09-贝多芬：大提琴奏鸣曲，作品5号及变奏曲2017 Hi-Res

海伦姐姐

艺术家：雅罗斯瓦夫·蒂尔，卡塔日娜·德罗戈什  
标题：贝多芬：大提琴奏鸣曲，作品5号及变奏曲，WoO 45  
发行年份：2017年  
厂牌：CD Accord  
类型：古典音乐，室内乐  
音质：无损FLAC / 24位-96.0千赫兹FLAC  
总时长：00小时58分17秒  
总容量：267兆字节 / 1.2吉字节  
网站：专辑预览  

曲目列表  
01. F大调第1号大提琴奏鸣曲，作品5号第1首：I. 绵延的柔板–快板  
02. F大调第1号大提琴奏鸣曲，作品5号第1首：II. 回旋曲：活泼的快板  
03. g小调第2号大提琴奏鸣曲，作品5号第2首：I. 绵延且富有表现力的柔板–更快的急板  
04. g小调第2号大提琴奏鸣曲，作品5号第2首：III. 回旋曲：快板  
05. G大调“看那凯旋的英雄到来”主题十二变奏曲（选自亨德尔《犹大·马加比》），WoO 45  

路德维希·范·贝多芬的室内乐作品无疑是音乐史上最重要的成就之一。令人惊讶的是，波兰唱片市场上由本土艺术家演绎的贝多芬室内乐录音极为罕见。大提琴家雅罗斯瓦夫·蒂尔与钢琴家卡塔日娜·德罗戈什合作的这张贝多芬《作品5号奏鸣曲》专辑，正是为填补这一空白而作。  
这些作品在音乐史上占据特殊地位：它们是首批为大提琴创作的奏鸣曲，摒弃了基于通奏低音的创作手法，转而赋予钢琴声部完整的发展空间，并强调两件乐器的平等地位。此录音的独特性还在于其先锋性——两位艺术家以历史本真演绎风格，使用仿古乐器演奏，这在波兰古典唱片市场仍属新鲜尝试。  
作为弗罗茨瓦夫巴洛克乐团艺术总监，蒂尔长期与国家音乐论坛及弗罗茨瓦夫爱乐乐团合作，尽管此前已以德国早期音乐团体成员及乐团指挥身份参与十余张录音，但这是他首次在室内乐领域发行个人专辑。凭借对曲目的精准诠释、受早期音乐实践启发的演奏美学，以及两位演奏家的卓越技艺，这张专辑必将成为波兰唱片市场的重要声音。
Artist: Jaroslaw Thiel, Katarzyna Drogosz
Title: Beethoven: Cello Sonatas, Op. 5 & Variations, WoO 45
Year Of Release: 2017
Label: CD Accord
Genre: Classical, Chamber Music
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:58:17
Total Size: 267 mb / 1.2 gb
WebSite: Album Preview

Tracklist
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01. Cello Sonata No. 1 in F Major, Op. 5 No. 1: I. Adagio sostenuto-Allegro
02. Cello Sonata No. 1 in F Major, Op. 5 No. 1: II. Rondo: Allegro vivace
03. Cello Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo-II. Allegro molto più tosto presto
04. Cello Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo: Allegro
05. 12 Variations in G Major on See the conqu'ring hero comes from Handel's Judas Maccabaeus, WoO 45


Ludwig van Beethoven’s chamber works are doubtless among the most important achievements in music history. What is really mind boggling is the fact that in Polish phonography we come across very few recordings devoted to this repertoire and produced by Polish artists. The album of Beethoven Sonatas op. 5 featuring the cellist Jarosław Thiel and the pianist Katarzyna Drogosz tries to fill this gap. These pieces take pride of place in music history: they are the first sonatas written for cello in which the basso-continuo-based composing technique was abandoned in favour of a fully developed piano part and the equal importance of both instruments. This recording of the Sonatas is unusual also because it is a pioneering release as both artists play on copies of historical instruments in the historically informed style, which in the case of Classical repertoire is still a novelty on Polish record market. For Jarosław Thiel, Artistic Director of the Wrocław Baroque Orchestra, enjoying long years of collaboration with the National Forum of Music, and previously with the Wrocław Philharmonic, this will be his phonographic debut in a chamber repertoire, although he can boast a dozen or so other recordings as a member of German early music ensembles and conductor of the Wrocław Baroque Orchestra. This recording will surely be an important voice on our phonographic marketplace, due to the quality of the recorded repertoire, the performance aesthetics inspired by early music performance practice and the output of both instrumentalists featured on this album.

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