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艺术家：约翰·内斯克林、圣保罗交响乐团
标题：维拉-洛博斯：肖罗组曲第5、7、11号
发行年份：2008年
厂牌：BIS
类型：古典音乐
音质：24位-44.1kHz FLAC格式/分轨FLAC格式
总时长：1小时18分05秒
总大小：772兆字节/371兆字节
网站：专辑预览
曲目列表
钢琴与管弦乐版肖罗组曲第11号 62分50秒
01. 精确的不过分快板（紧接）21分02秒
02. 柔板（紧接）15分39秒
03. 中快板 26分09秒
04. 肖罗组曲第5号“巴西之魂”钢琴独奏版 5分02秒
05. 肖罗组曲第7号“七重奏”管乐、小提琴与大提琴版 9分15秒
演奏者：
克里斯蒂娜·奥尔蒂斯（钢琴）
圣保罗交响乐团
约翰·内斯克林（指挥）
在备受赞誉地完成维拉-洛博斯九部《巴西的巴赫风格》三部曲录音后，圣保罗交响乐团（OSESP）在乐团艺术总监约翰·内斯克林的指导下，开始着手录制同一作曲家的《肖罗组曲》系列。在1930至1945年间创作的《巴西的巴赫风格》中，维拉-洛博斯试图将J.S.巴赫的风格与巴西民间和流行音乐相融合。而在1920至1929年创作的《肖罗组曲》中，他的出发点是巴西的流行音乐类型“肖罗”。维拉-洛博斯本人将他的《肖罗组曲》描述为“巴西本土和流行音乐不同形式的综合”，并补充说“小夜曲”一词大致能说明《肖罗组曲》的特点。这种模糊性可能是有意为之——维拉-洛博斯想捕捉该类型音乐的即兴特质，因此作品风格多样。该系列包括《肖罗组曲》的引言、现存的11首肖罗组曲以及标题为《肖罗组曲之二》的附录，涵盖了独奏小品、室内乐组合以及大型交响乐团的完整作品，有的包含独奏乐器或合唱，有的则不包含。这张唱片是三部曲中的首张，展示了所有三种类型的范例：副标题为“巴西之魂”的钢琴独奏版肖罗组曲第5号、由管乐、小提琴、大提琴加定音鼓组成的七重奏版肖罗组曲第7号“七重奏”，以及为完整管弦乐团精心谱写的肖罗组曲第11号，该作品有极高要求的独奏部分，时长63分钟，是整个系列中最长的。圣保罗交响乐团的乐手们组成了第7号作品的演奏组合，而著名的巴西钢琴家克里斯蒂娜·奥尔蒂斯同时演奏了肖罗组曲第5号和第11号的独奏部分，第11号相当于一首大型的钢琴协奏曲。圣保罗交响乐团和约翰·内斯克林将色彩丰富的管弦乐总谱完美呈现，这一团队在BIS厂牌越来越多的唱片中获得了最高国际赞誉，包括他们同胞卡马戈·瓜尔涅里、弗朗西斯科·米尼奥内和克劳迪奥·桑托罗作品的录音。
Artist: John Neschling, São Paulo Symphony Orchestra
Title: Villa-Lobos: Choros Nos. 5, 7, 11
Year Of Release: 2008
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 01:18:05
Total Size: 772 Mb / 371 Mb
WebSite: Album Preview
Tracklist:
Choros No.11 for piano & orchestra 62'50
01. Allegro preciso ma non troppo (attacca) 21'02
02. Adagio (attacca) 15'39
03. Allegro moderato 26'09
04. Choros No.5, ‘Alma Brasileira’ for piano 5'02
05. Choros No.7, ‘Settimino’ for winds, violin & cello 9'15
Performers:
Cristina Ortiz, piano
São Paulo Symphony Orchestra
John Neschling, conductor
After a highly acclaimed 3-disc traversal of Villa-Lobos’ 9 Bachianas Brasileiras, the São Paulo Symphony Orchestra (OSESP) takes on the Choros by the same composer, in a cycle supervised by the orchestra’s artistic director John Neschling. In the Bachianas Brasileiras, composed between 1930 and 1945, Villa-Lobos attempted to fuse the style of J.S. Bach with Brazilian folk and popular music. In the Choros (1920-1929), his point of departure is the Brazilian popular genre called choro. Villa-Lobos himself described his Choros as a synthesis of ‘the different modalities of indigenous and popular Brazilian music’, adding that the word ‘serenade’ gives an approximate idea of what Choros is. This vagueness was probably intentional – Villa-Lobos wanted to catch the improvisatory aspect of the genre, and as a result the works are very varied. The cycle, consisting of an Introduction to the Choros, the 11 extant Choros and an appendix with the title Choros bis, includes brief solo pieces, chamber settings and full-length works for large symphony orchestra, with or without solo instruments or choir. This disc – the first of three – features examples of all three categories: Choros No.5, subtitled ‘Alma brasileira’ for solo piano, No.7 ‘Settimino’, for a septet of winds, violin and cello with the addition of tam-tam, and Choros No.11, richly scored for full orchestra, with a highly demanding solo part and – at 63 minutes – the longest of the entire series. Musicians from the São Paulo Symphony Orchestra make up the ensemble in No.7, while eminent Brazilian pianist Cristina Ortiz performs both Choros No.5 and the solo part of No.11, which amounts to a huge concerto for the instrument. The colourful orchestral score is realized by the São Paulo Symphony Orchestra and John Neschling, a team which has been receiving the highest international acclaim for a growing number of discs on BIS, including recordings of works by their countrymen Camargo Guarnieri, Francisco Mignone and Cláudio Santoro.
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发表于 2025-6-8 08:11:54