02-科隆新爱乐乐团 德沃夏克：斯拉夫舞曲 - 斯美塔那：沃尔塔瓦河 - 莫扎特：布拉格交响曲

厚道大哥

艺术家：科隆新爱乐乐团、沃尔克·哈通  
标题：科隆新爱乐乐团 德沃夏克：斯拉夫舞曲 - 斯美塔那：沃尔塔瓦河 - 莫扎特："布拉格"交响曲  
发行年份：2016年  
厂牌：JPK音乐  
流派：古典、管弦乐  
音质：flac无损格式 / 24位-48.0千赫兹 + 小册子  
总时长：00:50:38  
总大小：262 / 550兆字节  
网站：专辑预览  

曲目列表  
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01. D大调第38交响曲，K. 504"布拉格交响曲"：I. 柔板-快板  
02. D大调第38交响曲，K. 504"布拉格交响曲"：II. 行板  
03. D大调第38交响曲，K. 504"布拉格交响曲"：III. 终曲，急板  
04. 我的祖国，JB 1:112：第2首，沃尔塔瓦河  
05. 斯拉夫舞曲，第一集，作品46，B. 83：第1首 C大调  
06. 斯拉夫舞曲，第二集，作品72，B. 147：第2首 e小调  
07. 斯拉夫舞曲，第一集，作品46，B. 83：第8首 g小调  

沃尔夫冈·阿玛多伊斯·莫扎特：第38号D大调交响曲，K. 504"布拉格交响曲"  
莫扎特的主要艺术活动虽局限于维也纳，但成熟开放的布拉格听众以最大的热情接纳了他和他的音乐。他的歌剧《费加罗的婚礼》和《唐璜》在此大获成功。  
"我的乐团在布拉格"——莫扎特曾如此描述对布拉格剧院管弦乐团捷克乐手的喜爱，他的D大调交响曲正是为该乐团而作。这部作品神秘而宏大的引子，以丰富的对比和深邃的思想性，成为莫扎特晚期最具分量的创作之一。  
在神秘的开场后，随后的快板让人联想到《费加罗》中有力的旋律段落和《唐璜》中司令官的氛围。第二乐章行板如歌，主主题呼应了采尔莉娜的二重唱，经过巧妙变奏展开。交响曲最终以暴风雨般的急板收尾。


Artist: Cologne New Philharmonic Orchestra, Volker Hartung
Title: Dvořák: Slavonic Dances - Smetana: The Moldau - Mozart: "Prague" Symphony
Year Of Release: 2016
Label: JPK Musik
Genre: Classical, Orchestral
Quality: flac lossless / flac 24bits - 48.0kHz +booklet
Total Time: 00:50:38
Total Size: 262 / 550 mb
WebSite: Album Preview

Tracklist
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01. Symphony No. 38 in D Major, K. 504 "Prague": I. Adagio-Allegro
02. Symphony No. 38 in D Major, K. 504 "Prague": II. Andante
03. Symphony No. 38 in D Major, K. 504 "Prague": III. Finale. Presto
04. My Homeland, JB 1:112: No. 2, The Moldau
05. Slavonic Dances, Book 1, Op. 46, B. 83: No. 1 in C Major
06. Slavonic Dances, Book 2, Op. 72, B. 147: No. 2 in E Minor
07. Slavonic Dances, Book 1, Op. 46, B. 83: No. 8 in G Minor

Wolfgang Amadeus Mozart: Symphony Nr. 38 D major, k. 504 „Prague Symphony“ Mozart's actual artistic work was limited to Vienna, but the sophisticated and more open Prague audiences welcomed him and his music with the greatest sympathies. Here his operas „Marriage of Figaro“ and „Don Giovanni“ were received with great success.

»My Orchestra is in Prague«, he described his affection for the Czech musicians of the Prague Theatre Orchestra, for which he wrote his Symphony in D major. Her mysterious, large introduction ranks among the strongest statements of the late Mozart with her wealth of contrast and her intellectual depth.

After her mysterious beginning the following Allegro is reminiscent of powerful melodic passages in the „Figaro“ and the atmosphere of the Commander in „Don Giovanni«“. The main theme reminding of the Zerlina Duet is artfully varied in the song-full second movement, an Andante. A stormy Presto concludes the Symphony.

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