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艺术家：伊丽莎白·莱昂斯卡娅 《乡愁》
标题：伊丽莎白·莱昂斯卡娅 《乡愁》
发行年份：2017年
厂牌：eaSonus
流派：古典钢琴
音质：无损弗拉科格式/24位-96.0千赫兹+小册子
总时长：1小时16分05秒
总大小：294兆字节/1.27千兆字节
网站：专辑预览
曲目列表
01. G大调钢琴奏鸣曲，作品37号“大奏鸣曲”：I. 中板且坚定
02. G大调钢琴奏鸣曲，作品37号“大奏鸣曲”：II. 不过分行板（近似中板）
03. G大调钢琴奏鸣曲，作品37号“大奏鸣曲”：III. 谐谑曲–欢快的快板
04. G大调钢琴奏鸣曲，作品37号“大奏鸣曲”：IV. 终曲–活泼的快板
05. B小调第二钢琴奏鸣曲，作品61号：I. 小快板
06. B小调第二钢琴奏鸣曲，作品61号：II. 广板
07. B小调第二钢琴奏鸣曲，作品61号：III. 中板
08. 幻想小品，作品3号：第2首. 前奏曲
09. 前奏曲，作品32号：第12首. 升G小调前奏曲. 快板
10. 前奏曲，作品23号：第6首. 降E大调前奏曲. 行板
11. 幻想小品，作品3号：第1首. 挽歌
钢琴家伊丽莎白·莱昂斯卡娅的新专辑《 saudade 》并非基于音乐学理论或既定主题，而是源于一种纯粹的情感状态。这种情感既是专辑的核心脉络，也是曲目编排的内在依据。尽管所选作曲家及其作品本身具有重要艺术价值，但真正赋予专辑灵魂的，是贯穿其中的情感共鸣——这也是这位俄罗斯钢琴家迄今为止最具个人色彩的录音项目。
为何选择“ saudade ”作为主题？因为这张专辑的核心是一种难以言喻的情感。情感的定义往往晦涩朦胧，跨语言传递时更需费尽心机。源自葡萄牙语的“ saudade ”一词尤其难以精准诠释，甚至几乎无法被其他语言完全转译（西班牙语、加利西亚语等往往直接沿用原词）。它描述的是一种深沉的情感状态，近似“ melancholy （忧郁）”，却由对所爱之人或事物的时空疏离所催生，蕴含着试图跨越这种距离的渴望，且常隐含着“失去之物可能永不复返”的隐忍认知。
Saudade 既非单纯的孤独，也不是简单的思念，更非悲喜的单一表达，它超越了普通的忧郁。它类似于威尔士语的“ hiraeth ”、罗马尼亚语的“ dor ”（莱昂斯卡娅此前专辑《巴黎》中乔治·埃内斯库的第一钢琴奏鸣曲即涉及这一概念），以及德语的“ Sehnsucht （渴望）”，但与其他近似怀旧的情感不同的是， saudade 的独特性在于其承载者对它的感知方式——莱昂斯卡娅在专辑中传递的，是一种专属的、私密的、不可替代的个人情愫。它指向生命的本源，以开放的姿态触及超然之境：是已然经历与领悟的过往，是不再可见却依然存续的挚爱，是记忆中萦绕的拥抱与芬芳，是早已融入音乐血脉的旋律片段，是年少时勾勒的风景，是无数鲜活的生命印记，是悲喜交织的复杂体验，是所有不再复返的人事——这便是 saudade 。
Artist: Elisabeth Leonskaja
Title: Saudade
Year Of Release: 2017
Label: eaSonus
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:16:05
Total Size: 294 mb / 1.27 gb
WebSite: Album Preview
Tracklist
01. Piano Sonata in G Major, Op. 37 "Grand Sonata": I. Moderato e risoluto
02. Piano Sonata in G Major, Op. 37 "Grand Sonata": II. Andante non troppo quasi moderato
03. Piano Sonata in G Major, Op. 37 "Grand Sonata": III. Scherzo – Allegro giocoso
04. Piano Sonata in G Major, Op. 37 "Grand Sonata": IV. Finale – Allegro vivace
05. Piano Sonata No. 2 in B Minor, Op. 61: I. Allegretto
06. Piano Sonata No. 2 in B Minor, Op. 61: II. Largo
07. Piano Sonata No. 2 in B Minor, Op. 61: III. Moderato
08. Morceaux de fantasie, Op. 3: No. 2. Prelude
09. Preludes, Op. 32: No. 12. Prelude in G-Sharp Minor. Allegro
10. Preludes, Op. 23: No. 6. Prelude in E-Flat Major. Andante
11. Morceaux de fantasie, Op. 3: No. 1. Elegie
The concept lying behind pianist Elisabeth Leonskaja’s new recording entitled “Saudade” stems from no set of musicological ideas; nor does it have any programmatic basis. Instead, it derives from an emotional state or feeling. Therein lies its argument and the justification for this programme. The composers and their particular works presented here are deservedly important and carry out an especially meaningful role. Yet, it is the feeling which is important here, and it is the unifying theme of what is the most personal (so far) of the Russian pianist’s recording projects.
Why, then, saudade? For the reason that within the heart of this album resides a feeling. Feelings are enigmatic in terms of definition, can be complicated to translate and, on occasion, more than a single method is needed in order to express them. Portuguese in origin, the word saudade, is difficult to pin down exactly and is nigh on impossible to render into another language. Consequently, other languages (such as Spanish and Galician) tend to use it in its original form. Saudade expresses a fundamental emotional state, close to melancholy, spurred on by one’s distance – in time or space – from someone or something loved; it involves bridging that distance. Often it implies the suppressed awareness that that person or thing will perhaps never return.
Saudade is not merely loneliness; nor is it just yearning; nor does it reflect a sense of either sadness or joy; it is much more than melancholy. It resembles the Welsh hiraeth, the Romanian dor (this was referred to in the context of Elisabeth Leonskaja’s earlier album “Paris” in connection with George Enescu’s Piano Sonata No. 1), and the German Sehnsucht, but the main difference between saudade and other states close to nostalgia lies in how it is perceived by the people who feel it. The sentiment expressed by Leonskaja is a particular one, her own, personal, private, special and non-transferable sentiment. It is a sentiment focused on the very origins of existence and one which finishes with its openness to transcendence. It is what has been experienced and understood; it is a loved one no longer visible but who yet keeps on existing; it is embraces…; perfumes scented which the sense of smell revives only in the mind; melodies, whose intervals, having been detected and comprehended, become part of one’s musical bloodstream; landscapes sketched out at an early age; all the many lives which have been lived; joy and sadness simultaneously; everything that will return no more; all this is saudade.
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发表于 2025-5-30 07:58:37