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艺术家：安东尼·马伍德，BBC苏格兰交响乐团，道格拉斯·博伊德
标题：舒曼：小提琴协奏曲
发行年份：2012年
厂牌：Hyperion
类型：古典音乐
音质：FLAC（分轨+.cue，小册子）/24位-96千赫兹FLAC（分轨+小册子）
总时长：69分24秒
总大小：326兆字节/1.20吉字节
网站：专辑预览
曲目列表
01. d小调小提琴协奏曲，WoO23：I. 有力的，不过快的速度（15分22秒）
02. d小调小提琴协奏曲，WoO23：II. 慢速（5分57秒）
03. d小调小提琴协奏曲，WoO23：III. 活泼的，但不太快（10分55秒）
04. a小调小提琴协奏曲，作品129号：I. 不太快（10分22秒）
05. a小调小提琴协奏曲，作品129号：II. 慢速（3分54秒）
06. a小调小提琴协奏曲，作品129号：III. 非常活泼（7分28秒）
07. C大调幻想曲，作品131号（15:30）
Hyperion欣然推出《浪漫主义小提琴协奏曲》系列的第十三卷。该系列既常收录十九世纪作曲家兼小提琴家的炫技杰作，亦包含因各种原因未进入主流曲目的极具音乐价值的作品。本次录制的三首作品的演出现史均与舒曼晚年的动荡密不可分。
舒曼的《d小调小提琴协奏曲》直至1937年才首演，从未成为标准曲目，但在安东尼·马伍德的演绎下却光彩夺目。相比之下，《C大调幻想曲》首演时便广受赞誉，并由约阿希姆多次演奏。《a小调小提琴协奏曲》则是舒曼根据同编号的《大提琴协奏曲》改编而成，本身即为重要作品。
马伍德以其卓越的技巧与深刻的音乐洞察力逐渐成为备受瞩目的艺术家，频繁在澳大利亚、美国及欧洲各地演出。此次他与Hyperion的“御用乐团”——BBC苏格兰交响乐团合作，由道格拉斯·博伊德执棒。乐团精准捕捉舒曼音乐中细腻的抒情性与戏剧性冲突，如d小调协奏曲第一乐章中弦乐的澎湃与独奏小提琴的哀婉形成张力，而幻想曲中钢琴与小提琴的对话则充满诗意。录音通过高解析技术保留了乐器的质感细节，如小提琴运弓的摩擦声与乐团和声的层次变化，为听众带来沉浸式的浪漫主义音乐体验。
Artist: Anthony Marwood, BBC Scottish Symphony Orchestra, Douglas Boyd
Title: Schumann: Violin Concertos
Year Of Release: 2012
Label: Hyperion
Genre: Classical
Quality: FLAC (tracks+.cue, booklet) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 69:24
Total Size: 326 MB / 1.20 GB
WebSite: Album Preview
Tracklist:
01. Violin Concerto in D minor, WoO23: I. In kräftigem, nicht zu schnellem Tempo (15:22)
02. Violin Concerto in D minor, WoO23: II. Langsam – (5:57)
03. Violin Concerto in D minor, WoO23: III. Lebhaft, doch nicht schnell (10:55)
04. Violin Concerto in A minor, Op 129: I. Nicht zu schnell (10:22)
05. Violin Concerto in A minor, Op 129: II. Langsam – (3:54)
06. Violin Concerto in A minor, Op 129: III. Sehr lebhaft (7:28)
07. Phantasie in C major, Op 131 (15:30)
Hyperion is pleased to present a thirteenth volume of the Romantic Violin Concerto. Although frequently featuring virtuoso showpieces by the composer–violinists of the nineteenth century, this series also includes works of great musical interest which for one reason or another have not entered the repertoire. The performance history of all three pieces recorded here is indissolubly linked with the turmoil of Schumann’s last years.
Schumann’s Violin Concerto in D minor had to wait till 1937 for its premiere and has never become a standard work, but in the hands of Anthony Marwood it sounds remarkable. The Phantasie, by contrast, was lauded at its premiere and performed a number of times by Joachim. The Violin Concerto in A minor was arranged by Schumann from his Cello Concerto of the same opus number and is an important work in its own right.
Marwood’s great technique and thoughtful musicianship have made him increasingly an artist to notice, and he performs frequently in Australia and America as well as throughout Europe. Here he is accompanied by Hyperion’s ‘house band’, the BBC Scottish Symphony Orchestra, under the baton of Douglas Boyd.
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