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13-瑞典室内乐团 布雷特·迪恩 - 水之乐 (2009) Hi-Res

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艺术家:莎伦·贝扎利、拉舍尔萨克斯四重奏组、瑞典室内乐团、布雷特·迪恩  
标题:瑞典室内乐团 布雷特·迪恩 - 水之乐  
发行年份:2009年  
厂牌:BIS  
流派:古典  
音质:24位-44.1kHz FLAC/分轨FLAC  
总时长:74分46秒  
总大小:704兆字节/324兆字节  
网站:专辑预览  

曲目列表  
布雷特·迪恩(生于1961年)  
[1] 田园交响曲(2000年,2002年修订)  
[2] 西杜里舞曲(2007年)  
为长笛与弦乐团而作,改编自长笛独奏《恶魔》(题献给莎伦·贝扎利)  
莎伦·贝扎利 长笛  

[3]-[5] 水之乐(2003年,2004年修订)  
为萨克斯四重奏与室内乐团而作  
拉舍尔萨克斯四重奏组  
克里斯蒂娜·拉尔 高音萨克斯风 · 埃利奥特·莱利 中音萨克斯风  
布鲁斯·温伯格 次中音萨克斯风 · 肯尼斯·库恩 上低音萨克斯风  

[6] 卡洛(1997年)  
为弦乐、采样键盘与磁带而作  

演奏者  
瑞典室内乐团  
HK·格鲁伯 指挥 [田园交响曲、水之乐、卡洛]  
布雷特·迪恩 指挥 [西杜里舞曲]  


中提琴家布雷特·迪恩的创作生涯始于20世纪80年代末的德国,当时他是柏林爱乐乐团的一员,同时也作为即兴演奏家参与实验电影和广播配乐工作。迪恩作为作曲家的日益成功促使他从演奏转向全职创作,并回到祖国澳大利亚。近期作品包括小提琴协奏曲《失传的写信艺术》,该作近期为迪恩赢得了著名的格劳迈耶奖。迪恩的中提琴协奏曲已由他本人担任独奏录制于BIS-CD-1696,《国际唱片评论》称其为"录音精湛……引人入胜,展现了澳大利亚音乐中一位令人印象深刻且极具魅力的创作之声"。  

本张专辑收录的《卡洛》为十五件独奏弦乐、采样键盘与磁带而作,灵感源自意大利文艺复兴时期的王子兼牧歌作曲家卡洛·杰苏阿尔多的音乐与生平。这部富有暗示性的作品核心,是采样自磁带的杰苏阿尔多合唱牧歌(如著名的《我痛苦地死去》)与迪恩本人的弦乐写作之间的张力与对比。《田园交响曲》和《水之乐》均受迪恩对环境问题的关注启发,将自然声音融入乐谱:前者主要通过采样呈现鸟鸣,后者则包含四位乐手"演奏"水族箱制造的气泡、泼溅和水流声。《水之乐》专为拉舍尔四重奏而作,迪恩写道,中间乐章《奔流》的灵感来自该乐团"极其流畅的演奏风格与非凡的音色融合"。该作于2004年由拉舍尔四重奏与瑞典室内乐团首演。  

专辑第四部作品《西杜里舞曲》为长笛独奏与弦乐团而作,以《吉尔伽美什史诗》中的人物命名,其前身是一首长笛独奏曲,并题献给本专辑独奏家莎伦·贝扎利。此版本由作曲家本人指挥,其余三部作品由奥地利作曲家/指挥家HK·格鲁伯执棒。


Artist: Sharon Bezaly, Raschèr Saxophone Quartet, Swedish Chamber Orchestra, Brett Dean
Title: Brett Dean - Water Music
Year Of Release: 2009
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 74:46
Total Size: 704 Mb / 324 Mb
WebSite: Album Preview

Tracklist:

Brett Dean (b. 1961)

[1] Pastoral Symphony (2000, rev. 2002)

[2] The Siduri Dances (2007)
Music for flute and string orchestra,
after Demons for solo flute (dedicated to Sharon Bezaly)
Sharon Bezaly flute

[3]-[5] Water Music (2003, rev. 2004)
for saxophone quartet and chamber orchestra
Raschèr Saxophone Quartet
Christine Rall soprano saxophone · Elliot Riley alto saxophone
Bruce Weinberger tenor saxophone · Kenneth Coon baritone saxophone

[6] Carlo (1997)
Music for strings, sampler and tape

Performers:
Swedish Chamber Orchestra
HK Gruber conductor [Pastoral Symphony, Water Music, Carlo]
Brett Dean conductor [The Siduri Dances]

Violist Brett Dean’s journey with composition started in the late 1980s in Germany, where he was a member of the Berlin Philharmonic Orchestra, but also appeared as an improvising performer and worked on experimental film and radio scores. Dean’s growing success as a composer encouraged a shift away from performing to composing as well as a return to his native Australia. Recent works include the violin concerto The Lost Art of Letter Writing which recently earned Dean the prestigious Grawemeyer Award. Dean’s Viola Concerto has been recorded with the composer himself as soloist on BIS-CD-1696, a release described as a ‘superbly recorded … absorbing portrait of an imposing and very engaging creative voice in Australian music’ in International Record Review. The present disc includes the work Carlo for fifteen solo strings, sampling keyboard and tape, inspired by the music and life of Carlo Gesualdo, the Italian renaissance prince and composer of madrigals. At the centre of Dean’s suggestive piece is the tension and contrast between choral Gesualdo, appearing sampled and on tape in the form of the celebrated madrigal ‘Lasso moro’, and Dean’s own string writing. Pastoral Symphony and Water Music are both inspired by Dean’s environmental concerns, and feature natural sounds as part of the scores. In his Pastoral Symphony these are primarily bird calls, appearing through the medium of a sampler, while Water Music also includes bubble-blowing, splashing and pouring sounds created live by four musicians ‘playing’ aquariums. Water Music was written specifically with the Raschèr Quartet in mind, and the middle movement, 'Coursing', was inspired, Dean writes, by the ensemble’s ‘extremely fluid playing style and extraordinary tonal blend’. The work was given its première by the Raschèr Quartet and the Swedish Chamber Orchestra in 2004. The fourth work on the disc is The Siduri Dances for solo flute and string orchestra. Named after a character from the Epic of Gilgamesh, the piece originates from a piece for solo flute and is dedicated to the present soloist, Sharon Bezaly. It is here conducted by the composer, with the Austrian composer/conductor HK Gruber conducting the other three works.

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