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艺术家：阿图罗·贝内代托·米凯兰杰利、维也纳交响乐团、卡洛·马里亚·朱利尼
曲目：贝多芬：降E大调第五钢琴协奏曲，作品73号（重新灌录版）
发行年份：2019年
厂牌：德意志留声机公司
音乐类型：古典音乐
音质：分轨FLAC格式 / 24比特-192千赫兹分轨FLAC格式
总时长：42分25秒
总大小：161兆字节 / 1.63吉字节
网站：专辑预览
曲目列表：
1. 降E大调第五钢琴协奏曲，作品73号“皇帝”：第一乐章 快板（现场版） 20分30秒
2. 降E大调第五钢琴协奏曲，作品73号“皇帝”：第二乐章 稍快的柔板（现场版） 8分36秒
3. 降E大调第五钢琴协奏曲，作品73号“皇帝”：第三乐章 回旋曲（快板）（现场版） 12分11秒
降E大调的调性、主要主题的特质以及绚丽的配器，都带有庄严的胜利之感，因此，贝多芬在英国逝世后不久，这部协奏曲就被赋予了“皇帝协奏曲”的昵称，这个名字名副其实。这是1979年在维也纳音乐协会的现场录音，阿图罗·贝内代托·米凯兰杰利担任钢琴演奏，卡洛·马里亚·朱利尼指挥维也纳交响乐团。
阿图罗·贝内代托·米凯兰杰利，钢琴
维也纳交响乐团
卡洛·马里亚·朱利尼，指挥
数字重新灌录
Artist: Aleksandra Grychtolik, Alexander Ferdinand Grychtolik
Title: Fantasia Baroque
Year Of Release: 2015
Label: Coviello Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 00:57:01
Total Size: 370 mb / 652 mb
WebSite: Album Preview
Tracklist
01. Ciaccona improvvisata per la Madonna di Grodowiec
02. Sonata for Two Figured Basses in D Minor: Allemanda
03. Sonata for Two Figured Basses in D Minor: Adagio
04. Sonata for Two Figured Basses in D Minor: Allegro
05. Sonata for Two Figured Basses in E Minor: Allegro
06. Sonata for Two Figured Basses in E Minor: Andante
07. Sonata for Two Figured Basses in E Minor: Giga
08. Sonata for Two Figured Basses in C Major: Andante
09. Sonata for Two Figured Basses in C Major: Adagio
10. Sonata for Two Figured Basses in C Major: Allegro
11. Sonata for Two Figured Basses in C Minor: Fuga
12. Sonata for Two Figured Basses in C Minor: Siciliano
13. Sonata for Two Figured Basses in C Minor: Allegro
14. Partita Improvisation: Toccata
15. Partita Improvisation: Allemanda
16. Partita Improvisation: Corrente
17. Partita Improvisation: Al tempo di sarabanda
18. Partita Improvisation: Giga
19. Free Invention for Harpsichord in F-Sharp Minor, Wq. 67
20. Improvisation for 2 Harpsichords: I. Allegro
21. Improvisation for 2 Harpsichords: II. Grave
22. Improvisation for 2 Harpsichords: III. Allegro assai
Aleksandra Grychtolik, Alexander Ferdinand Grychtolik - Fantasia Baroque (2015) [Hi-Res]
Until the 18th c. the boundaries between improvisation and interpretation were fluid. Soloists were able to create the musical material out of the intermediate and transitional parts of a composition freely, off the cuff. On Fantasia Baroque, Aleksandra and Alexander Grychtolik play the music in their own way, based partly on figured bass and partly on harmonic structures. Mr. and Ms. Grychtolik are skilled practitioners of virtuosic keyboard music of the 17th-18th c. and the integration of improvisational elements within these works in recordings and concert performances.
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发表于 2025-5-22 07:53:05