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艺术家：伯恩茅斯交响乐团，马林·阿尔索普
标题：巴托克：《木王子》
发行年份：2008年
厂牌：拿索斯
流派：古典
音质：无损弗拉科格式/24位-44.1千赫兹弗拉科格式+小册子
总时长：00:53:37
总大小：243/494兆字节
网站：专辑预览
曲目列表
01.《木王子》，作品13，BB74：序曲。中庸的柔板
02.《木王子》，作品13，BB74：第一支舞曲。森林中公主的舞蹈
03.《木王子》，作品13，BB74：王子遇见仙女并看到公主
04.《木王子》，作品13，BB74：第二支舞曲。树木的舞蹈
05.《木王子》，作品13，BB74：仙女施魔法于溪流——第三支舞曲。波浪的舞蹈
06.《木王子》，作品13，BB74：王子制作木王子
07.《木王子》，作品13，BB74：公主发现木王子
08.《木王子》，作品13，BB74：第四支舞曲。公主与木王子的舞蹈
09.《木王子》，作品13，BB74：王子陷入绝望——仙女安慰他
10.《木王子》，作品13，BB74：伟大的神化
11.《木王子》，作品13，BB74：第五支舞曲。公主督促并鼓励木王子跳舞
12.《木王子》，作品13，BB74：第六支舞曲。公主以迷人的舞蹈试图吸引王子
13.《木王子》，作品13，BB74：第七支舞曲。公主惊恐地追赶王子，但森林挡住了她
14.《木王子》，作品13，BB74：王子与公主相拥——长吻——慢幕
伯恩茅斯交响乐团与马林·阿尔索普-巴托克：《木王子》（2008年）[高解析度]
《木王子》是一部童话芭蕾舞剧，由巴托克的文学友人贝拉·巴拉兹创作原创故事，他也曾为《蓝胡子的城堡》（拿索斯8.660928有售）撰写剧本。尽管主题表面阳光明媚，《木王子》却有神秘的一面，这或许能解释巴托克对这个故事的喜爱。这部芭蕾舞剧的开篇常被比作瓦格纳的《莱茵的黄金》的开篇，而乐谱的宏伟核心在于巴托克为王子神化场景所写的华丽音乐。
《木王子》（1917年）是一部史诗般的管弦乐叙事作品：他本人将其描述为“供舞蹈用的交响诗”。这个奇异的故事讲述了一位王子在魔法森林中爱上一位公主，并通过一个会跳舞的自己的木偶版本吸引她的注意。巴托克的音乐将温和的现代主义与强大的晚期浪漫主义管弦乐力量融合在一起——显然这是一位年轻大师级作曲家的作品——而在马林·阿尔索普的精湛指挥下，著名的伯恩茅斯交响乐团对他的要求做出了令人印象深刻的有力回应。录音的音响效果稍显空旷和隆隆作响——但在这样宏大的乐谱中，这比过于紧凑要好。（马尔科姆·海斯，经典调频）
正如他们早期发行的巴托克作品一样，马林·阿尔索普指挥的伯恩茅斯交响乐团给出了精彩、富有色彩且富有洞察力的演绎。开篇中，巴托克本质上重新想象了《莱茵的黄金》，从最初的低语中庄严地展开，舞蹈的起伏节奏把握得很好。伊万·费舍尔的布达佩斯版本（飞利浦）在神秘段落中更空灵，在其他地方更俏皮，但它只在三张套装中可用，而且即使没有附加曲目，阿尔索普的演绎也掩盖了其预算价格的事实。马林·阿尔索普的录音加入了最受欢迎的《木王子》版本之列……拿索斯的封面注释提到《木王子》开篇与瓦格纳的《莱茵的黄金》之间的相似之处。阿尔索普的指挥气势和伯恩茅斯弦乐的光泽强化了这一观察……阿尔索普在《伟大的神化》中表现尤为出色。这是芭蕾舞剧的情感核心，她比任何人都更充分地展现了它的色彩和激情。（罗杰·赫克特，《美国唱片指南》）
Artist: Bournemouth Symphony Orchestra, Marin Alsop
Title: Bartok: The Wooden Prince
Year Of Release: 2008
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 00:53:37
Total Size: 243 / 494 mb
WebSite: Album Preview
Tracklist
01. The Wooden Prince, Op. 13, BB 74: Opening. Molto moderato
02. The Wooden Prince, Op. 13, BB 74: First Dance. Dance of the Princess in the Forest
03. The Wooden Prince, Op. 13, BB 74: The Prince Meets the Fairy and Sees the Princess
04. The Wooden Prince, Op. 13, BB 74: Second Dance. Dance of the Trees
05. The Wooden Prince, Op. 13, BB 74: The Fairy Enchants the Stream - Third Dance. Dance of the Waves
06. The Wooden Prince, Op. 13, BB 74: The Prince Builds a Wooden Prince
07. The Wooden Prince, Op. 13, BB 74: The Princess Spies the Wooden Prince
08. The Wooden Prince, Op. 13, BB 74: Fourth Dance. Dance of the Princess with the Wooden Prince
09. The Wooden Prince, Op. 13, BB 74: The Prince Is in Despair - The Fairy Comforts Him
10. The Wooden Prince, Op. 13, BB 74: Great Apotheosis
11. The Wooden Prince, Op. 13, BB 74: Fifth Dance. The Princess Prods and Encourages the Wooden Prince to Dance
12. The Wooden Prince, Op. 13, BB 74: Sixth Dance. With an Alluring Dance, the Princess Tries to Appeal to the Prince
13. The Wooden Prince, Op. 13, BB 74: Seventh Dance. Alarmed, the Princess Hurries After the Prince, but the Forest Keeps Her Back
14. The Wooden Prince, Op. 13, BB 74: The Prince and Princess Embrace - Long Kiss - Slow Curtain
Bournemouth Symphony Orchestra & Marin Alsop - Bartok: The Wooden Prince (2008) [Hi-Res]
„The Wooden Prince“ is a fairy tale ballet with an original story by Bartók’s literary acquaintance Béla Balázs, who had also written the libretto to Bluebeard’s Castle (available on Naxos 8.660928). Though outwardly sunny in its subject matter, The Wooden Prince has a mystical side that may explain Bartók’s attraction to the story. The ballet’s opening pages have often been compared to the opening of Wagner’s Das Rheingold, and the majestic heart of the score lies in the glorious music Bartók wrote to accompany the prince’s apotheosis.
„The Wooden Prince (1917) is an epic orchestral narrative: he himself described it as a ‘symphonic poem for dancing’. The bizarre story concerns a prince who falls in love with a princess in a magic forest and attracts her interest with a dancing puppet version of himself. Bartók’s music blends some very mild modernism with enormous, late-Romantic orchestral firepower—clearly this is a young master-composer at work—and the renowned Bournemouth Symphony Orchestra under the skilled hands of Marin Alsop brings an impressively strong response to his demands. The recorded acoustic is a touch overspacious and boomy—but better that, in a huge score like this, than too tight.“ (Malcolm Hayes, Classic FM)
„As with their earlier Bartók releases, the Bournemouth Symphony Orchestra under Marin Alsop gives a fine, colourful and insightful account. The opening, in which Bartók essentially re-imagines Das Rheingold, grows majestically from its initial murmur, and the ebb and flow of the dances is well paced. lvan Fischer’s Budapest account (Philips) is more ethereal in the mystical passages and more playful elsewhere, but it is only available on a three-disc set and, even without a filler, Alsop’s account belies its budget price. Marin Alsop’s recording joins the club of favorite Princes…Naxos’s cover notes similarities between the opening to Wooden Prince and Wagner’s Reingold. Alsop’s sweep and the sheen of the Bournemouth strings reinforce that observation…Alsop really excels in ‘Great Apotheosis’. This is the emotional center of the ballet, and she makes more of its color and passion than anyone.“ (Roger Hecht, American Record Guide)
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