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艺术家：奥菲欧男声合唱团、塞西莉亚·雷丁格·阿林
标题：托尔米斯：《钢铁的诅咒——男声合唱作品》
发行年份：2012年
厂牌：BIS
类型：古典音乐
音质：无损FLAC格式/24位-96.0千赫兹FLAC格式+小册子
总时长：01小时12分48秒
总大小：300兆字节/1.19千兆字节
网站：专辑预览
曲目列表
01. 怒海咒语（暴风雨海的咒语）
02. 我们终将重现（Once We Will Reappear）
03. 我曾拥有三句美丽的话（Three I Had Those Words of Beauty）
04. 爱沙尼亚日历歌，第三组：狂欢节歌曲：I. 对唱
05. 爱沙尼亚日历歌，第三组：狂欢节歌曲：II. 对亚麻施咒
06. 爱沙尼亚日历歌，第三组：狂欢节歌曲：III. 雪橇歌
07. 雷电连祷（Litany to Thunder）
08. 维鲁誓言（The Viru Oath）
09. 牧童召唤（Herdboy Calls）
10. 钢铁的诅咒（Curse Upon Iron）
11. 古海之歌（Song of the Ancient Sea）
12. 哈姆雷特之歌I、II：I. 大海退去（The Sea Withdraws）
13. 哈姆雷特之歌I、II：II. 是的，存在，存在，无论如何都要存在（Yes, to Be, to Be, By All Means to Be）
14. 双重奉献：I. 我想唱一首歌（I'd like to Sing a Song）
15. 双重奉献：II. 星辰（Stars）
沃尔约·托尔米斯可能是继阿沃·帕特之后爱沙尼亚最著名的作曲家，他将大部分精力投入到合唱音乐中，创作了500多首合唱作品。他是一位真正的特立独行者，其作品充满原始气息，难以轻易追溯到任何先前的作曲流派或传统。他经常采用爱沙尼亚民歌或类似民歌的素材，将其转化为独特且极具感染力的音乐，通常以节奏推动力为驱动。他运用扩展的声乐技巧——呼喊、吹口哨、吟唱、低语、滑音、喉唱——这些技巧听起来并非现代创新，而是情感的本能、自然表达，过于原始和直白，无法通过传统歌唱传达。《钢铁的诅咒》可能是托尔米斯在爱沙尼亚以外演出最频繁的作品，原因显而易见；它具有 stark 的戏剧性和深刻的纪念碑性，让人联想到古代萨满仪式的 enactment，并且具有令人难忘的节奏动力。事实上，作曲家所谱曲的许多文本都是取自波罗的海民间传说和芬兰史诗《卡勒瓦拉》的咒语。这张专辑还包括托尔米斯较为传统的合唱作品，如《我曾拥有三句美丽的话》，它使用调性和声，旋律性比他更具代表性的作品更强。录音由成立于1853年的瑞典男声合唱团奥菲欧男声合唱团演唱，由塞西莉亚·雷丁格·阿林指挥。合唱团以粗犷的自信和所需的高昂、近乎大胆的能量演唱这首艰巨的音乐。这张专辑是托尔米斯男声音乐的良好介绍，应该会引起任何热爱现代合唱音乐的人的强烈兴趣。BIS的超级音频混合CD的声音干净细腻，但缺乏临场感和即时性，无法让如此宏大的音乐发挥最大影响力。
Artist: Orphei Drangar, Cecilia Rydinger Alin
Title: Tormis: Curse Upon Iron - Works for male choir
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:12:48
Total Size: 300 mb / 1.19 gb
WebSite: Album Preview
Tracklist
01. Incantatio maris aestuosi (Incantation for a Stormy Sea)
02. Kord me tuleme tagasi (Once We Will Reappear)
03. Kolm mul oli kaunist sona (Three I Had Those Words of Beauty)
04. Eesti kalendrilaulud (Estonian Calendar Songs), Set 3: Vastlalaulud [Shrovetide Songs]: I. Vistel-vastel
05. Eesti kalendrilaulud (Estonian Calendar Songs), Set 3: Vastlalaulud [Shrovetide Songs]: II. Lina loitsimine [Casting a Spell Upon Flax]
06. Eesti kalendrilaulud (Estonian Calendar Songs), Set 3: Vastlalaulud [Shrovetide Songs]: III. Liulaskmise-laul [Sledging Song]
07. Pikse litaania (Litany to Thunder)
08. Viru vanne (The Viru Oath)
09. Helletused (Herdboy Calls)
10. Raua needmine (Curse Upon Iron)
11. Muistse mere laulud (Song of the Ancient Sea)
12. Hamleti laulud I, II (Hamlet's Songs): I. Meri tombus endasse [The Sea Withdraws]
13. Hamleti laulud I, II (Hamlet's Songs): II. Jah, olla, olla, tingimata alla [Yes, to Be, to Be, By All Means to Be]
14. Kaksikpuhendus (Double Dedication): I. Uhte laulu tahaks laulda [I'd like to Sing a Song]
15. Kaksikpuhendus (Double Dedication): II. Tahed [Stars]
Veljo Tormis, probably Estonia's best-known composer after Arvo Pärt, has devoted the bulk of his energies to choral music, with a catalog of over 500 choral works. He is a real maverick; his primal-sounding pieces can't be easily traced to any previous compositional school or tradition. He often takes Estonian folk song or folk-like material and transforms it into distinctive, powerfully evocative music, usually driven by rhythmic propulsiveness. He uses extended vocal techniques -- shouting, whistling, chanting, whispering, glissandi, throat singing -- in ways that make them sound not modern and innovative but visceral, organic expressions of feelings too primitive and raw to be conveyed through traditional singing. Raua needmine (Curse Upon Iron) is probably Tormis' most frequently performed piece outside Estonia, and it's easy to see why; it's starkly dramatic with a profound monumentality that evokes the enactment of an ancient shamanic ritual, and it has memorable rhythmic drive. Many of the texts the composer sets are in fact incantations taken from Baltic folklore and the Finnish epic, The Kalevala. The album also includes examples of Tormis' more conventional choral works, such as Kolm mul oli kaunist sõna, which uses tonal harmonies and is more strongly melodic than his more characteristic pieces. The recording features performances by Orphei Drängar, a Swedish men's choir founded in 1853, led by Cecilia Rydinger Alin. The choir sings this daunting music with rugged assurance and the high, almost reckless energy it requires. The album makes a good introduction of Tormis' music for men's voices, and should be of strong interest to anyone who loves modern choral music. The sounds of BIS' super audio hybrid CD is clean and detailed, but doesn't have the presence and immediacy to allow music of this magnitude to make its maximum impact.
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发表于 2025-6-8 08:27:01