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艺术家：梅纳赫姆·普雷斯勒（Menahem Pressler）
标题：贝多芬、舒伯特与肖邦：钢琴作品
发行年份：2013年
厂牌：BIS
类型：古典音乐
音质：24位-96.0kHz FLAC格式（含小册子）
总时长：1小时10分33秒
总大小：648兆字节
网站：专辑预览
曲目列表
01. 降A大调第三十一钢琴奏鸣曲，作品110号：第一乐章 极为深情的歌唱性中板
02. 降A大调第三十一钢琴奏鸣曲，作品110号：第二乐章 很快的快板
03. 降A大调第三十一钢琴奏鸣曲，作品110号：第三乐章 不过分的柔板 - 赋格。不过分的快板
04. 降B大调第二十一钢琴奏鸣曲，D.960：第一乐章 十分中板
05. 降B大调第二十一钢琴奏鸣曲，D.960：第二乐章 绵延的行板
06. 降B大调第二十一钢琴奏鸣曲，D.960：第三乐章 谐谑曲。细腻的活泼快板
07. 降B大调第二十一钢琴奏鸣曲，D.960：第四乐章 不过分的快板
08. 升C小调第二十夜曲（遗作），作品号后缀
《伯明翰邮报》评价：“录音出色，演奏优雅……”；AudAud.com称：“音质堪称奇迹。我尽力寻找也未发现任何瑕疵……作为收尾的肖邦作品演奏细腻，为这张充满惊喜与一流演绎的专辑增添了点睛之笔，实属必听之作。”
梅纳赫姆·普雷斯勒于2013年12月迎来90岁生日，他曾担任传奇三重奏“美艺三重奏”（Beaux Arts Trio）的钢琴家近55年，至今仍以独奏家与室内乐演奏家的身份活跃于舞台，并始终投身于教学事业。
普雷斯勒一生与本专辑中录制的两首伟大奏鸣曲相伴。他曾讲述自己在1939年逃离纳粹德国前往以色列后，年轻时研习贝多芬降A大调奏鸣曲（作品110号）的经历：“许多现在理解的东西，当时并不真正明白。我只感受到那种巨大的情感……撕裂，从内心深处的撕裂……我体会到慢乐章的美感，令人震撼。”
在谈及另一部作品时，他将其与舒伯特的钢琴绝笔——降B大调奏鸣曲（D.960）对比：“贝多芬的作品110号奏鸣曲中，第一乐章展现理想主义，第二乐章体现享乐主义，末乐章则充满遗憾与痛苦，而两首赋格从中突围并走向胜利，仿佛在说‘生命值得热爱’——这正是我的感受。
舒伯特的最后一首奏鸣曲D.960则刻画了一个深知生命有限之人的情感：慢乐章如葬礼进行曲般回荡，却也流露出幸福与内心的安宁。”
作为钢琴文献这两座丰碑的尾声，梅纳赫姆·普雷斯勒选择了自己尤为钟爱的一部作品——他常在独奏会终章演奏的肖邦升C小调夜曲（遗作，作品号后缀）。这部创作于1830年（仅晚于舒伯特奏鸣曲两年）的小品精致动人，是作曲家题献给姐姐的礼物。
Artist: Menahem Pressler
Title: Beethoven, Schubert & Chopin: Piano Works
Year Of Release: 2013
Label: BIS
Genre: Classical
Quality: flac 24bits - 96.0kHz +Booklet
Total Time: 01:10:33
Total Size: 648 mb
WebSite: Album Preview
Tracklist
01. Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo
02. Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto
03. Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo - Fuga. Allegro ma non troppo
04. Piano Sonata No. 21 in B-Flat Major, D. 960: I. Molto moderato
05. Piano Sonata No. 21 in B-Flat Major, D. 960: II. Andante sostenuto
06. Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo. Allegro vivace con delicatezza
07. Piano Sonata No. 21 in B-Flat Major, D. 960: IV. Allegro ma non troppo
08. Nocturne No. 20 in C-Sharp Minor, Op. posth.
”The recording is excellent and the playing is elegant…” Birmingham Post; ”… the sound is miraculous. Hard as I tried, I could not find any flaws in it. … The afterthought Chopin is nicely played, fine filler to a well-filled album full of wonderful surprises and first-rate performances. A must-have issue.” AudAud.com
Turning 90 in December 2013, Menahem Pressler was the pianist of the legendary Beaux Arts Trio for almost 55 years, and continues to enjoy a blossoming career as soloist and recitalist, while remaining as committed to teaching as ever.
For the greater part of his life, Pressler has lived with the two great sonatas recorded here, and has recounted how he studied Beethoven’s Sonata in A flat major, Op.110 as a young man after having fled Nazi Germany for Israel in 1939: ‘I didn't really understand many of the things that I understand now. I only understood the enormous emotional... tearing, tearing on my insides... I felt the beauty of that slow movement, so overwhelming.’
In another context he has discussed the piece in the context of Schubert’s final work for the piano, the Sonata in B flat major: ‘Beethoven’s Sonata Op. 110 illustrates idealism in the first movement, hedonism in the second and regret and pain in the last movement from which two fugues emerge triumphantly, as if saying, “Yes, life is worth living” – and this is what I feel.
This is to be considered alongside Schubert’s last sonata D.960, which explores the emotions of a man who knows he has a limited time to live, and in which the slow movement resonates like a funeral march whilst also showing happiness and peace of mind.’
As an epilogue to these two pillars of the piano literature, Menahem Pressler has chosen to play a particular favourite of his, a work that he often performs at the end of his recitals: Chopin’s brief but exquisite Nocturne in C sharp minor, Op. posth., composed in 1830 – only two years after Schubert’s Sonata – with a dedication to the composer’s sister.
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