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艺术家：纽约爱乐乐团，伦纳德·伯恩斯坦
作品名称：纽约爱乐乐团，伦纳德·伯恩斯坦格里格：《培尔·金特组曲》- 西贝柳斯：《芬兰颂》
发行年份：1981/2015年
厂牌：索尼古典
音乐类型：古典乐
音质：FLAC分轨（24/44.1）
总时长：54分42秒
总大小：530兆字节
网站：专辑预览
曲目列表
爱德华·格里格（1843-1907）
《培尔·金特第一组曲》，作品46号
01 I. 晨曲 03:48
02 II. 阿丝之死 04:55
03 III. 安妮特拉之舞 03:36
04 IV. 在山魔王的宫殿里 02:30
《培尔·金特第二组曲》，作品55号
05 I. 抢新娘 - 英格丽德的哀歌 04:12
06 II. 阿拉伯舞曲 04:36
07 III. 培尔·金特归来 - 海上暴风雨夜 02:58
08 IV. 索尔维格之歌 05:32
让·西贝柳斯（1865-1957）
09 《芬兰颂》，作品26号 07:38
10 《悲伤圆舞曲》，作品44号 05:04
11 《图翁内拉的天鹅》，作品22号，第3首 09:53
伯恩斯坦重新混音版：《西贝柳斯 - 交响曲全集》收录了伯恩斯坦对西贝柳斯作品的完整录音，由原始模拟磁带通过24位/96kHz技术重新混音，以7张CD限量原版套装呈现。
伯恩斯坦将西贝柳斯与马勒并列为20世纪交响曲发展的“关键转折点”，尽管他作为马勒诠释者的声誉掩盖了其对这位芬兰作曲家的终身投入。他对西贝柳斯的推崇可追溯至1940年在坦格伍德与库塞维茨基的学习时期，后者曾是他的导师，之后他还担任过库塞维茨基的助理。1941年，在费城柯蒂斯音乐学院，他指挥了西贝柳斯的《第二交响曲》。1943年11月，伯恩斯坦在纽约爱乐乐团震撼首演后，最早的演出安排之一便是1944年3月与蒙特利尔交响乐团合作，首次演奏西贝柳斯的《第一交响曲》。
1965年西贝柳斯百年诞辰之际，伯恩斯坦掀起了一系列活动。在纽约，他于同一乐季内指挥了所有交响曲（此前仅其导师谢尔盖·库塞维茨基三十年前在波士顿做到过）。为此，芬兰总统授予他狮子勋章指挥官头衔。此时，他早已开始录制西贝柳斯作品系列，从1961年2月的《第五交响曲》起步，至1967年5月以《第六交响曲》收官。
伯恩斯坦演绎的西贝柳斯，如同他的老师库塞维茨基一样，“温暖如阳光”，而非传统上对北欧冷冽音景的刻画。他曾称西贝柳斯为“一位伟大而奇异的天才”，但在纽约的系列演出中，他更倾向于用直观的激情取代奇异的疏离感。
这套专辑还收录了他与法国小提琴大师齐诺·弗朗切斯卡蒂合作的西贝柳斯《小提琴协奏曲》，以及《悲伤圆舞曲》《图翁内拉的天鹅》（略显粗粝的《芬兰颂》）、激动人心的《波约拉的女儿》和《露诺塔》（西贝柳斯根据芬兰民族史诗《卡勒瓦拉》歌词创作的动人篇章，由美国女高音菲利斯·柯廷演唱），此外还有伯恩斯坦唯一录制的格里格《培尔·金特组曲》。但专辑的核心吸引力仍在于西贝柳斯的交响曲，这套演奏常令人惊叹的首个完整立体声版本，在录音半个世纪后依然保持着新鲜感与权威性。
Artist: New York Philharmonic, Leonard Bernstein
Title: Grieg: Peer Gynt Suites - Sibelius: Finlandia
Year Of Release: 1981/2015
Label: Sony Classical
Genre: Classical
Quality: FLAC (tracks) 24/44,1
Total Time: 00:54:42
Total Size: 530 MB
WebSite: Album Preview
Tracklist:
Edvard Grieg (1843-1907)
Peer Gynt Suite No. 1, Op. 46
01 I. Morning Mood 03:48
02 II. The Death of Åse 04:55
03 III. Anitra’s Dance 03:36
04 IV. In the Hall of the Mountain King 02:30
Peer Gynt Suite No. 2, Op. 55
05 I. The Abduction of the Bride – Ingrid’s Lament 04:12
06 II. Arabian Dance 04:36
07 III. Peer Gynt’s Homecoming – Stormy Evening on the Sea 02:58
08 IV. Solveig’s Song 05:32
Jean Sibelius (1865-1957)
09 Finlandia, Op. 26 07:38
10 Valse Triste, Op. 44 05:04
11 The Swan of Tuonela, Op. 22, No. 3 09:53
Bernstein – Remastered Edition: Sibelius – The Symphonies collects Bernstein’s complete Sibelius recordings, newly remastered from the original analogue tapes using 24 bit / 96 kHz technology in a 7CD limited original jackets collection.
Bernstein regarded Sibelius alongside Mahler as one of “the key turning points” in the development of the 20th century symphony, though his reputation as a Mahler exponent has overshadowed a lifelong dedication to the Finnish composer. His advocacy goes back to the time of his association with Koussevitzky, with whom he studied at Tanglewood in 1940, later becoming his assistant. At Philadelphia’s Curtis Institute in 1941, he conducted the Second Symphony. And following his sensational New York Philharmonic debut in November 1943, one of Bernstein’s first engagements was a Montreal Symphony Orchestra concert in March 1944 that included his first performance of the First.
The Finnish composer’s centenary year, 1965, brought a flurry of activity. In New York, Bernstein conducted all the symphonies in a single season (only his mentor Serge Koussevitzky had done that in the US, three decades earlier in Boston). For his efforts, Bernstein was made a Commander of the Order of the Lion by the president of Finland. By this time, he was already well into his recorded Sibelius cycle, begun in February 1961 with the Fifth Symphony, completed in May 1967 with the Sixth.
Bernstein’s Sibelius, like his teacher’s, was “warm like the sun” rather than a more orthodox evocation of cold northern soundscapes. He once called Sibelius “a great and strange kind of genius”, but in his New York cycle he favors visceral excitement over strange remoteness.
This set also contains his recording of Sibelius’s Violin Concerto with the French virtuoso Zino Francescatti. Also included are Valse triste, The Swan of Tuonela, a rather brash Finlandia, a thrilling performance of Pohjola’s Daughter and Luonnotar – Sibelius’s haunting setting of words from the Kalevala, the Finnish national epic (with American soprano Phyllis Curtin) – as well as Bernstein’s only recording of Grieg’s Peer Gynt Suites. But it’s the Sibelius symphonies that are the chief attraction here, and this often stunningly well-played, first completed stereo cycle has lost none of its freshness and authority in the half century since it was recorded.
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