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艺术家：布法罗爱乐乐团，乔安·法莱塔
专辑名称：《柯达伊：管弦乐作品》
发行年份：2018年
厂牌：拿索斯
音乐类型：古典音乐
音质：无损FLAC / 24位-96.0千赫兹FLAC+小册子
总时长：01小时17分14秒
总大小：291兆字节 / 1.3吉字节
网站：专辑预览
曲目列表
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01. 《加兰塔舞曲》
02. 《管弦乐协奏曲》
03. 《匈牙利民谣“孔雀”主题变奏曲》：孔雀
04. 《匈牙利民谣“孔雀”主题变奏曲》：变奏1
05. 《匈牙利民谣“孔雀”主题变奏曲》：变奏2
06. 《匈牙利民谣“孔雀”主题变奏曲》：变奏3
07. 《匈牙利民谣“孔雀”主题变奏曲》：变奏4
08. 《匈牙利民谣“孔雀”主题变奏曲》：变奏5
09. 《匈牙利民谣“孔雀”主题变奏曲》：变奏6
10. 《匈牙利民谣“孔雀”主题变奏曲》：变奏7
11. 《匈牙利民谣“孔雀”主题变奏曲》：变奏8
12. 《匈牙利民谣“孔雀”主题变奏曲》：变奏9
13. 《匈牙利民谣“孔雀”主题变奏曲》：变奏10
14. 《匈牙利民谣“孔雀”主题变奏曲》：变奏11
15. 《匈牙利民谣“孔雀”主题变奏曲》：变奏12
16. 《匈牙利民谣“孔雀”主题变奏曲》：变奏13
17. 《匈牙利民谣“孔雀”主题变奏曲》：变奏14
18. 《匈牙利民谣“孔雀”主题变奏曲》：变奏15
19. 《匈牙利民谣“孔雀”主题变奏曲》：变奏16
20. 《匈牙利民谣“孔雀”主题变奏曲》：终曲
21. 《马罗塞克舞曲》（管弦乐版）
**乐团背景与专辑特色**
布法罗爱乐乐团自20世纪60年代初以来一直是美国所谓“二线乐团”中的佼佼者。凭借多年来的广泛好评及2009年两项格莱美奖的斩获，该团已模糊了二线与一线乐团的界限。乐团由80名成员组成，每年举办约120场音乐会，涵盖流行音乐和青年音乐会，演出场地为被许多人认为是美国声学效果最理想的克莱恩汉斯音乐厅。
乐团成立于1935年，历任音乐总监包括威廉·斯坦伯格、卢卡斯·福斯、迈克尔·蒂尔森·托马斯等知名指挥家。现任音乐总监乔安·法莱塔自1999年起任职，她与乐团在拿索斯和博弗勒夫唱片公司发行了大量录音，并通过NPR广播播出音乐会，曾凭借约翰·科里利亚诺的《铃鼓先生》两次获得格莱美奖，堪称乐团75年历史中前所未有的成功。
本专辑聚焦匈牙利作曲家柯达伊的管弦乐作品，展现其对民间音乐的深刻挖掘与创新演绎。《加兰塔舞曲》充满吉普赛风情，《管弦乐协奏曲》以丰富的配器和节奏变化著称，而《“孔雀”主题变奏曲》则通过16个变奏和终曲，将民谣素材发展为绚丽的管弦乐叙事，体现了柯达伊将民族音乐语言与古典形式结合的大师级手法。法莱塔的指挥既保留了民间音乐的质朴活力，又通过乐团细腻的演奏揭示了作品的结构深度，为听众呈现了柯达伊音乐中热烈与抒情并存的独特魅力。
Artist: Buffalo Philharmonic Orchestra, JoAnn Falletta
Title: Kodály: Orchestral Works
Year Of Release: 2018
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:17:14
Total Size: 291 mb / 1.3 gb
WebSite: Album Preview
Tracklist
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01. Dances of Galánta
02. Concerto for Orchestra
03. Variations on a Hungarian Folksong "The Peacock": The Peacock
04. Variations on a Hungarian Folksong "The Peacock": Var. 1
05. Variations on a Hungarian Folksong "The Peacock": Var. 2
06. Variations on a Hungarian Folksong "The Peacock": Var. 3
07. Variations on a Hungarian Folksong "The Peacock": Var. 4
08. Variations on a Hungarian Folksong "The Peacock": Var. 5
09. Variations on a Hungarian Folksong "The Peacock": Var. 6
10. Variations on a Hungarian Folksong "The Peacock": Var. 7
11. Variations on a Hungarian Folksong "The Peacock": Var. 8
12. Variations on a Hungarian Folksong "The Peacock": Var. 9
13. Variations on a Hungarian Folksong "The Peacock": Var. 10
14. Variations on a Hungarian Folksong "The Peacock": Var. 11
15. Variations on a Hungarian Folksong "The Peacock": Var. 12
16. Variations on a Hungarian Folksong "The Peacock": Var. 13
17. Variations on a Hungarian Folksong "The Peacock": Var. 14
18. Variations on a Hungarian Folksong "The Peacock": Var. 15
19. Variations on a Hungarian Folksong "The Peacock": Var. 16
20. Variations on a Hungarian Folksong "The Peacock": Finale
21. Dances of Marosszék (Version for Orchestra)
From the early '60s the Buffalo Philharmonic Orchestra has remained one of the more prominent of so-called second-tier orchestras in the U.S. In fact, with generally favorable critical response over the years and receipt of two Grammy awards in 2009, the BPO has blurred the distinction somewhat between second-tier and front-rank status. Consisting of 80 members, the orchestra plays about 120 concerts each year, including pops and youth concerts. Its performance venue is Kleinhans Music Hall, considered by many to be one of the most acoustically ideal concert halls in the U.S.
The Buffalo Philharmonic Orchestra was founded in 1935 by Cameron Baird, Frederick Slee, and Samuel Capen. Lajos Shuk was the BPO's first music director. He was succeeded after one season by Franco Autori, who served from 1936-1945. During his tenure the BPO moved from the Elmwood Music Hall to Kleinhans Hall, where the inaugural concert was given on October 12, 1940, with a program of the Brahms Symphony No. 1 and the Beethoven Violin Concerto, Eudice Shapiro soloist.
William Steinberg, a former assistant to Toscanini who would go on to become music director of the Pittsburgh and Boston Symphony orchestras, was the BPO's next music director, holding the post from 1945-1952. Izler Solomon served as conductor-in-residence for one season, before Vienna-born maestro Josef Krips became music director, serving until 1963.
With Lukas Foss (1963-1971) the BPO entered a new era. Foss conducted much contemporary music, and both he and the BPO drew wide acclaim for their concerts, as well as recordings of modern compositions. Under Foss the BPO appeared at Carnegie Hall four times, from 1967-1970, playing works by Foss (he was also a composer), Ruggles, Pärt, Babbitt, Penderecki, and a handful of mainstream composers.
The charismatic Michael Tilson Thomas (1971-1979) also presented some adventurous programming during his nine seasons with the BPO, as did Julius Rudel (1979-1985). Under Russian-born Semyon Bychkov (1985-1989) the BPO continued drawing mostly positive notices. During the tenure of talented Chilean-born conductor Maximiano Valdes (1989-1998), financial problems emerged and the musicians agreed to concessions in 1994 to restore fiscal stability. JoAnn Falletta has served as the BPO's music director since 1999, her contract running through the 2011-2012 season. With numerous recordings on the Naxos and Beau Fleuve labels, concert broadcasts on NPR and two Grammys for John Corigliano's Mr. Tambourine Man, she and the BPO have enjoyed almost unprecedented success in the orchestra's 75-year-plus history.
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发表于 2025-6-4 08:36:57