但这27分钟值得一听。”
Christian Ferras,小提琴
数字重新灌录
Artist: Christian Ferras
Title: Bando: Concerto hongrois pour violon et orchestre (Remastered)
Year Of Release: 1964
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 27:51
Total Size: 140 / 563 MB
WebSite: Album Preview
Tracklist:
1. Hungarian Concerto for Violin and Orchestra: I. Allegro (10:18)
2. Hungarian Concerto for Violin and Orchestra: II. Lento (8:47)
3. Hungarian Concerto for Violin and Orchestra: III. Allegro (8:48)
Wrote the critic M.M. in his review for the April 1965 issue of The Gramophone: “Gyula Bandó was once a member of the Gertler Quartet; and he has pursued through Belgium, Hungary, France, Holland, and Venezuela a career as a conductor. You would therefore expect a violin concerto of his to declare a love for the sound of soloist and accompanists alike; and this Concerto Hongrois most certainly does so, offering in fact a gloriously rich sound in both directions. You would expect, too, a Hungarian composer writing a Concerto Hongrois to sound as if he meant the ascription, even in 1958; and Bandd does that, too, with fiery music which has its resemblances both to early Bartok and to the folk music from which both these idioms originally stem.
“The concerto is exciting, helped to that end by a splendid performance on the part of Ferras and the orchestra alike. The Paris Conservatoire Orchestra has always had most of the virtues; here it adds to them the extremely unwonted one of steady brass playing, horns, trumpets and trombone alike. Yet another strong contribution to the sound is made by the recording, which (in mono, all I have heard) is rich, brilliant and sonorous. And so perhaps it should be, with one side of the twelve-inch disc playing for just ten minutes; the whole concerto, both sides, is only just over 27. But they are twenty-seven minutes well spent.”
Christian Ferras, violin
Digitally remastered
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