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艺术家：十六人合唱团，哈里·克里斯托弗斯
标题：为詹姆斯二世国王而作的皇家欢迎曲
发行年份：2017年
厂牌：CORO唱片公司
类型：古典音乐
音质：无损FLAC/24位-96.0kHz FLAC（含小册子）
总时长：01小时04分01秒
总大小：320兆字节/1.19千兆字节
网站：专辑预览
曲目列表
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01. g小调恰空舞曲，Z.730
02. 当我在病床上衰弱时，Z.144
03. 卡奇歌：第45首，真正的英国人举杯祝健康，Z.284
04. 缪斯善歌者Z.344：第一乐章 交响曲
05. 缪斯善歌者Z.344：第二乐章 “缪斯善歌者，抬起头来”
06. 缪斯善歌者Z.344：第三乐章 “此刻终结你所有的悲伤”
07. 缪斯善歌者Z.344：第四乐章 “在他的公正赞美中让你最高贵的歌声落下”
08. 缪斯善歌者Z.344：第五乐章 “尝试，尝试每一个旋律”
09. 缪斯善歌者Z.344：第六乐章 “从鼓声隆隆和喇叭的高声中”
10. 缪斯善歌者Z.344：第七乐章 “他带来了他王座的伴侣”
11. 缪斯善歌者Z.344：第八乐章 “在彼此的爱中幸福”
12. 缪斯善歌者Z.344：第九乐章 “当我们用音乐和诗歌表达我们的职责时”
13. G大调新爱尔兰曲调，Z.646 “利利布勒罗”
14. 圣歌与神圣歌曲：七声部卡农，上帝欢欣升天，Z.107
15. G大调新苏格兰曲调，Z.655
16. 完整 anthem “拯救我，哦上帝”，Z.51
17. 吹响号角，敲响战鼓，Z.335：第一乐章 交响曲
18. 吹响号角，敲响战鼓，Z.335：第二乐章 吹响号角，敲响战鼓
19. 吹响号角，敲响战鼓，Z.335：第三乐章 为年份加冕，为日子加冕
20. 吹响号角，敲响战鼓，Z.335：第四乐章 向凯撒致敬，在战争中无与伦比！
21. 吹响号角，敲响战鼓，Z.335：第五乐章 愿凯撒与乌拉尼亚长存
22. 吹响号角，敲响战鼓，Z.335：第六乐章 命运能赐予更大的幸福吗
23. 吹响号角，敲响战鼓，Z.335：第七乐章 当凯撒如晨星
24. 吹响号角，敲响战鼓，Z.335：第八乐章 给乌拉尼亚和凯撒无尽的喜悦
英国指挥家哈里·克里斯托弗斯（1953年出生）于1977年创立了十六人合唱团。从一开始，这位指挥家的愿景就预示了乐团将闻名的音乐领域：早期英国复调音乐、欧洲文艺复兴时期的其他作品，以及20世纪的合唱作品。甚至将乐团命名为“十六人”而非以特定作曲家、风格或时期命名，也是为了实现音乐上的灵活性。在成立的前二十年里，该团录制了70多张备受赞誉的唱片，巡演足迹从芬兰到西西里的教堂，从伦敦到悉尼的歌剧院，从萨尔茨堡到东京的音乐节，成为世纪之交最多才多艺、技艺精湛的合唱团之一。1992年录制的《玫瑰与鸵鸟羽毛：伊顿唱诗班曲集音乐第一卷》为该团赢得了格莱美早期音乐奖；其他录音还获得了多项大奖，如法国唱片大奖、德国唱片奖、留声机早期音乐奖和金音叉奖。1991年，该团在科文特花园参与了哈里森·伯特威斯尔爵士的歌剧《高文》的世界首演；1998年在里斯本歌剧院首次亮相克劳迪奥·蒙特威尔第的《尤里西斯返乡记》；2000年举办了英国大教堂“朝圣”巡演。十六人合唱团的演唱兼具“牛剑”般纯净的音准（克里斯托弗斯本人的音乐生涯始于坎特伯雷大教堂的首席唱诗班成员），同时结合了热情而克制的动态范围。乐团的音色技巧既包含都铎和伊丽莎白时期唱诗班男孩演唱的直接性（尽管由成熟的女高音和男中音组合而成），又能为西班牙和葡萄牙文艺复兴时期的音乐或本杰明·布里顿与塞缪尔·巴伯的作品增添更浪漫的饱满感。乐团增加了管弦乐部分（最初称为十六人管弦乐团，后更名为和谐与发明交响乐团），将曲目扩展到巴洛克时期；两个团体合作演出了一系列蒙特威尔第的歌剧、珀塞尔的歌剧、亨德尔的几部清唱剧以及J.S.巴赫的重要作品。2001年，该团创立了自己的唱片公司CORO，前二十年发行了90多张专辑。2009年，经典留声机调频电台授予十六人合唱团“年度艺术家”称号。
Artist: The Sixteen, Harry Christophers
Title: Royal Welcome Songs for King James II
Year Of Release: 2017
Label: CORO
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:04:01
Total Size: 320 mb / 1.19 gb
WebSite: Album Preview
Tracklist
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01. Chacony in G Minor, Z.730
02. When On My Sick Bed I Languish, Z.144
03. Catches: No. 45, True Englishmen Drink a Good Health, Z.284
04. Ye Tuneful Muses Z.344: I. Symphony
05. Ye Tuneful Muses Z.344: II. "Ye Tuneful Muses, Raise Your Heads"
06. Ye Tuneful Muses Z.344: III. "This Point of Time Ends All Your Grief"
07. Ye Tuneful Muses Z.344: IV. "In His Just Praise Your Noblest Songs Let Fall"
08. Ye Tuneful Muses Z.344: V. "Try, Try Ev'ry Strain"
09. Ye Tuneful Muses Z.344: VI. "From the Rattling of Drums and the Trumpet's Loud Sounds"
10. Ye Tuneful Muses Z.344: VII. "With Him He Brings the Partner of His Throne"
11. Ye Tuneful Muses Z.344: VIII. "Happy In A Mutual Love"
12. Ye Tuneful Muses Z.344: IX. "Whilst in Music and Verse Our Duty We Show"
13. A New Irish Tune in G Major, Z.646 "Lilliburlero"
14. Hymns and Sacred Songs: Canon a 7, God is Gone Up With a Merry Noise, Z.107
15. A New Scotch Tune in G Major, Z.655
16. Full Anthem "Save Me, Oh God", Z.51
17. Sound the Trumpet, Beat the Drum, Z.335: I. Symphony
18. Sound the Trumpet, Beat the Drum, Z.335: II. Sound the Trumpet, Beat the Drum
19. Sound the Trumpet, Beat the Drum, Z.335: III. Crown the Year, and Crown the Day
20. Sound the Trumpet, Beat the Drum, Z.335: IV. To Caesar All Hail, Unequall'd in Arms!
21. Sound the Trumpet, Beat the Drum, Z.335: V. Let Caesar and Urania Live
22. Sound the Trumpet, Beat the Drum, Z.335: VI. What Greater Bliss Can Fate Bestow
23. Sound the Trumpet, Beat the Drum, Z.335: VII. While Caesar, Like the Morning Star
24. Sound The Trumpet, Beat The Drum, Z.335: VIII. To Urania And Caesar Delights Without Measure
British conductor Harry Christophers (born 1953) founded the choral ensemble named The Sixteen in 1977. The director's vision from the outset foresaw the musical repertories for which they would be best-known: early English polyphony, other repertories of the European Renaissance, as well as choral works of the twentieth century. Even the choice of naming the ensemble not after a particular composer, style, or period served this goal of musical flexibility. With over 70 acclaimed recordings in its first two decades and a touring schedule that has brought the group to "churches from Finland to Sicily," opera houses from London to Sydney, and festivals from Salzburg to Tokyo, The Sixteen has established itself as one of the most versatile and polished choirs of the turn of the century. The 1992 recording The Rose and the Ostrich Feather: Music From the Eton Choirbook, Vol. I earned the group a Grammy award for Early Music; other recordings have been awarded numerous Grand Prix du Disque, Deutsche Schallplatten, Grammophone Early Music, and Diapason d'Or prizes. In 1991, the group sang in the world premiere of Sir Harrison Birtwistle's opera Gawain in Covent Garden; in 1998 a Lisbon Opera debut of Claudio Monteverdi's Il ritorno d'Ulisse in Patria; the year 2000 saw a "Pilgrimage" tour of English cathedrals. The Sixteen sings with an "Oxbridge" purity of intonation (Christophers himself began his musical career as head chorister at Canterbury Cathedral) combined with a passionate yet controlled dynamic range. The groups tonal virtuosity embraces the directness of Tudor and Elizabethan choirboy singing (despite the mature combination of female sopranos and male altos), yet expands to a more romantic fullness for Spanish and Portugese Renaissance music or for Benjamin Britten and Samuel Barber. The ensemble added an orchestral component (first called the Orchestra of the Sixteen and later the Symphony of Harmony and Invention) to expand its repertory into Baroque; the two groups collaborated on a series of operas of Monteverdi, operas of Purcell, several oratorios of Handel, and major works of J.S. Bach. The group founced its own record label, CORO, in 2001, and released over 90 albums in its first two decades. In 2009, Classic Grammophone FM named The Sixteen "Artist of the Year."
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发表于 2025-5-26 07:50:54