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艺术家：瑞士罗曼德管弦乐团、特雷莎·贝尔甘扎、欧内斯特·安塞美
标题：瑞士罗曼德管弦乐团 法雅：三角帽（重新灌录版）
发行年份：1961年
厂牌：迪卡音乐集团有限公司
流派：古典
音质：FLAC（分轨）/24位-88.2千赫兹FLAC（分轨）
总时长：44分02秒
总大小：213/863兆字节
网站：专辑预览
曲目列表
01. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第一部分：引子（1:37）
02. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第一部分：下午（12:51）
03. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第二部分：邻居的舞蹈（3:14）
04. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第二部分：磨坊主的舞蹈（12:59）
05. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第二部分：终曲舞蹈（6:16）
06. 曼努埃尔·德·法雅·马瑟乌：《短暂的生命》：间奏曲 - 西班牙舞曲第一号（7:09）
### 专辑背景与亮点
战争期间，法雅根据佩德罗·安东尼奥·德·阿拉尔孔的中篇小说创作了哑剧芭蕾《法官与磨坊女》。俄罗斯芭蕾舞团创始人谢尔盖·佳吉列夫在1917年首演中相中了这部作品，认为经改编后适合其成立仅八年的舞团。法雅接受委托，新版芭蕾《三角帽》于1919年在伦敦首演。佳吉列夫原本打算让法雅亲自指挥，但作曲家很快意识到自己不胜任，于是重任交给了35岁的瑞士指挥家欧内斯特·安塞美——他自1915年起便担任俄罗斯芭蕾舞团的指挥。
此次再版经过出色的重新灌录，并搭配德彪西极具画面感的三联画《意象》。这延续了迪卡备受赞誉的“安塞美遗产”系列，该系列系统挖掘迪卡档案中的珍贵资料，部分作品首次以CD形式发行。
### 乐评精选
- **《企鹅指南》**：“聆听安塞美20世纪60年代初版的《三角帽》，便知其录音为何受音响爱好者珍视：音色璀璨饱满，演绎充满个性，展现指挥家与乐团的巅峰状态……《短暂的生命》中的间奏曲与舞曲尤为生动。”
- **美国音乐指南（AMG）詹姆斯·曼海姆**：“战后音响工程师的出色成果经音响发烧友重新发行，保留了难以超越的演绎。RCA的‘Living Stereo’系列让多张顶尖专辑重获新生，这张1961年安塞美指挥瑞士罗曼德管弦乐团、特雷莎·贝尔甘扎献声的《三角帽》亦然。精致的包装保留了原始 liner 文字，还通过讨论重新灌录技术（包括线路图等）唤起对那个时代的回忆。音响迷会为之欣喜，普通听众亦然——这是至今仍能与顶级录音媲美的时代之声。《三角帽》以万花筒般的乐器色彩序列，穿插大量西班牙打击乐，堪称音响工程师的最佳调色板。安塞美曾在1919年指挥该芭蕾首演（毕加索设计舞美，俄罗斯芭蕾舞团担纲演出），对作品的理解无人能及。黑胶唱片中，铜管、木管、打击乐与‘欧雷！’的人声呼喊交织成色彩盛宴。重新灌录完整呈现了原始录音的独特效果——贝尔甘扎与部分乐手被置于远离麦克风的位置，营造出宽敞的准现场感。《短暂的生命》中著名的‘间奏曲’与‘舞曲’为专辑画上热烈句号，无论音响爱好者还是普通听众都能尽享其妙。”
### 艺术家阵容
- **特雷莎·贝尔甘扎**：次女高音
- **瑞士罗曼德管弦乐团**
- **欧内斯特·安塞美**：指挥
### 录音信息
- 录制时间：1961年2月12日与17日
- 录制地点：瑞士日内瓦维多利亚大厅
- 制作人：詹姆斯·沃克
- 数字重新灌录
Artist: L'Orchestre de la Suisse Romande, Teresa Berganza, Ernest Ansermet
Title: Falla: The Three Cornered Hat (Remastered)
Year Of Release: 1961
Label: Decca Music Group Ltd.
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks)
Total Time: 44:02
Total Size: 213 / 863 MB
WebSite: Album Preview
Tracklist:
01. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 1: Introduction (1:37)
02. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 1: Pt.1 - Afternoon (12:51)
03. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 2: Dance of the neighbours (3:14)
04. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 2: Pt.2 - The Miller's Dance (12:59)
05. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 2: Final dance (6:16)
06. Manuel de Falla Matheu: La vida breve: Interlude - Spanish Dance No.1 (7:09)
During the war, Falla wrote a pantomime ballet titled El Corregidor y la Molinera (‘The Magistrate and the Miller’s Wife’) based on a novella by Pedro Antonio de Alarcón. Sergei Diaghilev, founder of the Ballets Russes, was at the 1917 premiere. Liking what he saw, Diaghilev imagined that the ballet, with modifications, would be perfect for his then eight-year-old company. Falla accepted the commission, and the new ballet, now called El sombrero de tres picos (‘The Three-Cornered Hat’) was premiered in London in 1919. Diaghilev had intended to have Falla himself conduct the ballet, but the composer quickly realized that he was not up to the task, and so the responsibility went to 35-year-old Swiss conductor Ernest Ansermet, who had conducted the Ballets Russes since 1915.
It has been stunningly re-mastered for this reissue and is coupled with Debussy’s highly picturesque triptych “Images”. This continues the much-lauded Ansermet Legacy on Decca which has systematically mined the Decca archive for re-issues of much valuable material, some of it released on CD for the first time.
“Listening to Ansermet’s early 1960s version of The Three-Cornered Hat, you understand why his recordings are cherished by audiophiles: the sound is glitteringly brilliant and full. The performance has lots of character and shows the conductor and his orchestra on top form […] the Interlude and Dance from La vida breve is especially vivid here.” (Penguin Guide)
„Audiophile reissues presenting the best efforts of post-World War II sound engineers have also in several cases preserved performances that would simply be hard to improve upon. RCA's Living Stereo series has revivified several top-notch albums, and now comes this 1961 recording of Falla's The Three-Cornered Hat with Ernest Ansermet conducting l'Orchestre de la Suisse Romande, and the soprano passages from Teresa Berganza. The handsome packaging preserves much of the original liner text and also evokes that era in another way -- there is a discussion of the technology involved in the remastering, complete with wiring diagrams and the like. Sound nerds will be delighted. But so will ordinary listeners -- this is one of those period sonic extravaganzas that can still stand up to the best recordings made today. And The Three-Cornered Hat, with its kaleidoscopic sequence of instrumental colors, interspersed with a large battery of Spanish percussion, is one of the best palettes ever devised for the sound engineer. Ansermet conducted the ballet's premiere in 1919, with sets by Picasso and dancers from the celebrated Ballets Russes. He knew the work better than any other conductor, and what emerged onto vinyl was a riot of color -- brass, winds, percussion, and vocal "olé!" exclamations. Some unique effects of the original recording -- Berganza and a few of the instrumentalists are placed at some distance from the microphones in order to create a spacious, quasi-live effect -- come through in full color on this remarkable reissue. The famed "Interlude" and "Dance" from La vida breve make for a rousing finale. Thoroughly enjoyable for audiophiles and owners of ordinary equipment.“ (James Manheim, AMG)
Teresa Berganza, mezzo-soprano
L'Orchestre de la Suisse Romande
Ernest Ansermet, conductor
Recorded on 12th & 17th February 1961 at Victoria Hall, Geneva, Switzerland
Produced by James Walker
Digitally remastered
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发表于 2025-5-23 08:17:39