06-德沃夏克：诗意音画 Hi-Res

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艺术家：叶莲娜·巴什基罗娃  
标题：德沃夏克：诗意音画  
发行年份：2020年  
厂牌：CAvi音乐  
流派：古典音乐  
音质：FLAC（分轨）/24位-48千赫兹FLAC（分轨+小册子）  
总时长：60分43秒  
总大小：159兆字节/497兆字节  
网站：专辑预览  

曲目列表：  
1.《诗意音画》，作品85：第一首 夜径，中板快板（5分52秒）  
2.《诗意音画》，作品85：第二首 嬉戏，轻盈的小快板（5分10秒）  
3.《诗意音画》，作品85：第三首 在古老的城堡里，慢板（4分52秒）  
4.《诗意音画》，作品85：第四首 春之歌，稍快的快板（3分59秒）  
5.《诗意音画》，作品85：第五首 农民叙事曲，持续的快板（4分03秒）  
6.《诗意音画》，作品85：第六首 哀伤的幻想曲，行板（4分53秒）  
7.《诗意音画》，作品85：第七首 富里安特舞曲，猛烈的快板（3分24秒）  
8.《诗意音画》，作品85：第八首 小精灵之舞，小快板（3分24秒）  
9.《诗意音画》，作品85：第九首 小夜曲，中板且极具歌唱性（4分56秒）  
10.《诗意音画》，作品85：第十首 酒神的狂欢，极活泼的（5分08秒）  
11.《诗意音画》，作品85：第十一首 闲聊，有流动感的行板（4分10秒）  
12.《诗意音画》，作品85：第十二首 在英雄的墓前，庄板（进行曲速度）（6分31秒）  
13.《诗意音画》，作品85：第十三首 在圣山上，稍慢板（4分28秒）  

德沃夏克在谈及他为钢琴创作的最长抒情小品套曲《诗意音画》作品85时写道：“这一次，我不仅是一个纯粹的音乐家，更是一个诗人。”这部作品于1889年4月至5月在他位于维索卡的夏季居所完成，标志着德沃夏克创作生涯中的新倾向：从那时起，他开始将音乐风格“诗意化”。正如他在给出版商弗里茨·西蒙洛克的信中所说：“每一首作品都有自己的标题，旨在表达某种意境——可以说，这就是标题音乐！”这一倾向在1896至1898年间达到顶峰，他创作了五部交响诗《水妖》作品107、《午间的女巫》作品108、《金纺车》作品109、《野鸽》作品110和《英雄之歌》作品111。  

这位伟大的捷克作曲家的钢琴作品鲜为人知，似乎总是笼罩在舒曼、勃拉姆斯等浪漫主义大师的阴影之下。然而，《诗意音画》包含的13首小品却展现了一个极其丰富、迷人多样的内心意象世界。同时，作品将民间元素与微妙的音色效果结合，带来诸多风格与钢琴技巧上的惊喜。令人惊讶的是，这些作品在音乐会上却很少被演奏。  

叶莲娜·巴什基罗娃一直在寻找新的演奏作品：她在自己的乐谱柜中重新发现了这套被忽视的套曲，并立刻被德沃夏克丰富多样的音色所吸引：“我翻阅着乐谱，弹奏了几个和弦，音乐立刻抓住了我。它是如此富有诗意，如此引人遐想。我立刻在脑海中看到了故事和画面。作为钢琴家，你可以很好地讲述这些故事。它们打开了我们的心扉。”  
叶莲娜·巴什基罗娃认为，《诗意音画》虽然创作于乡村，但在情绪上与布拉格的装饰艺术风格息息相关。这让她想起“那些美妙的世纪末窗户上美丽的女性形象”。她指出，德沃夏克在创作这些作品时，更多思考的是人类的情境，而非自然风景。这是叶莲娜·巴什基罗娃在CAvi音乐发行的首张个人专辑——她是俄罗斯钢琴家德米特里·巴什基罗夫的女儿，也是丹尼尔·巴伦博伊姆的妻子。

Artist: Elena Bashkirova
Title: Dvořák: Poetic Tone Pictures
Year Of Release: 2020
Label: CAvi-music
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 60:43
Total Size: 159 / 497 MB
WebSite: Album Preview

Tracklist:

1. Poetic Tone Pictures, Op. 85: I. Nocturnal Path. Allegro moderato (5:52)
2. Poetic Tone Pictures, Op. 85: II. Toying. Allegretto leggiero (5:10)
3. Poetic Tone Pictures, Op. 85: III. At the old Castle. Lento (4:52)
4. Poetic Tone Pictures, Op. 85: IV. Spring Song. Poco Allegro (3:59)
5. Poetic Tone Pictures, Op. 85: V. Peasant Ballad. Allegro sotenuto (4:03)
6. Poetic Tone Pictures, Op. 85: VI. Sorrowful Reverie. Andate (4:53)
7. Poetic Tone Pictures, Op. 85: VII. Furiant. Allegro feroce (3:24)
8. Poetic Tone Pictures, Op. 85: VIII. Goblin's dance. Allegretto (3:24)
9. Poetic Tone Pictures, Op. 85: IX. Serenade. Moderato e molto cantabile (4:56)
10. Poetic Tone Pictures, Op. 85: X. Bacchanale. Vivacissimo (5:08)
11. Poetic Tone Pictures, Op. 85: XI. Tittle-Tattle. Andante con moto (4:10)
12. Poetic Tone Pictures, Op. 85: XII. At the Hero's Grave. Grave, tempo di marcia (6:31)
13. Poetic Tone Pictures, Op. 85: XIII. At the Holy Mountain. Poco lento (4:28)

"This time, I am not only an absolute musician, but also a poet", wrote Dv

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orak regarding the Poetic Tone Pictures, Op. 85, his most extended cycle of lyric character pieces for piano. Concluded in April/May 1889 at his summer residence in Vysoka, the Poetic Tone Pictures introduced a new tendency in Dvorak's output: from then on, he started to "poeticize" his musical style. As he wrote to his publisher Fritz Simrock: "Each piece will have its own title and is meant to express something: thus, as it were, this is program music!" This new tendency culminated in 1896-1898 with the five symphonic poems The Water Goblin Op. 107, The Noon Witch Op. 108, The Golden Spinning Wheel Op. 109, The Wild Dove Op. 110, and A Hero's Song Op. 111.

The great Czech composer is hardly known for his piano works, in which he invariably seems to stand somewhat in the shadow of great Romantic masters such as Schumann or Brahms. Nonetheless, the 13 character pieces that comprise the Poetic Tone Pictures reveal an incredibly rich, enchantingly diverse world of inner images. At the same time, they offer a multitude of stylistic and pianistic surprises by combining folklore elements with subtle timbre effects. It is therefore all the more astonishing that they have been seldom performed in concert.

Elena Bashkirova was looking for a new work to play: she rediscovered the neglected cycle in her score cabinet, and was immediately thrilled with Dvorak's rich and diverse palette of timbres: "I flipped through the pages, played a couple of chords, and the music captured me right away. It's so poetic, so evocative. I immediately started to see stories and pictures in my mind's eye. As a pianist, you can narrate these stories very well. They open up our hearts".
Elena Bashkirova finds that the Poetic Tone Pictures, although composed in the countryside, have everything to do in terms of mood with Prague Art Deco style. She is reminded "of those marvellous fin-de-siècle windows with their beautiful female figures". And she points out that Dvorak was thinking more of human situations than of landscapes when he wrote these pieces". This is the first solo album on CAvi-music by Elena Bashkirova: the daughter of the Russian Pianist Dmitri Bashkirov and spouse of Daniel Barenboim.