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艺术家：尤里·利伯森
标题：尤里·利伯森 三首小提琴奏鸣曲
发行年份：2020年
厂牌：Laudable唱片
类型：古典吉他
音质：24比特-96.0千赫兹弗拉科格式
总时长：01:04:56
总大小：506兆字节
网站：专辑预览
曲目单
01.G小调奏鸣曲，BWV 1001：第一乐章 柔板
02.G小调奏鸣曲，BWV 1001：第二乐章 赋格-快板
03.G小调奏鸣曲，BWV 1001：第三乐章 西西里舞曲
04.G小调奏鸣曲，BWV 1001：第四乐章 急板
05.A小调奏鸣曲，BWV 1003：第一乐章 庄板
06.A小调奏鸣曲，BWV 1003：第二乐章 赋格
07.A小调奏鸣曲，BWV 1003：第三乐章 行板
08.A小调奏鸣曲，BWV 1003：第四乐章 快板
09.C大调奏鸣曲，BWV 1005：第一乐章 柔板
10.C大调奏鸣曲，BWV 1005：第二乐章 赋格
11.C大调奏鸣曲，BWV 1005：第三乐章 广板
12.C大调奏鸣曲，BWV 1005：第四乐章 很快的快板
国际知名吉他演奏家尤里·利伯森即将发行其第三张、也是最具野心的录音作品——约翰·塞巴斯蒂安·巴赫的三首小提琴奏鸣曲（BWV 1001、1003、1005）。
约翰·塞巴斯蒂安·巴赫的小提琴独奏作品作为改编曲已为大多数古典吉他演奏者所熟知。此次尤里选择录制曼努埃尔·巴鲁埃科改编的奏鸣曲版本。这些作品在诠释和技术上对敢于挑战的艺术家构成了无数复杂难题：慢乐章需要极其精湛的技巧来装饰和提炼隐含旋律的美感，赋格要求演奏者具备维持主题、对题和对位的最高技巧，而快板和急板则将演奏者推向技术极限——同时还要传达巴赫在曲式、和声与抒情性上的独特完美把控。
尤里以优雅和精湛的技巧应对每一项挑战，这正是我在他演奏中欣赏的两个特质。从第一首曲目的开篇——G小调奏鸣曲的柔板，尤里便通过缓慢而精心的铺陈，将听众带入一个充满内省与美感的世界，为整张录音奠定基调。这张专辑亮点众多，但最突出的主题或许是尤里的演奏在以微妙的推进感打动听众的同时，始终保持着沉稳的根基。例如，A小调奏鸣曲的快板并未以极快的速度呈现，却巧妙地传达出如潮汐般强大而稳定的能量，以及其势不可挡的到来感。另一个亮点是C大调奏鸣曲中宏伟的赋格乐章——尤里以沉稳的结构感推动乐章前进，勾勒出作品的整体脉络，对位清晰如水晶，乐句处理优美动人。这一切绝非偶然，而是尤里演奏中最迷人之处：如魔法般，整体的感染力远超各部分的简单叠加。要实现如此悠长的旋律线条，需要具备建筑般的构思天赋。
我一直欣赏尤里的演奏——其完美可媲美曼努埃尔·巴鲁埃科，但尤里充满关怀的优雅气质与含蓄的 virtuosity（演奏技巧），使其诠释独具一格。
总体而言，这个雄心勃勃的项目由尤里与格莱美获奖制作人纳乌埃尔·布朗齐尼共同打造，堪称精彩。录音中捕捉到尤里从其鲁克吉他中奏出的温暖与清晰音色，令人沉浸其中，这或许是他迄今为止最出色的录音作品。
Artist: Yuri Liberzon
Title: 3 Violin Sonatas
Year Of Release: 2020
Label: Laudable Records
Genre: Classical Guitar
Quality: flac 24bits - 96.0kHz
Total Time: 01:04:56
Total Size: 506 mb
WebSite: Album Preview
Tracklist
01. Sonata in G minor, BWV 1001: I. Adagio
02. Sonata in G minor, BWV 1001: II. Fuga-Allegro
03. Sonata in G minor, BWV 1001: III. Siciliana
04. Sonata in G minor, BWV 1001: IV. Presto
05. Sonata in A minor, BWV 1003: I. Grave
06. Sonata in A minor, BWV 1003: II. Fuga
07. Sonata in A minor, BWV 1003: III. Andante
08. Sonata in A minor, BWV 1003: IV. Allegro
09. Sonata in C major, BWV 1005: I. Adagio
10. Sonata in C major, BWV 1005: II. Fuga
11. Sonata in C major, BWV 1005: III. Largo
12. Sonata in C major, BWV 1005: IV. Allegro Assai
Internationally acclaimed guitar virtuoso Yuri Liberzon is poised to release his third and most ambitious recording yet – Johann Sebastian Bach’s 3 Violin Sonatas (BWV 1001, 1003, 1005).
Johann Sebastian Bach’s solo violin works are familiar to most classical guitarist as transcriptions. In this instance, Yuri has chosen to record Manuel Barrueco’s transcriptions of the sonatas. These works pose countless complex challenges both interpretively and technically for the artist brave enough to tackle them. The slow movements require extremely refined technique to ornament and distill the beauty of the implied lines, the fugues demand the utmost skill in maintaining the subjects, countersubjects, and counterpoint, and the allegros and prestos push the interpreter to technical limits. All this while communicating Johann Sebastian Bach’s singular and perfect command of form, harmony, and lyricism.
Yuri meets every one of the demands with elegance and finesse, two aspects I admire in his playing. From the opening lushness of the first track, the adagio from the G Minor Sonata, Yuri sets the stage for the entire recording by slowly and calculatedly pulling the listener into a world rich with introspection and beauty. The strengths of this release are many but what perhaps stands out as a theme is how grounded Yuri’s playing is while moving you with a subtle forward momentum. For instance, the allegro from the A Minor Sonata was not taken at a blistering pace but somehow managed to convey a strong, steady energy, much like a tidal wave and the inevitability of its arrival. Another highlight was the monumental Fuga from the C Major Sonata. Again, it is Yuri’s calming but steady sense of structure that moves this movement forward and manages to bring out the overall arc of the piece. The counterpoint is crystalline and phrased beautifully. This does not happen unless it is intentional and that is what is fascinating about Yuri’s playing. It’s like magic – the sum is far greater than the parts. To achieve the effect of such a long line requires an architecturally gifted mind.
I’ve always enjoyed Yuri’s playing. It is similar to Manuel Barrueco’s for all of the perfection but Yuri’s caring and elegant sensibilities, and understated virtuosity, mark his interpretations as none other than his very own.
Overall, this ambitious project is wonderfully produced by both Yuri and Grammy Award-winning producer Nahuel Bronzini. The warmth and crispness that Yuri extracts from his Ruck and is captured in this recording are absolutely delightful to sink into. It may be his best recording yet.
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发表于 2025-5-29 08:22:00