|
|
艺术家：莎伦·贝扎利、瓦迪姆·格鲁兹曼、约翰·内施林
标题：《纪念：勋伯格、布洛赫、伯恩斯坦与蔡斯尔》
发行年份：2009年
厂牌：BIS
类型：古典音乐
音质：24位-44.1千赫兹FLAC/FLAC（分轨）
总时长：01小时03分02秒
总大小：618兆字节/298兆字节
网站：专辑预览
曲目列表
阿诺德·勋伯格
01. 《科尔·尼德瑞》，作品39号（为朗诵者、混声合唱团与管弦乐团而作）13分44秒
伦纳德·伯恩斯坦
02. 《哈利勒》（长笛、打击乐、竖琴与弦乐夜曲）14分39秒
欧内斯特·布洛赫
《巴尔·舍姆》（为小提琴与管弦乐团改编版）15分05秒
03. 第一乐章 维杜伊（忏悔）3分18秒
04. 第二乐章 尼古恩（即兴曲）6分55秒
05. 第三乐章 辛查斯·托拉（狂欢）4分52秒
埃里克·蔡斯尔
06. 《犹太安魂曲》（为独唱、混声合唱团、管风琴与管弦乐团而作）18分26秒
演奏者：
莎伦·贝扎利
罗德里戈·埃斯特韦斯
路易莎·弗朗切斯科尼
瓦迪姆·格鲁兹曼
加布里埃拉·佩斯
圣保罗交响乐团合唱团
圣保罗交响乐团
约翰·内施林（指挥）
“纪念”（希伯来语为zicharon）一词在此作为四部作品的核心主题，它们提醒我们人类的首要忠诚归于信仰，并纪念逝去的所爱之人：包括战亡的青年、大屠杀的受害者，以及现已消逝的整个欧洲犹太文化。专辑以两位因犹太血统被迫逃离欧洲的奥地利作曲家的作品首尾呼应：勋伯格于1938年为洛杉矶犹太教堂创作了犹太祷文《科尔·尼德瑞》，1944年同一教会委托埃里克·蔡斯尔（1905–1959）创作了新的《诗篇92》——蔡斯尔此前多年为好莱坞电影业作曲。委托后不久，蔡斯尔得知父亲及多位朋友在大屠杀中遇难的噩耗，作品遂成为悲痛的倾诉。正如他给出版商的信中所言：“犹太人需要一首安魂曲，让我们试着为他们创作……我从心底写就它，因此它也将抵达人们的心底。”
两首声乐作品之间是两首纯器乐作品：伯恩斯坦的《哈利勒》（标题源自希伯来语“长笛”）献给1973年在西奈半岛坦克战中牺牲的以色列青年士兵兼长笛手亚丁·坦嫩鲍姆；欧内斯特·布洛赫的《巴尔·舍姆》则为纪念母亲而作，同时也是对东欧犹太文化的颂扬。约翰·内施林（巧合的是，他是勋伯格的侄孙）指挥圣保罗交响乐团，以同样饱满的热情演绎这些充满张力的音乐。该团队此前因录制维拉-洛博斯、瓜尔涅里等巴西作曲家的作品广受赞誉，此次携手圣保罗交响乐团合唱团及莎伦·贝扎利、瓦迪姆·格鲁兹曼等杰出独奏家，共同呈现这场纪念之声。
Artist: Sharon Bezaly, Vadim Gluzman, John Neschling
Title: Remembrance: Schoenberg, Bloch, Bernstein & Zeisl
Year Of Release: 2009
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 01:03:02
Total Size: 618 Mb / 298 Mb
WebSite: Album Preview
Tracklist:
Arnold Schönberg
01. Kol Nidre, Op.39 (for speaker, mixed choir and orchestra) 13'44
Leonard Bernstein
02. Halil (Nocturne for flute, percussion, harp and strings) 14'39
Ernest Bloch
Baal Shem (version for violin and orchestra) 15'05
03. I. Vidui (Contrition) 3'18
04. II. Nigun (Improvisation) 6'55
05. III. Simchas Torah (Rejoicing) 4'52
Eric Zeisl
06. Requiem Ebraico (for soli and mixed choir, organ and orchestra) 18'26
Performers:
Sharon Bezaly
Rodrigo Esteves
Luisa Francesconi
Vadim Gluzman
Gabriella Pace
São Paulo Symphony Orchestra Choir
São Paulo Symphony Orchestra
John Neschling, conductor
The word ‘remembrance’ (in Hebrew zicharon) is used here as a motto for four works that remind us that Man’s first allegiance lies with his God, and commemorate deceased loved ones: a young man fallen in battle, the victims of the Holocaust, and an entire Jewish European culture now lost. The disc opens and closes with the works by two Austrian composers forced to flee Europe because of their Jewish heritage. Schoenberg composed his setting of the Jewish prayer Kol Nidre in 1938 for the Los Angeles synagogue, and in 1944 the same congregation commissioned a new setting of Psalm 92 from Erich Zeisl (1905–59), who for some years had been composing for the film industry in Hollywood. Soon after the commission Zeisl received the tragic news of the death of his father and several friends in the Holocaust, and the work developed into an expression of grief. As Zeisl wrote to his publisher: ‘The Jews need a requiem so let’s try to give it to them… I wrote it from my heart and therefore it will find its way to their hearts.’ Between these two vocal works are two purely instrumental ones. Bernstein’s Halil (from the Hebrew word for flute) was dedicated to Yadin Tannenbaum, a young Israeli soldier and flautist who was killed in 1973 in his tank in Sinai, while Ernest Bloch wrote his Baal Shem in memory of his mother, but also as a celebration of East-European Jewish culture. The vibrant music receives equally intense performances from John Neschling (incidentally Schoenberg’s grand-nephew) conducting the São Paulo Symphony Orchestra. The team has received great acclaim for its recordings of Brazilian composers such as Villa-Lobos and Guarnieri and is here joined by the Choir of the São Paulo Symphony Orchestra, as well as by various eminent soloists, including Sharon Bezaly and Vadim Gluzman.
|
|
发表于 2025-6-8 08:32:11