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艺术家：琳达·巴克利
作品名称：琳达·巴克利《来自海底》
发行年份：2020年
厂牌：NMC Recordings
音乐类型：古典乐
音质：FLAC分轨 / 24位-88.2kHz FLAC（含分轨+小册子）
总时长：1小时18分05秒
总大小：308兆字节 / 1.12吉字节
网站：专辑预览
曲目列表
01. 《来自海底》：I. 格兰妮讲述迪亚姆特（4:27）
02. 《来自海底》：II. 充满思绪的心（5:15）
03. 《来自海底》：III. 太阳与月亮（6:12）
04. 《来自海底》：IV. 纠缠（6:01）
05. 《弗里杜尔》（12:08）
06. 《不和谐》（11:23）
07. 《哈扎》（14:36）
08. 《垂怜经》（9:52）
09. 《爆炸的恒星》（8:15）
琳达·巴克利是一位爱尔兰作曲家，曾为众多管弦乐团创作（包括BBC交响乐团、德累斯顿交响乐团、RTÉ国家交响乐团、爱尔兰室内乐团），尤其擅长将古典训练与后朋克、民谣和氛围电子乐融合。她被《Tempo》杂志誉为“爱尔兰新兴音乐场景的领军人物之一”，其作品被《波士顿环球报》形容为“奇异而美丽”，《Composing the Island》称其“极具爆发力，令人联想到Autechre等艺人的 glitch 音乐”，《音乐杂志》的鲍勃·吉尔莫则认为其“探索了一片新音乐通常回避的体验领域，简而言之，我愿称之为狂喜”。
专辑中最具分量的作品《Ó Íochtar Mara》（《来自海底》）将 sean nós（一种装饰繁复的爱尔兰传统单声唱法）与弦乐四重奏及电子嗡鸣结合。演唱家伊亚拉·欧·里奥纳尔德（Iarla Ó Lionáird）是当代 sean nós 的杰出代表，这套声乐套曲以盖尔语爱情与失落诗歌为基础，部分诗作可追溯至七世纪。
《不和谐》由乔比·伯吉斯（Joby Burgess）委约创作，为其“卡纳索诺拉”乐器而作——这件乐器由调谐垂直铝管组成，演奏者以浸有松香的手套摩擦管壁，产生超凡音质。专辑还收录了为小提琴（达拉赫·摩根）与电子乐而作的闪烁空灵之作《爆炸的恒星》、巴克利旅居纽约时为ConTempo弦乐四重奏创作的《哈扎》、钢琴（伊莎贝尔·奥康奈尔）与电子乐交织的漂浮冰川般的《弗里杜尔》，以及由作曲家本人以人声与电子乐呈现的沉浸氛围作品《垂怜经》。
Artist: Linda Buckley
Title: From Ocean's Floor
Year Of Release: 2020
Label: NMC Recordings
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:18:05
Total Size: 308 MB / 1.12 GB
WebSite: Album Preview
Tracklist:
01. From Ocean's Floor: I. Gráinne Speaks of Diarmuit (4:27)
02. From Ocean's Floor: II. A Heart Made Full of Thought (5:15)
03. From Ocean's Floor: III. Sun and Moon (6:12)
04. From Ocean's Floor: IV. Entanglement (6:01)
05. Fridur (12:08)
06. Discordia (11:23)
07. Haza (14:36)
08. Kyrie (9:52)
09. Exploding Stars (8:15)
Linda Buckley is an Irish composer who has written extensively for orchestra (BBC Symphony Orchestra, Dresdner Sinfoniker, RTÉ National Symphony Orchestra, Irish Chamber Orchestra), and has a particular interest in merging her classical training with the worlds of post punk, folk and ambient electronica. She is "one of the leading figures in the thriving Irish new music scene" (Christopher Fox, Tempo) with her work being described as "strange and beautiful" (Richard Dyer, Boston Globe), "fantastically brutal, reminiscent of the glitch music of acts such as Autechre" (Liam Cagney, Composing the Island) and "engaging with an area of experience that new music is generally shy of, which, simplified and reduced to a single word, I'd call ecstasy" (Bob Gilmore, Journal of Music).
In Ó Íochtar Mara ("From Ocean's Floor"), the most substantial work on this album, Buckley combines sean nós (an Irish ‘old style’ of elaborately ornamented solo singing) with string quartet and electronic drones. Iarla Ó Lionáird is one of the finest contemporary exponents of sean nós and the song-cycle is based upon Gaelic love poetry of love and loss, some dating back to the seventh century.
Discordia was commissioned by Joby Burgess for his Canna Sonora, an instrument assembled from tuned, vertical aluminium tubes that he strokes with rosin-impregnated gloves creating other-worldly sonorities. Also on the album is the shimmering, ethereal Exploding Stars for violin (Darragh Morgan) and electronics, Haza written for the ConTempo Quartet when Buckley was living in New York, the floating, glacial Fridur for piano (Isabelle O'Connell) and electronics, and the ambient, immersive Kyrie performed by the composer herself on vocals and electronics.
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发表于 2025-5-20 07:58:11